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We will also entertain small, themed clusters of essays to be included in open issues as well as commissioned book-review essays.\u003cbr/>\n \u003c/p>\n\n\u003cp>\u003cem>postmedieval\u003c/em> is a \u003cstrong>Transformative Journal\u003c/strong>; authors can publish using the traditional publishing route OR via immediate gold Open Access.\u003cbr/>\n\u003cbr/>\nMore information on Transformative journals: \u003cstrong>https://www.springernature.com/gp/open-research/transformative-journals\u003c/strong>\u003cbr/>\n\u003cbr/>\nMore information on funder and institutional requirements: \u003cstrong>https://www.springernature.com/gp/open-research/funding\u003c/strong>\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["Visit the ",{"tagName":"em","children":["postmedieval "]},"webpage here https://sites.google.com/view/postmedieval/home ",{"tagName":"br"},"\n",{"tagName":"br"},"\n",{"tagName":"em","children":["postmedieval "]},"publishes theoretically driven scholarship on premodernity and its ongoing reverberations. 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Filipović, University of Sarajevo\u003cbr/>\nMicah Goodrich, Boston University\u003cbr/>\nAdam J. Goldwyn, North Dakota State University\u003cbr/>\nEmily Guerry, University of Kent\u003cbr/>\nN. İpek Hüner, Boğaziçi University\u003cbr/>\nElizabeth Lambourn, De Montfort University\u003cbr/>\nSam Lasman, University of Cambridge\u003cbr/>\nHuijun Mai, UCLA\u003cbr/>\nPia Maria Malik, University of Delhi\u003cbr/>\nAfrodesia McCannon, New York University\u003cbr/>\nJulie Orlemanski, University of Chicago\u003cbr/>\nMilan Vukašinović, Uppsala University\u003cbr/>\nMyra Seaman, College of Charleston\u003cbr/>\nSteven Swarbrick, Baruch College\u003cbr/>\nElizabeth Upton, UCLA\u003cbr/>\nFelege-Selam Yirga, University of Tennessee, Knoxville\u003cbr/>\nYing Zhang, Leiden University\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":[{"tagName":"strong","children":["Editors:"]}," Shazia Jagot, University of York, UK",{"tagName":"br"},"\nSara Ritchey, University of Tennessee, Knoxville, USA",{"tagName":"br"},"\nRebecca De Souza, University of Stirling, UK",{"tagName":"br"},"\nJason Jacobs, Roger Williams University, USA",{"tagName":"br"},"\n",{"tagName":"br"},"\n",{"tagName":"strong","children":["Managing Editor"]},": Nicola Estrafallaces, University of Glasgow, Scotland",{"tagName":"br"},"\n",{"tagName":"br"},"\n",{"tagName":"strong","children":["Editorial Board"]},": Clínio Amaral, Universidade Federal Rural do Rio de Janeiro",{"tagName":"br"},"\nAida Alavi, Bordeaux Montaigne University",{"tagName":"br"},"\nKathleen Bickford Berzock, Northwestern University",{"tagName":"br"},"\nAdam Bursi, Independent Scholar",{"tagName":"br"},"\nCameron Cross, University of Michigan, Ann Arbor",{"tagName":"br"},"\nJean Dangler, Tulane University",{"tagName":"br"},"\nLouise D'Arcens, Macquarie University",{"tagName":"br"},"\nSarah Ifft Decker, Rhodes College",{"tagName":"br"},"\nCharlotte Eubanks, Pennsylvania State University",{"tagName":"br"},"\nLara Farina, West Virginia University",{"tagName":"br"},"\nEmir O. Filipović, University of Sarajevo",{"tagName":"br"},"\nMicah Goodrich, Boston University",{"tagName":"br"},"\nAdam J. Goldwyn, North Dakota State University",{"tagName":"br"},"\nEmily Guerry, University of Kent",{"tagName":"br"},"\nN. İpek Hüner, Boğaziçi University",{"tagName":"br"},"\nElizabeth Lambourn, De Montfort University",{"tagName":"br"},"\nSam Lasman, University of Cambridge",{"tagName":"br"},"\nHuijun Mai, UCLA",{"tagName":"br"},"\nPia Maria Malik, University of Delhi",{"tagName":"br"},"\nAfrodesia McCannon, New York University",{"tagName":"br"},"\nJulie Orlemanski, University of Chicago",{"tagName":"br"},"\nMilan Vukašinović, Uppsala University",{"tagName":"br"},"\nMyra Seaman, College of Charleston",{"tagName":"br"},"\nSteven Swarbrick, Baruch College",{"tagName":"br"},"\nElizabeth Upton, UCLA",{"tagName":"br"},"\nFelege-Selam Yirga, University of Tennessee, Knoxville",{"tagName":"br"},"\nYing Zhang, Leiden University"]}]},"children":[]},{"type":"article","data":{"title":"News","shortTitle":"News","urlSegment":"news","html":"\u003cp class=\"align--left\">\u003cstrong>We are pleased to announce a new editorial team at postmedieval! \u003c/strong>\u003cbr/>Shazia Jagot, Julie Orlemanski, and Sara Ritchey will be the journal’s Editors, supported by our new Managing Editor, Francesca Petrizzo.\u003c/p>\u003cp class=\"align--left\">Over the past eleven years, postmedieval: a journal of medieval cultural studies has been a home for theoretically driven scholarship as well as inclusive and experimental publishing practices -- under the remarkable leadership of Editors Myra Seaman, Lara Farina, and Eileen Joy, Book-Reviews Editor Holly Crocker, as well as the longstanding Editorial Board. The new Editors are excited both to carry on this legacy and to transform it. We are committed to extending postmedieval ’s sense of conceptual adventure, political urgency, and inclusive dialogue to a new generation and to a wider compass of scholars and thinkers. Especially important to us is opening up the geographic and disciplinary traditions that the journal represents, featuring scholarship that reaches across fields, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval and its ongoing reverberations. (Look out for upcoming announcements concerning the new Editorial Board.)\u003c/p>\u003cp class=\"align--left\">One immediate change at the journal is that we’ll now be publishing more open-topic issues, including the first issues under new editorial leadership. That means we’re looking for submissions! We welcome submissions of 5,000 to 10,000 words for peer-reviewed consideration. Any disciplinary approach that considers premodernity in one of its varied forms or afterlives is warmly invited. For queries and proposals, please contact Managing Editor Francesca Petrizzo at postmedievalED@gmail.com​.\u003c/p>\u003cp class=\"align--left\">\u003cstrong>Editor bios​:\u003c/strong>\u003c/p>\u003cp class=\"align--left\">Shazia Jagot is a Lecturer in Medieval and Global Literature at the University of York. She is a literary specialist whose research explores the connections, both entangled and diffuse, between Western literary culture and the Islamic world. She is currently writing her first monograph on Chaucer’s Arabic ‘sources’.  \u003c/p>\u003cp class=\"align--left\">Julie Orlemanski is Associate Professor of English at the University of Chicago. Her monograph \u003cem>Symptomatic Subjects: Bodies, Medicine, and Causality in the Literature of Late Medieval England\u003c/em> appeared in 2019. She is at work on two book-length projects: one concerns prosopopoeia in medieval writing; the other follows the tangled genealogies of fictionality and disenchantment to argue for a comparative poetics of fiction.    \u003c/p>\u003cp class=\"align--left\">Sara Ritchey is Associate Professor of History at the University of Tennessee, Knoxville. Her latest book is \u003cem>​Acts of Care: Recovering Women in Late Medieval Health\u003c/em> ​(Cornell, 2021). She is now interrogating the concepts of periodization and orality in a project that explores trans-temporal engagements with medieval French performance traditions. \u003c/p>\u003cp class=\"align--left\">\u003cstrong>Managing Editor bio​: \u003c/strong>\u003c/p>\u003cp class=\"align--left\">Francesca Petrizzo is currently also Editorial Assistant at the \u003cem>​European Journal of International Security\u003c/em>​ , and has worked at the International Medieval Bibliography.​ ​ She is interested in masculinity and identity in the Middle Ages, and medievalisms from the Renaissance to the modern era. \u003c/p>\u003cp class=\"align--left\">\u003cbr/>\u003c/p>\u003ch4 class=\"align--left\">Call for Papers: Race, Revulsion, and Revolution\u003c/h4>\u003cp>DEADLINE FOR ABSTRACTS: JUNE 1, 2019\u003c/p>\u003cp>Guest Editors: M. Rambaran-Olm, M. Breann Leake, Micah Goodrich\u003cimg alt=\"image © Doreen Garner, Red Rack of Those Ravaged and Unconsenting (2017), sculpture.\" class=\"float--right\" title=\"image © Doreen Garner, Red Rack of Those Ravaged and Unconsenting (2017), sculpture.\" src=\"//resource-cms.springernature.com/springer-cms/rest/v1/content/16628154/data/v7\"/>\u003c/p>\u003cp>This special issue seeks papers on topics that capsize the racist narrative to which Medieval Studies broadly and Anglo-Saxon Studies especially have been held captive. We ask for papers that embrace ideas and bodies discarded in traditional discourse and that rebels against scholarship that is both sterilized and sterilizing. This issue encourages contributions from various disciplines and methodologies within all of Medieval Studies but wish to highlight the urgent and decisive intersectional work within Anglo-Saxon studies. Through this collaborative endeavor, we hope to create a compilation of essays that will declutter centuries worth of traditionalist, elitist and racist politics in the field. We endeavor to include pieces from various disciplines within Anglo-Saxon studies including literary, history, archaeology, art history, etc. that can serve as a foundational source for scholars and students as well as a catalyst for further research. In particular, we encourage scholarly articles that embrace critical race theory, gender and sexuality studies, class studies, et al., and/or the possibilities for overlap and discussions of intersectionality. Other approaches that confront revulsion and cultivate revolution are welcome.\u003c/p>\u003cp> \u003cstrong>\u003ca href=\"https://resource-cms.springernature.com/springer-cms/rest/v1/content/16628150/data/v1\" target=\"_blank\" class=\"is-external\">Read the full call for papers here.\u003c/a>\u003c/strong>\u003c/p>\u003cp>Articles may be collaborative pieces or single-authored. Pending proposal acceptance, completed essays of no longer than 3,000 words (\u003cem>note brevity\u003c/em>) will be due \u003cstrong>October 15, 2019\u003c/strong>.\u003c/p>\u003cp>Please send abstracts with a brief biographical blurb to Mary Rambaran-Olm, M. Breann Leake and Micah Goodrich at \u003ca href=\"mailto:postmed10@gmail.com\" class=\"is-external\">postmed10@gmail.com\u003c/a> by \u003cstrong>June 1, 2019\u003c/strong>.\u003c/p>\u003ch4 class=\"align--left\">Call for Papers: Confessions\u003c/h4>\u003cp class=\"align--left\">DEADLINE FOR ABSTRACTS: APRIL 5, 2019\u003c/p>\u003cp class=\"align--left\">Guest Editors: Abdulhamit Arvas, Afrodesia McCannon, and Kris Trujillo\u003cbr/>\u003cem>\u003cimg alt=\"New Content Item\" class=\"float--right\" title=\"New Content Item\" src=\"//resource-cms.springernature.com/springer-cms/rest/v1/content/16496838/data/v3\"/>\u003c/em>How is our devotion to the past shaped by our present devotions to communities, political mobilization, and visions of the world? How are the methods and theories that we bring to our scholarship conditioned by concomitant attachments to values, ethics, and ideals? At the same time that we call contributors to account for their particular positions as subjects shaped in the world, we recognize the numerous crises that shape this world, so we ask: “What matters to you and why does it matter for your scholarship?” For example, how might the growing voices of medievalists of color and queer medievalists require a reconception of the ethical demands of medieval scholarship? How do racism and the threat of white supremacy lend urgency to engagements with critical race theory? How does the #MeToo Movement influence feminist analyses of the past? How do queer and trans activisms play themselves out in ancient, medieval, and early modern scholarship? Does increasing financial inequity motivate examinations of premodern labor? How might xenophobic nationalism and immigration issues inform approaches to the Global Middle Ages or the Global Renaissance? In fact, might premodern models of desire and devotion reflect our own, and when might it be ethically or politically exigent to distance oneself from the devotions of premoderns?\u003c/p>\u003cp>\u003cstrong>\u003ca href=\"https://resource-cms.springernature.com/springer-cms/rest/v1/content/16628188/data/v1\" target=\"_blank\" class=\"is-external\">Read the full call for papers here.\u003c/a>\u003c/strong>\u003c/p>\u003cp>We welcome submissions that examine any historical period, cultural context, and geographical region in the premodern world. We especially encourage contributions from early-career scholars as well as contributions that creatively reimagine the form of the confession as, for example, dialogue, interview, manifesto, etc.\u003c/p>\u003cp>In order to be considered for inclusion, please submit an abstract of no more than 300 words and a brief bio to the guest-editors, Abdulhamit Arvas, Afrodesia McCannon, and Kris Trujillo, at &lt;\u003ca href=\"mailto:postmedieval10th@gmail.com\" class=\"is-external\">postmedieval10th@gmail.com\u003c/a>> by \u003cstrong>April 5, 2019\u003c/strong>. Pending proposal acceptance, completed essays of no longer than 3,000 words (\u003cem>note brevity\u003c/em>) will be due \u003cstrong>August 15, 2019\u003c/strong>.\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":[{"tagName":"strong","children":["We are pleased to announce a new editorial team at postmedieval! "]},{"tagName":"br"},"Shazia Jagot, Julie Orlemanski, and Sara Ritchey will be the journal’s Editors, supported by our new Managing Editor, Francesca Petrizzo."],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Over the past eleven years, postmedieval: a journal of medieval cultural studies has been a home for theoretically driven scholarship as well as inclusive and experimental publishing practices -- under the remarkable leadership of Editors Myra Seaman, Lara Farina, and Eileen Joy, Book-Reviews Editor Holly Crocker, as well as the longstanding Editorial Board. The new Editors are excited both to carry on this legacy and to transform it. We are committed to extending postmedieval ’s sense of conceptual adventure, political urgency, and inclusive dialogue to a new generation and to a wider compass of scholars and thinkers. Especially important to us is opening up the geographic and disciplinary traditions that the journal represents, featuring scholarship that reaches across fields, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval and its ongoing reverberations. (Look out for upcoming announcements concerning the new Editorial Board.)"],"attributes":{"class":"align--left"}},{"tagName":"p","children":["One immediate change at the journal is that we’ll now be publishing more open-topic issues, including the first issues under new editorial leadership. That means we’re looking for submissions! We welcome submissions of 5,000 to 10,000 words for peer-reviewed consideration. Any disciplinary approach that considers premodernity in one of its varied forms or afterlives is warmly invited. For queries and proposals, please contact Managing Editor Francesca Petrizzo at postmedievalED@gmail.com​."],"attributes":{"class":"align--left"}},{"tagName":"p","children":[{"tagName":"strong","children":["Editor bios​:"]}],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Shazia Jagot is a Lecturer in Medieval and Global Literature at the University of York. She is a literary specialist whose research explores the connections, both entangled and diffuse, between Western literary culture and the Islamic world. She is currently writing her first monograph on Chaucer’s Arabic ‘sources’.  "],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Julie Orlemanski is Associate Professor of English at the University of Chicago. Her monograph ",{"tagName":"em","children":["Symptomatic Subjects: Bodies, Medicine, and Causality in the Literature of Late Medieval England"]}," appeared in 2019. She is at work on two book-length projects: one concerns prosopopoeia in medieval writing; the other follows the tangled genealogies of fictionality and disenchantment to argue for a comparative poetics of fiction.    "],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Sara Ritchey is Associate Professor of History at the University of Tennessee, Knoxville. Her latest book is ",{"tagName":"em","children":["​Acts of Care: Recovering Women in Late Medieval Health"]}," ​(Cornell, 2021). She is now interrogating the concepts of periodization and orality in a project that explores trans-temporal engagements with medieval French performance traditions. "],"attributes":{"class":"align--left"}},{"tagName":"p","children":[{"tagName":"strong","children":["Managing Editor bio​: "]}],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Francesca Petrizzo is currently also Editorial Assistant at the ",{"tagName":"em","children":["​European Journal of International Security"]},"​ , and has worked at the International Medieval Bibliography.​ ​ She is interested in masculinity and identity in the Middle Ages, and medievalisms from the Renaissance to the modern era. "],"attributes":{"class":"align--left"}},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"align--left"}},{"tagName":"h4","styles":["headline"],"children":["Call for Papers: Race, Revulsion, and Revolution"],"attributes":{"class":"align--left"}},{"tagName":"p","children":["DEADLINE FOR ABSTRACTS: JUNE 1, 2019"]},{"tagName":"p","children":["Guest Editors: M. Rambaran-Olm, M. Breann Leake, Micah Goodrich",{"tagName":"img","attributes":{"alt":"image © Doreen Garner, Red Rack of Those Ravaged and Unconsenting (2017), sculpture.","class":"float--right","title":"image © Doreen Garner, Red Rack of Those Ravaged and Unconsenting (2017), sculpture.","src":"//resource-cms.springernature.com/springer-cms/rest/v1/content/16628154/data/v7"}}]},{"tagName":"p","children":["This special issue seeks papers on topics that capsize the racist narrative to which Medieval Studies broadly and Anglo-Saxon Studies especially have been held captive. We ask for papers that embrace ideas and bodies discarded in traditional discourse and that rebels against scholarship that is both sterilized and sterilizing. This issue encourages contributions from various disciplines and methodologies within all of Medieval Studies but wish to highlight the urgent and decisive intersectional work within Anglo-Saxon studies. Through this collaborative endeavor, we hope to create a compilation of essays that will declutter centuries worth of traditionalist, elitist and racist politics in the field. We endeavor to include pieces from various disciplines within Anglo-Saxon studies including literary, history, archaeology, art history, etc. that can serve as a foundational source for scholars and students as well as a catalyst for further research. In particular, we encourage scholarly articles that embrace critical race theory, gender and sexuality studies, class studies, et al., and/or the possibilities for overlap and discussions of intersectionality. Other approaches that confront revulsion and cultivate revolution are welcome."]},{"tagName":"p","children":[" ",{"tagName":"strong","children":[{"tagName":"a","children":["Read the full call for papers here."],"attributes":{"href":"https://resource-cms.springernature.com/springer-cms/rest/v1/content/16628150/data/v1","target":"_blank","class":"is-external"}}]}]},{"tagName":"p","children":["Articles may be collaborative pieces or single-authored. Pending proposal acceptance, completed essays of no longer than 3,000 words (",{"tagName":"em","children":["note brevity"]},") will be due ",{"tagName":"strong","children":["October 15, 2019"]},"."]},{"tagName":"p","children":["Please send abstracts with a brief biographical blurb to Mary Rambaran-Olm, M. Breann Leake and Micah Goodrich at ",{"tagName":"a","children":["postmed10@gmail.com"],"attributes":{"href":"mailto:postmed10@gmail.com","class":"is-external"}}," by ",{"tagName":"strong","children":["June 1, 2019"]},"."]},{"tagName":"h4","styles":["headline"],"children":["Call for Papers: Confessions"],"attributes":{"class":"align--left"}},{"tagName":"p","children":["DEADLINE FOR ABSTRACTS: APRIL 5, 2019"],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Guest Editors: Abdulhamit Arvas, Afrodesia McCannon, and Kris Trujillo",{"tagName":"br"},{"tagName":"em","children":[{"tagName":"img","attributes":{"alt":"New Content Item","class":"float--right","title":"New Content Item","src":"//resource-cms.springernature.com/springer-cms/rest/v1/content/16496838/data/v3"}}]},"How is our devotion to the past shaped by our present devotions to communities, political mobilization, and visions of the world? How are the methods and theories that we bring to our scholarship conditioned by concomitant attachments to values, ethics, and ideals? At the same time that we call contributors to account for their particular positions as subjects shaped in the world, we recognize the numerous crises that shape this world, so we ask: “What matters to you and why does it matter for your scholarship?” For example, how might the growing voices of medievalists of color and queer medievalists require a reconception of the ethical demands of medieval scholarship? How do racism and the threat of white supremacy lend urgency to engagements with critical race theory? How does the #MeToo Movement influence feminist analyses of the past? How do queer and trans activisms play themselves out in ancient, medieval, and early modern scholarship? Does increasing financial inequity motivate examinations of premodern labor? How might xenophobic nationalism and immigration issues inform approaches to the Global Middle Ages or the Global Renaissance? In fact, might premodern models of desire and devotion reflect our own, and when might it be ethically or politically exigent to distance oneself from the devotions of premoderns?"],"attributes":{"class":"align--left"}},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"a","children":["Read the full call for papers here."],"attributes":{"href":"https://resource-cms.springernature.com/springer-cms/rest/v1/content/16628188/data/v1","target":"_blank","class":"is-external"}}]}]},{"tagName":"p","children":["We welcome submissions that examine any historical period, cultural context, and geographical region in the premodern world. We especially encourage contributions from early-career scholars as well as contributions that creatively reimagine the form of the confession as, for example, dialogue, interview, manifesto, etc."]},{"tagName":"p","children":["In order to be considered for inclusion, please submit an abstract of no more than 300 words and a brief bio to the guest-editors, Abdulhamit Arvas, Afrodesia McCannon, and Kris Trujillo, at \u003c",{"tagName":"a","children":["postmedieval10th@gmail.com"],"attributes":{"href":"mailto:postmedieval10th@gmail.com","class":"is-external"}},"> by ",{"tagName":"strong","children":["April 5, 2019"]},". Pending proposal acceptance, completed essays of no longer than 3,000 words (",{"tagName":"em","children":["note brevity"]},") will be due ",{"tagName":"strong","children":["August 15, 2019"]},"."]}]},"children":[]},{"type":"article","data":{"title":"postmedieval: a prize winning journal","shortTitle":"Awards","urlSegment":"awards","html":"\u003cp>Recognized for its innovative and cross-disciplinary approach, \u003cem>postmedieval \u003c/em>has been awarded a number of prestigious awards, including:\u003c/p>\u003cul>\u003cli>Codex Award for 2015 by the \u003ca href=\"http://www.celj.org/\" class=\"is-external\">Council of Editors of Learned Journals (CELJ)\u003c/a>\u003c/li>\u003cli>Best New Journal 2012 by the \u003ca href=\"http://www.alpsp.org/\" class=\"is-external\">Association of Learned and Professional Society Publishers (ALPSP)\u003c/a>\u003c/li>\u003cli>Best New Journal in Humanities and Social Sciences at the \u003ca href=\"https://proseawards.com/winners/2011-award-winners/\" class=\"is-external\">2011 PROSE Awards\u003c/a>.\u003c/li>\u003c/ul>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch3>Reviews of postmedieval's inaugural issue (launched March 2010), 'When did we become post/human?'\u003c/h3>\u003cp>\u003ca href=\"http://link.springer.com/journal/41280/1/1/page/1\" class=\"is-external\">View the issue here\u003c/a>\u003c/p>\u003ch4>Larry Scanlon, The Medieval Review, 11.09.26\u003c/h4>\u003cp>“I think it fair to say postmedieval has identified a significant lacuna in the field. Medieval Studies in general and Middle English literary studies in particular can definitely use another venue for theoretically informed, interdisciplinary, even anti-disciplinary scholarship.”\u003c/p>\u003cp>“In terms of what we might call quality and rigor in the traditional scholarly sense, this inaugural issue is truly very impressive. To the extent that the short essay format can bear comparison to other more traditional, long-form journals, I would say that even the toughest, most prestigious journals in the field would have been proud to bring out most of the pieces in this issue.”\u003c/p>\u003cp>\u003ca href=\"https://scholarworks.iu.edu/journals/index.php/tmr/article/view/17352\" class=\"is-external\">Read the review in full\u003c/a>\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch4>Louise D’Arcens, Studies in the Age of Chaucer, Vol. 33 (2011), 349-53\u003c/h4>\u003cp>“a new, strongly credentialized journal that aims not only to add to the store of knowledge but to reflect on the field’s critical directions, and to foster its participation in debates beyond its disciplinary borders.”\u003cbr/>“Postmedieval is an energizing new addition to the adjacent fields of medieval and medievalism studies, and it will be fascinating to follow its development.”\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch4>Carol L. Robinson, Medievally Speaking, April 2012\u003c/h4>\u003cp>“from disability studies to post-colonial, sexuality, and trauma theory, Postmedieval finds itself on the cutting (and sometimes bleeding) edge”\u003c/p>\u003cp>“The journal's editors, and Palgrave Macmillan, are to be lauded for choosing the best of multiple citation systems and for thinking carefully about how to present their material in such a strong visual fashion.”\u003c/p>\u003cp>\u003ca href=\"http://ir.uiowa.edu/mff/vol47/iss1/12/\" class=\"is-external\">Read the review in full (subscription required).\u003c/a>\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch4>Mariusz Beclawski, Parergon 28.1 (2011), 248-50\u003c/h4>\u003cp>“an impressive publication, with its eye-catching and well-chosen graphical design”\u003c/p>\u003cp>“The volume smartly tackles the idea of interrelations between ‘human’ and ‘post-human’, an investigation that is propelled by elaborate juxtapositions of true values with modern technoloTwo column separator - Leftgical innovations.”\u003c/p>\u003cp>\u003ca href=\"https://resource-cms.springernature.com/springer-cms/rest/v1/content/12343660/data/v1\" target=\"_blank\" class=\"is-external\">Read the review in full (pdf, 483 kB)\u003c/a>\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch4>Thomas Ertl, The Medieval History Journal 14.1 (2011), 129-31\u003c/h4>\u003cp>“posthumanism will undoubtedly continue to play a role in medieval studies, and the first issue of Postmedieval will become one of the reference points of the further discussions. Appetite for more is quickened and so we will anticipate the following issues with curiosity.”\u003c/p>\u003cp>\u003ca href=\"hhttp://mhj.sagepub.com/content/14/1/129.full.pdf+html\">Read the review in full (subscription required)\u003c/a>. \u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["Recognized for its innovative and cross-disciplinary approach, ",{"tagName":"em","children":["postmedieval "]},"has been awarded a number of prestigious awards, including:"]},{"tagName":"ul","children":[{"tagName":"li","children":["Codex Award for 2015 by the ",{"tagName":"a","children":["Council of Editors of Learned Journals (CELJ)"],"attributes":{"href":"http://www.celj.org/","class":"is-external"}}]},{"tagName":"li","children":["Best New Journal 2012 by the ",{"tagName":"a","children":["Association of Learned and Professional Society Publishers (ALPSP)"],"attributes":{"href":"http://www.alpsp.org/","class":"is-external"}}]},{"tagName":"li","children":["Best New Journal in Humanities and Social Sciences at the ",{"tagName":"a","children":["2011 PROSE Awards"],"attributes":{"href":"https://proseawards.com/winners/2011-award-winners/","class":"is-external"}},"."]}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"h3","styles":["headline"],"children":["Reviews of postmedieval's inaugural issue (launched March 2010), 'When did we become post/human?'"]},{"tagName":"p","children":[{"tagName":"a","children":["View the issue here"],"attributes":{"href":"http://link.springer.com/journal/41280/1/1/page/1","class":"is-external"}}]},{"tagName":"h4","styles":["headline"],"children":["Larry Scanlon, The Medieval Review, 11.09.26"]},{"tagName":"p","children":["“I think it fair to say postmedieval has identified a significant lacuna in the field. Medieval Studies in general and Middle English literary studies in particular can definitely use another venue for theoretically informed, interdisciplinary, even anti-disciplinary scholarship.”"]},{"tagName":"p","children":["“In terms of what we might call quality and rigor in the traditional scholarly sense, this inaugural issue is truly very impressive. To the extent that the short essay format can bear comparison to other more traditional, long-form journals, I would say that even the toughest, most prestigious journals in the field would have been proud to bring out most of the pieces in this issue.”"]},{"tagName":"p","children":[{"tagName":"a","children":["Read the review in full"],"attributes":{"href":"https://scholarworks.iu.edu/journals/index.php/tmr/article/view/17352","class":"is-external"}}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"h4","styles":["headline"],"children":["Louise D’Arcens, Studies in the Age of Chaucer, Vol. 33 (2011), 349-53"]},{"tagName":"p","children":["“a new, strongly credentialized journal that aims not only to add to the store of knowledge but to reflect on the field’s critical directions, and to foster its participation in debates beyond its disciplinary borders.”",{"tagName":"br"},"“Postmedieval is an energizing new addition to the adjacent fields of medieval and medievalism studies, and it will be fascinating to follow its development.”"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"h4","styles":["headline"],"children":["Carol L. Robinson, Medievally Speaking, April 2012"]},{"tagName":"p","children":["“from disability studies to post-colonial, sexuality, and trauma theory, Postmedieval finds itself on the cutting (and sometimes bleeding) edge”"]},{"tagName":"p","children":["“The journal's editors, and Palgrave Macmillan, are to be lauded for choosing the best of multiple citation systems and for thinking carefully about how to present their material in such a strong visual fashion.”"]},{"tagName":"p","children":[{"tagName":"a","children":["Read the review in full (subscription required)."],"attributes":{"href":"http://ir.uiowa.edu/mff/vol47/iss1/12/","class":"is-external"}}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"h4","styles":["headline"],"children":["Mariusz Beclawski, Parergon 28.1 (2011), 248-50"]},{"tagName":"p","children":["“an impressive publication, with its eye-catching and well-chosen graphical design”"]},{"tagName":"p","children":["“The volume smartly tackles the idea of interrelations between ‘human’ and ‘post-human’, an investigation that is propelled by elaborate juxtapositions of true values with modern technoloTwo column separator - Leftgical innovations.”"]},{"tagName":"p","children":[{"tagName":"a","children":["Read the review in full (pdf, 483 kB)"],"attributes":{"href":"https://resource-cms.springernature.com/springer-cms/rest/v1/content/12343660/data/v1","target":"_blank","class":"is-external"}}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"h4","styles":["headline"],"children":["Thomas Ertl, The Medieval History Journal 14.1 (2011), 129-31"]},{"tagName":"p","children":["“posthumanism will undoubtedly continue to play a role in medieval studies, and the first issue of Postmedieval will become one of the reference points of the further discussions. Appetite for more is quickened and so we will anticipate the following issues with curiosity.”"]},{"tagName":"p","children":[{"tagName":"a","children":["Read the review in full (subscription required)"],"attributes":{"href":"hhttp://mhj.sagepub.com/content/14/1/129.full.pdf+html"}},". "]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}}]},"children":[]},{"type":"article","data":{"title":"Crowd Review","shortTitle":"Crowd Review","urlSegment":"crowd-review","html":"\u003cp class=\"align--left\">\u003cem>…open peer review has the potential to be explosive in the most daring ways.\u003c/em>\u003c/p>\u003cp class=\"align--left\">Holly Crocker\u003cbr/>postmedieval FORUM II (Introduction)\u003c/p>\u003ch3>About Crowd Review\u003c/h3>\u003cp>Traditionally, peer review of academic articles is conducted anonymously: neither the reviewer nor the author know the identity of the other, and comments made by reviewers are not released to the public. By contrast, open/crowd review provides a platform for public critique — and starting in 2011, postmedieval has experimented with this format, on open blogs that allow for full discussion and transparency. In each case, scholars, and indeed anyone with a contribution to make, are invited to comment and discuss the papers publicly, under their own names, and the authors are encouraged to respond openly. After the Crowd Review has closed, authors have an opportunity to revise their papers before they are published in their final form in the journal, in a designated issue. In this way, the journal offers a valuable model to explore a more transparent process for evaluating and contextualizing scholarly production.\u003c/p>\u003cp>We believe experiments in open 'crowd' review are important, following what Kathleen Fitzpatrick argued in 2011 in her book \u003cem>Planned Obsolescence\u003c/em>, that 'the production of knowledge is still very much the academy’s very reason for being', yet at the same time, 'if we cling to an outdated system for the establishment and measurement of authority at the very same time that the nature of authority is shifting around us, we run the risk of becoming increasingly irrelevant to the dominant ways of knowing of contemporary culture'. We also believe in expanding the definition of 'peer' to include not just the specialized experts of one’s narrow sub-fields but also members of the more broad intellectual community, both within and outside the university proper. We believe more open processes of peer review make visible what has always been true about the intellectual and scholarly life, but which is often only quietly articulated in the notes of acknowledgment in articles and books: we think and work together; our brains are already crowd-sourced, so why not make that fact more tangible?\u003c/p>\u003cp>Read 'The Case for Open Review' published in Inside Higher Ed, \u003ca href=\"https://www.insidehighered.com/views/2016/05/16/open-peer-review-journal-articles-offers-significant-benefits-essay\" class=\"is-external\">here\u003c/a>!\u003c/p>\u003ch3>Previous crowd review experiments\u003c/h3>\u003cp>Open the links below to find out more about previous issues of postmedieval executed using crowd review...\u003c/p>\u003ch3 class=\"flapHead hideContent\">2016\u003c/h3>\u003cp class=\"flapContent\">The fourth postmedieval online crowd review experiment was hosted at \u003ca href=\"http://thematerialcollective.org/postmedieval\" class=\"is-external\">The Material Collective\u003c/a>. This time, Guest Editors Maggie M. Williams (William Paterson University, USA) and Karen Eileen Overbey (Tufts University, USA) invited publicly generated reviews from readers for their issue on '\u003ca href=\"https://link.springer.com/journal/41280/7/3/page/1\" target=\"_blank\" class=\"is-external\">Hoarders and Hordes: Responses to the Staffordshire Hoard\u003c/a>'.\u003c/p>\u003ch3 class=\"flapHead hideContent\">2014\u003c/h3>\u003cp class=\"flapContent\">In 2014, we worked with guest Editors Nina Caputo (University of Florida, USA) and Hannah Johnson (University of Pittsburgh, USA) on the third issue of postmedieval to take advantage of crowd review, '\u003ca href=\"http://www.palgrave-journals.com/pmed/journal/v5/n3/index.html\" class=\"is-external\">The Holocaust and the Middle Ages\u003c/a>’. Hosted and stewarded by Kathleen Fitzpatrick and company at MediaCommons, New York University, the issue attracted nearly 80 comments from a range of reviewers, which Caputo and Johnson acknowledge as a reminder of '\u003ca href=\"https://dx.doi.org/10.1057/pmed.2014.20\" class=\"is-external\">our place, as always, in the midst of conversation, never at an end\u003c/a>' .\u003c/p>\u003ch3 class=\"flapHead hideContent\">2013\u003c/h3>\u003cp class=\"flapContent\">In November 2013, the second crowd review experiment was launched in collaboration with MediaCommons Press at New York University, whose open review experiments, led by Kathleen Fitzpatrick, inspired postmedieval’s first crowd review project. With a new platform and more supple commenting templates created by MediaCommons, the issue reviewed this time, Louise D'Arcens's '\u003ca href=\"http://mcpress.media-commons.org/postmedieval_comicmedievalisms\" class=\"is-external\">Comic Medievalisms\u003c/a>', received over 250 comments from over 30 reviewers.\u003c/p>\u003ch3 class=\"flapHead hideContent\">2011\u003c/h3>\u003cp class=\"flapContent\">\u003ca href=\"https://postmedievalcrowdreview.wordpress.com/\" class=\"is-external\">Our first experiment\u003c/a>, with our 'Becoming Media' issue, ran from July 15th to September 15th 2011. As the issue editors stated in their editorial, which accompanied the \u003ca href=\"http://www.palgrave-journals.com/pmed/journal/v3/n1/index.html\" class=\"is-external\">final papers in print\u003c/a> : \"In the three month-long period of the online crowd review for this volume, scholars generated over 50 individual and detailed responses for the six essays, totalling some 24,000 words – nearly half the total of length of the essays themselves, and containing many ideas and suggestions which found their way into the essays' final forms\".\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":[{"tagName":"em","children":["…open peer review has the potential to be explosive in the most daring ways."]}],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Holly Crocker",{"tagName":"br"},"postmedieval FORUM II (Introduction)"],"attributes":{"class":"align--left"}},{"tagName":"h3","styles":["headline"],"children":["About Crowd Review"]},{"tagName":"p","children":["Traditionally, peer review of academic articles is conducted anonymously: neither the reviewer nor the author know the identity of the other, and comments made by reviewers are not released to the public. By contrast, open/crowd review provides a platform for public critique — and starting in 2011, postmedieval has experimented with this format, on open blogs that allow for full discussion and transparency. In each case, scholars, and indeed anyone with a contribution to make, are invited to comment and discuss the papers publicly, under their own names, and the authors are encouraged to respond openly. After the Crowd Review has closed, authors have an opportunity to revise their papers before they are published in their final form in the journal, in a designated issue. In this way, the journal offers a valuable model to explore a more transparent process for evaluating and contextualizing scholarly production."]},{"tagName":"p","children":["We believe experiments in open 'crowd' review are important, following what Kathleen Fitzpatrick argued in 2011 in her book ",{"tagName":"em","children":["Planned Obsolescence"]},", that 'the production of knowledge is still very much the academy’s very reason for being', yet at the same time, 'if we cling to an outdated system for the establishment and measurement of authority at the very same time that the nature of authority is shifting around us, we run the risk of becoming increasingly irrelevant to the dominant ways of knowing of contemporary culture'. We also believe in expanding the definition of 'peer' to include not just the specialized experts of one’s narrow sub-fields but also members of the more broad intellectual community, both within and outside the university proper. We believe more open processes of peer review make visible what has always been true about the intellectual and scholarly life, but which is often only quietly articulated in the notes of acknowledgment in articles and books: we think and work together; our brains are already crowd-sourced, so why not make that fact more tangible?"]},{"tagName":"p","children":["Read 'The Case for Open Review' published in Inside Higher Ed, ",{"tagName":"a","children":["here"],"attributes":{"href":"https://www.insidehighered.com/views/2016/05/16/open-peer-review-journal-articles-offers-significant-benefits-essay","class":"is-external"}},"!"]},{"tagName":"h3","styles":["headline"],"children":["Previous crowd review experiments"]},{"tagName":"p","children":["Open the links below to find out more about previous issues of postmedieval executed using crowd review..."]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["2016"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":["The fourth postmedieval online crowd review experiment was hosted at ",{"tagName":"a","children":["The Material Collective"],"attributes":{"href":"http://thematerialcollective.org/postmedieval","class":"is-external"}},". This time, Guest Editors Maggie M. Williams (William Paterson University, USA) and Karen Eileen Overbey (Tufts University, USA) invited publicly generated reviews from readers for their issue on '",{"tagName":"a","children":["Hoarders and Hordes: Responses to the Staffordshire Hoard"],"attributes":{"href":"https://link.springer.com/journal/41280/7/3/page/1","target":"_blank","class":"is-external"}},"'."],"attributes":{"class":"flapContent"}}]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["2014"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":["In 2014, we worked with guest Editors Nina Caputo (University of Florida, USA) and Hannah Johnson (University of Pittsburgh, USA) on the third issue of postmedieval to take advantage of crowd review, '",{"tagName":"a","children":["The Holocaust and the Middle Ages"],"attributes":{"href":"http://www.palgrave-journals.com/pmed/journal/v5/n3/index.html","class":"is-external"}},"’. Hosted and stewarded by Kathleen Fitzpatrick and company at MediaCommons, New York University, the issue attracted nearly 80 comments from a range of reviewers, which Caputo and Johnson acknowledge as a reminder of '",{"tagName":"a","children":["our place, as always, in the midst of conversation, never at an end"],"attributes":{"href":"https://dx.doi.org/10.1057/pmed.2014.20","class":"is-external"}},"' ."],"attributes":{"class":"flapContent"}}]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["2013"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":["In November 2013, the second crowd review experiment was launched in collaboration with MediaCommons Press at New York University, whose open review experiments, led by Kathleen Fitzpatrick, inspired postmedieval’s first crowd review project. With a new platform and more supple commenting templates created by MediaCommons, the issue reviewed this time, Louise D'Arcens's '",{"tagName":"a","children":["Comic Medievalisms"],"attributes":{"href":"http://mcpress.media-commons.org/postmedieval_comicmedievalisms","class":"is-external"}},"', received over 250 comments from over 30 reviewers."],"attributes":{"class":"flapContent"}}]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["2011"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":[{"tagName":"a","children":["Our first experiment"],"attributes":{"href":"https://postmedievalcrowdreview.wordpress.com/","class":"is-external"}},", with our 'Becoming Media' issue, ran from July 15th to September 15th 2011. As the issue editors stated in their editorial, which accompanied the ",{"tagName":"a","children":["final papers in print"],"attributes":{"href":"http://www.palgrave-journals.com/pmed/journal/v3/n1/index.html","class":"is-external"}}," : \"In the three month-long period of the online crowd review for this volume, scholars generated over 50 individual and detailed responses for the six essays, totalling some 24,000 words – nearly half the total of length of the essays themselves, and containing many ideas and suggestions which found their way into the essays' final forms\"."],"attributes":{"class":"flapContent"}}]}]},"children":[]},{"type":"article","data":{"title":"Connect with us","shortTitle":"Connect with us","urlSegment":"connect-with-us","html":"\u003cp>We are committed to furthering the global conversation among researchers and professionals around the world. Join us and your peers on our social media channels and keep up with the latest news.\u003cbr/>\u003c/p>\u003ch2 class=\"intro--paragraph\">\u003cimg alt=\"\" class=\"float--left\" title=\"\" src=\"//resource-cms.springernature.com/springer-cms/rest/v1/content/14238406/data/v2\"/>\u003ca href=\"https://twitter.com/postmedieval?lang=en-gb\" target=\"_blank\" class=\"is-external\">Follow @postmedieval\u003c/a>\u003c/h2>\u003cp>Follow us for updates on new and upcoming issues, news and events\u003c/p>\u003ch2 class=\"intro--paragraph\">\u003ca href=\"https://www.facebook.com/french.politics\" target=\"_blank\" class=\"is-external\">\u003cimg alt=\"\" class=\"float--left\" title=\"\" src=\"//resource-cms.springernature.com/springer-cms/rest/v1/content/14238404/data/v2\"/> \u003c/a>\u003ca href=\"https://www.facebook.com/postmedieval-a-journal-of-medieval-cultural-studies-117178721653018/?ref=ts\" target=\"_blank\" class=\"is-external\">Join postmedieval on Facebook\u003c/a>\u003c/h2>\u003cp>Join for updates on key articles, news and events\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["We are committed to furthering the global conversation among researchers and professionals around the world. Join us and your peers on our social media channels and keep up with the latest news.",{"tagName":"br"}]},{"tagName":"h2","children":[{"tagName":"img","attributes":{"alt":"","class":"float--left","title":"","src":"//resource-cms.springernature.com/springer-cms/rest/v1/content/14238406/data/v2"}},{"tagName":"a","children":["Follow @postmedieval"],"attributes":{"href":"https://twitter.com/postmedieval?lang=en-gb","target":"_blank","class":"is-external"}}],"attributes":{"class":"intro--paragraph"}},{"tagName":"p","children":["Follow us for updates on new and upcoming issues, news and events"]},{"tagName":"h2","children":[{"tagName":"a","children":[{"tagName":"img","attributes":{"alt":"","class":"float--left","title":"","src":"//resource-cms.springernature.com/springer-cms/rest/v1/content/14238404/data/v2"}}," "],"attributes":{"href":"https://www.facebook.com/french.politics","target":"_blank","class":"is-external"}},{"tagName":"a","children":["Join postmedieval on Facebook"],"attributes":{"href":"https://www.facebook.com/postmedieval-a-journal-of-medieval-cultural-studies-117178721653018/?ref=ts","target":"_blank","class":"is-external"}}],"attributes":{"class":"intro--paragraph"}},{"tagName":"p","children":["Join for updates on key articles, news and events"]}]},"children":[]}],"issueAndArticles":[{"type":"article","data":{"title":"","shortTitle":"Latest Issue","urlSegment":"latest-issue","html":"\n                    \u003ch3 class=\"kicker\">Volume 15, Issue 2, June 2024\u003c/h3>\n                    \u003ch3>Table of Content\u003c/h3>\n                    \n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00326-1\" title=\"About the Cover\" target=\"_blank\">About the Cover\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Francesca Brooks\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Original Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00324-3\" title=\"The womb as a wild mother beast\" target=\"_blank\">The womb as a wild mother beast\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Naama Cohen-Hanegbi\u003c/span>, \u003cspan>Guy Erez\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Original Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00325-2\" title=\"‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone\" target=\"_blank\">‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Eric Weiskott\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Original Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00323-4\" title=\"Medieval and modern race-thinking in Frank Yerby’s The Saracen Blade\" target=\"_blank\">Medieval and modern race-thinking in Frank Yerby’s The Saracen Blade\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Rebecca C. Pawel\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Dialogue\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00314-5\" title=\"Breath, bodies, and sacred text: Thinking about recitation with al-Ghazālī and Kūkai\" target=\"_blank\">Breath, bodies, and sacred text: Thinking about recitation with al-Ghazālī and Kūkai\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Charlotte Eubanks\u003c/span>, \u003cspan>Lauren Osborne\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Roundtable\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00313-6\" title=\"Migrants shaping Europe, past and present: A roundtable\" target=\"_blank\">Migrants shaping Europe, past and present: A roundtable\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Brian A. Catlos\u003c/span>, \u003cspan>Akash Kumar\u003c/span>, \u003cspan>Émilie Picherot\u003c/span>, \u003cspan>Helen Solterer\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00315-4\" title=\"Editors’ introduction: Medieval Forgeries / Forging the Medieval\" target=\"_blank\">Editors’ introduction: Medieval Forgeries / Forging the Medieval\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Hannah Armstrong\u003c/span>, \u003cspan>Rebecca Menmuir\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00316-3\" title=\"Osbert of Clare and the reforging of Westminster Abbey’s past\" target=\"_blank\">Osbert of Clare and the reforging of Westminster Abbey’s past\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Jennie M. England\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00317-2\" title=\"Hearkening to the 'voice' of Teika: Authors and readers of poetry treatise forgeries in medieval Japan\" target=\"_blank\">Hearkening to the 'voice' of Teika: Authors and readers of poetry treatise forgeries in medieval Japan\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Yumiko Watanabe\u003c/span>, \u003cspan>Eric Esteban\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay Cluster: Medieval Forgeries/Forging the Medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00318-1\" title=\"Medievalist forgery? Editions, adaptations, and translations of Kudrun in the nineteenth century\" target=\"_blank\">Medievalist forgery? Editions, adaptations, and translations of Kudrun in the nineteenth century\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Mary Boyle\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay Cluster: Medieval Forgeries/Forging the Medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00319-0\" title=\"Medieval re-creation and translation in Edwin Morgan and Derek Jarman’s archives: A dialogue\" target=\"_blank\">Medieval re-creation and translation in Edwin Morgan and Derek Jarman’s archives: A dialogue\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Francesca Brooks\u003c/span>, \u003cspan>E. K. Myerson\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00320-7\" title=\"Forging the medieval amidst loss: The Public Record Office of Ireland and Ireland’s medieval history\" target=\"_blank\">Forging the medieval amidst loss: The Public Record Office of Ireland and Ireland’s medieval history\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Elizabeth Biggs\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the Medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00321-6\" title=\"Forging the medieval on Wikipedia\" target=\"_blank\">Forging the medieval on Wikipedia\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Fran Allfrey\u003c/span>, \u003cspan>Lucy Moore\u003c/span>, \u003cspan>Richard Nevell\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the Medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00322-5\" title=\"Response essay: A hypothesis of the Middle Ages\" target=\"_blank\">Response essay: A hypothesis of the Middle Ages\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Andrew B. R. Elliott\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Correction\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00312-7\" title=\"Correction to: Encountering the environmental uncanny in Su Shi’s Rhapsodies on the Red Cliff: An ecocritical parable in text and image\" target=\"_blank\">Correction to: Encountering the environmental uncanny in Su Shi’s Rhapsodies on the Red Cliff: An ecocritical parable in text and image\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Benjamin Ridgway\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Correction\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00327-0\" title=\"Correction to: ‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone\" target=\"_blank\">Correction to: ‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Eric Weiskott\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Publisher Correction\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00331-4\" title=\"Publisher Correction: Hearkening to the ‘voice’ of Teika: Authors and readers of poetry treatise forgeries in medieval Japan\" target=\"_blank\">Publisher Correction: Hearkening to the ‘voice’ of Teika: Authors and readers of poetry treatise forgeries in medieval Japan\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Yumiko Watanabe\u003c/span>, \u003cspan>Eric Esteban\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Correction\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00341-2\" title=\"Correction: The intersection of medieval studies and Indigenous studies: A Norse-Saami case study\" target=\"_blank\">Correction: The intersection of medieval studies and Indigenous studies: A Norse-Saami case study\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Solveig Marie Wang\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"nodes":["\n                    ",{"tagName":"h3","styles":["headline"],"children":["Volume 15, Issue 2, June 2024"],"attributes":{"class":"kicker"}},"\n                    ",{"tagName":"h3","styles":["headline"],"children":["Table of Content"]},"\n                    \n                    \n                    ",{"tagName":"div","children":["\n                        ",{"tagName":"p","children":[{"tagName":"small","children":["Article"]}],"attributes":{"class":"type"}},"\n                        ",{"tagName":"h3","styles":["headline"],"children":["\n                            ",{"tagName":"a","children":["About the Cover"],"attributes":{"href":"https://link.springer.com/article/10.1057/s41280-024-00326-1","title":"About the Cover","target":"_blank"}},"\n                        "],"attributes":{"class":"link"}},"\n                        ",{"tagName":"p","children":[{"tagName":"small","children":[{"tagName":"span","children":["Francesca Brooks"]}]}],"attributes":{"class":"editors"}},"\n                    "],"attributes":{"class":"issue"}},"\n                    \n                    ",{"tagName":"div","children":["\n                        ",{"tagName":"p","children":[{"tagName":"small","children":["Original Article"]}],"attributes":{"class":"type"}},"\n                        ",{"tagName":"h3","styles":["headline"],"children":["\n                            ",{"tagName":"a","children":["The womb as a wild mother beast"],"attributes":{"href":"https://link.springer.com/article/10.1057/s41280-024-00324-3","title":"The womb as a wild mother beast","target":"_blank"}},"\n                        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The Jewish massed body in Old Norse literature\u003c/a>\u003cbr/>Richard Cole\u003cbr/>postmedieval: a journal of medieval cultural studies (2014) 5, 346-358\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003cp>\u003ca href=\"http://dx.doi.org/10.1057/pmed.2014.13\" class=\"is-external\">Said in jest: Who's laughing at the Middle Ages (and when)?\u003c/a>\u003cbr/>David Matthews\u003cbr/>postmedieval: a journal of medieval cultural studies (2014) 5, 126-139\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003cp>\u003ca href=\"http://dx.doi.org/10.1057/pmed.2014.1\" class=\"is-external\">The new knighthood: Terrorism and the medieval\u003c/a>\u003cbr/>Daniel Wollenberg\u003cbr/>postmedieval: a journal of medieval cultural studies (2014) 5, 21-33\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003cp>\u003ca href=\"http://dx.doi.org/10.1057/pmed.2014.42\" class=\"is-external\">On firm Carthaginian ground: ethnic boundary fluidity and Chaucer's Dido\u003c/a>\u003cbr/>Randy P Schiff\u003cbr/>postmedieval: a journal of medieval cultural studies (2015) 6, 23-35\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003cp>\u003ca href=\"http://dx.doi.org/10.1057/pmed.2015.16\" class=\"is-external\">More Gravy than the Grave: classical Arabic lexical monographs in translation\u003c/a>\u003cbr/>David Larsen\u003cbr/>+postmedieval: a journal of medieval cultural studies (2015) 6, 127-135\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["Palgrave Macmillan and the editorial team have selected this set of papers from the archive of the journal to give a representative sample of the best of our content."],"attributes":{"class":"intro--paragraph"}},{"tagName":"p","children":["These papers, listed in chronological order, are available free to read and download."]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Plant→animal→book: Magnifying a microhistory of media circuits"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2012.7","class":"is-external"}},{"tagName":"br"},"Whitney Anne Trettien>",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2012) 3, 97-118",{"tagName":"br"},"Digital essay of above: ",{"tagName":"a","children":["http://www.palgrave-journals.com/pmed/journal/v3/n1/plantanimalbook"],"attributes":{"href":"http://www.palgrave-journals.com/pmed/journal/v3/n1/plantanimalbook","class":"is-external"}}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["How to kiss a leper"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2012.11","class":"is-external"}},{"tagName":"br"},"Julie Orlemanski",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2012) 3, 142-157"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Cloud/land - An Onto-story"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2012.46","class":"is-external"}},{"tagName":"br"},"Julian Yates",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2013) 3, 42-54"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Flea and ANT: Mapping the mobility of the Plague, 1330s-1350s"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2013.9","class":"is-external"}},{"tagName":"br"},"Kathleen Coyne Kelly",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2013) 4, 219-232"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Anticipatory plagiarism and the ex post facto-garde"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2013.20","class":"is-external"}},{"tagName":"br"},"Chris Piuma",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2013) 4, 305-309"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Melting flesh, living words"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2013.37","class":"is-external"}},{"tagName":"br"},"Jay Zysk",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2013) 4, 401-415"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Philology, or the art of befriending the text"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2014.30","class":"is-external"}},{"tagName":"br"},"Ika Willis",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2014) 5, 486-501"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["One or several Jews? The Jewish massed body in Old Norse literature"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2014.18","class":"is-external"}},{"tagName":"br"},"Richard Cole",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2014) 5, 346-358"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Said in jest: Who's laughing at the Middle Ages (and when)?"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2014.13","class":"is-external"}},{"tagName":"br"},"David Matthews",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2014) 5, 126-139"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["The new knighthood: Terrorism and the medieval"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2014.1","class":"is-external"}},{"tagName":"br"},"Daniel Wollenberg",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2014) 5, 21-33"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["On firm Carthaginian ground: ethnic boundary fluidity and Chaucer's Dido"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2014.42","class":"is-external"}},{"tagName":"br"},"Randy P Schiff",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2015) 6, 23-35"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["More Gravy than the Grave: classical Arabic lexical monographs in translation"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2015.16","class":"is-external"}},{"tagName":"br"},"David Larsen",{"tagName":"br"},"+postmedieval: a journal of medieval cultural studies (2015) 6, 127-135"]}]},"children":[]}],"forAuthors":[{"type":"article","data":{"title":"Aims & Scope","shortTitle":"Aims & Scope","urlSegment":"aims-scope","html":"\u003cem>postmedieval \u003c/em>publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval – with its archives and art, its thought and practices, its traces and its enduring possibilities. \u003cbr/>\n\u003cbr/>\nIn general, \u003cem>postmedieval \u003c/em>is published four times a year. Some of these are themed, guest-edited issues; others are open-topic. The journal&amp;rsquo;s editors will consider submissions of individual essays as well as proposals for themed issues. If accepted, individual essays will be published as Online First publications, appearing first as independent articles on the journal website and later in one of the print issues. We will also entertain small, themed clusters of essays to be included in open issues as well as commissioned book-review essays.","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"em","children":["postmedieval "]},"publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval – with its archives and art, its thought and practices, its traces and its enduring possibilities. ",{"tagName":"br"},"\n",{"tagName":"br"},"\nIn general, ",{"tagName":"em","children":["postmedieval "]},"is published four times a year. Some of these are themed, guest-edited issues; others are open-topic. The journal&rsquo;s editors will consider submissions of individual essays as well as proposals for themed issues. If accepted, individual essays will be published as Online First publications, appearing first as independent articles on the journal website and later in one of the print issues. We will also entertain small, themed clusters of essays to be included in open issues as well as commissioned book-review essays."]},"children":[]},{"type":"article","data":{"title":"Submission","shortTitle":"Submission","urlSegment":"submission","html":"\u003ch2>Notes for contributors\u003c/h2>\u003cp>postmedieval publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval—with its archives and art, its thought and practices, its traces and its enduring possibilities. Contributions on sources beyond Western Europe are warmly encouraged.\u003c/p>\u003cp>In general, postmedieval is published four times a year. Some of these are themed, guest-edited issues; others are open-topic. The journal’s editors will consider submissions of individual essays as well as proposals for themed issues. If accepted, individual essays will be published as Online First publications, appearing first as independent articles on the journal’s website and later in one of the print issues. We will also entertain small, themed “clusters” of essays to be included in open issues as well as commissioned book-review essays. \u003c/p>\u003cp>If you have a suggestion for or would like to guest-edit a themed issue, or would like to discuss the appropriateness of an article for an open issue prior to submission, please contact the Managing Editor at postmedievalED@gmail.com. \u003c/p>\u003ch2>General submission guidelines\u003cbr/> \u003c/h2>\u003cp>Authors wishing to submit to an article for publication in an open-topic issue should send their manuscript via the journal's online submission site at the link below. Authors interested in submitting to a themed issue should contact the guest editors directly. Information about the guest editors of forthcoming issues can be found under the 'Forthcoming Issues' link.\u003c/p>\u003cp>Manuscripts should be in English, preferably in Word format. Please submit two documents, containing the following elements:\u003c/p>\u003cp>1. Author contact details and biography:\u003c/p>\u003cul>\u003cli>the title of the article\u003c/li>\u003cli>the author(s)' names \u003c/li>\u003cli>[optional] the author(s) institutional affiliations\u003c/li>\u003cli>[optional] a short biography of no more than 80 words for each author, as well as any additional background information that be helpful to editors, like author(s)’ first language and/or national academic training outside Anglo/US institutions\u003c/li>\u003cli>full contact details (including email, postal address and phone number) for the “corresponding author” (or the author primarily responsible for communications with the publisher)\u003c/li>\u003c/ul>\u003cp>2. Article:\u003c/p>\u003cul>\u003cli>Make sure the article is titled.\u003c/li>\u003cli>At the start of the article, please include a summary or abstract of not more than 150 words, outlining the aims and subject matter.\u003c/li>\u003cli>The full article should follow the abstract, with references. Please double-space the entire manuscript, including all notes and bibliographical references, and make sure all pages are numbered consecutively.\u003c/li>\u003cli>In preparing your article, please keep in mind that postmedieval’s lay-out means that notes necessarily will be constrained in length. However, the synthetic “References” list has no fixed limit. \u003c/li>\u003cli>Please print a word count at the end of your manuscript. Word counts should include abstract, article, and all notes and references.\u003c/li>\u003cli>Please make sure that the article is anonymized and there is no identifying information throughout. \u003c/li>\u003c/ul>\u003cp>In the peer review process for postmedieval both authors and reviewers will be anonymous. Please ensure that NO author names are given on the first page of the article manuscript nor anywhere throughout and that author names have been taken out of the ‘File’ ‘Properties’ screen in Word.\u003c/p>\u003cp>If images or text in the article require permissions for use, please keep in mind that securing permissions will be the author(s)’ responsibility. Please ensure you have a plan in place for the prompt securing of permissions should your article be accepted. In the meantime, see our page on \u003ca href=\"https://www.palgrave.com/gp/journal/41280/authors/artwork-guidelines\" target=\"_self\" class=\"is-external\">Artwork \u003c/a> and our page on \u003ca href=\"https://www.palgrave.com/gp/journal/41280/authors/copyright-permissions\" target=\"_self\" class=\"is-external\">Copyright and Permissions\u003c/a>.\u003c/p>\u003cp>\u003cstrong>Please note\u003c/strong>: If you are including the details of more than one author on your paper, please ensure that the first-named author is prepared to be \"corresponding\" author, responsible for communication with Production and handling the proof of your manuscript, if it were to be accepted. If you're unsure of how to order your names, please contact the editors, or the publisher.\u003c/p>\u003cp>We expect that most \u003cem>postmedieval\u003c/em> articles will fall between 6,000 and 9,000 words (including notes and references), but these are not strict limits. For articles of exceptional brevity or length, please consult with editors.\u003c/p>\u003cp>postmedieval uses the Chicago Author-Date style, with in-text references and an alphabetical reference list at the end. For more information, see our page on \u003ca href=\"https://www.palgrave.com/gp/journal/41280/authors/presentation-formatting\" target=\"_self\" class=\"is-external\">Presentation and Formatting\u003c/a>.\u003c/p>\u003cp>Because postmedieval uses sidenotes rather than endnotes, we encourage authors to keep notes to a minimum (with no notes exceeding 50 words in length). The original motivation for employing sidenotes was to lay emphasis on articles’ readability, accessibility, and essayistic communications (and to distinguish the journal from other footnote-heavy venues in medieval studies). In our experience, the author-date reference format means that citations can be copious without copious notes. \u003c/p>\u003cp>\u003cem>postmedieval\u003c/em> only accepts original submissions from authors. We cannot republish material that has been previously published elsewhere. If you have any questions about this, please contact the Managing Editor at \u003ca href=\"mailto:postmedievalED@gmail.com\" class=\"is-external\">postmedievalED@gmail.com\u003c/a>.\u003c/p>\u003cp>\u003cstrong>Submit now\u003c/strong>\u003cbr/>If you want to submit your manuscript online please use our submission tool: \u003ca href=\"https://www.editorialmanager.com/POME\" target=\"_self\" class=\"is-external\">Submit online\u003c/a>\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h2","children":["Notes for contributors"]},{"tagName":"p","children":["postmedieval publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval—with its archives and art, its thought and practices, its traces and its enduring possibilities. Contributions on sources beyond Western Europe are warmly encouraged."]},{"tagName":"p","children":["In general, postmedieval is published four times a year. Some of these are themed, guest-edited issues; others are open-topic. The journal’s editors will consider submissions of individual essays as well as proposals for themed issues. If accepted, individual essays will be published as Online First publications, appearing first as independent articles on the journal’s website and later in one of the print issues. We will also entertain small, themed “clusters” of essays to be included in open issues as well as commissioned book-review essays. "]},{"tagName":"p","children":["If you have a suggestion for or would like to guest-edit a themed issue, or would like to discuss the appropriateness of an article for an open issue prior to submission, please contact the Managing Editor at postmedievalED@gmail.com. "]},{"tagName":"h2","children":["General submission guidelines",{"tagName":"br"}," "]},{"tagName":"p","children":["Authors wishing to submit to an article for publication in an open-topic issue should send their manuscript via the journal's online submission site at the link below. Authors interested in submitting to a themed issue should contact the guest editors directly. Information about the guest editors of forthcoming issues can be found under the 'Forthcoming Issues' link."]},{"tagName":"p","children":["Manuscripts should be in English, preferably in Word format. Please submit two documents, containing the following elements:"]},{"tagName":"p","children":["1. Author contact details and biography:"]},{"tagName":"ul","children":[{"tagName":"li","children":["the title of the article"]},{"tagName":"li","children":["the author(s)' names "]},{"tagName":"li","children":["[optional] the author(s) institutional affiliations"]},{"tagName":"li","children":["[optional] a short biography of no more than 80 words for each author, as well as any additional background information that be helpful to editors, like author(s)’ first language and/or national academic training outside Anglo/US institutions"]},{"tagName":"li","children":["full contact details (including email, postal address and phone number) for the “corresponding author” (or the author primarily responsible for communications with the publisher)"]}]},{"tagName":"p","children":["2. Article:"]},{"tagName":"ul","children":[{"tagName":"li","children":["Make sure the article is titled."]},{"tagName":"li","children":["At the start of the article, please include a summary or abstract of not more than 150 words, outlining the aims and subject matter."]},{"tagName":"li","children":["The full article should follow the abstract, with references. Please double-space the entire manuscript, including all notes and bibliographical references, and make sure all pages are numbered consecutively."]},{"tagName":"li","children":["In preparing your article, please keep in mind that postmedieval’s lay-out means that notes necessarily will be constrained in length. However, the synthetic “References” list has no fixed limit. "]},{"tagName":"li","children":["Please print a word count at the end of your manuscript. Word counts should include abstract, article, and all notes and references."]},{"tagName":"li","children":["Please make sure that the article is anonymized and there is no identifying information throughout. "]}]},{"tagName":"p","children":["In the peer review process for postmedieval both authors and reviewers will be anonymous. Please ensure that NO author names are given on the first page of the article manuscript nor anywhere throughout and that author names have been taken out of the ‘File’ ‘Properties’ screen in Word."]},{"tagName":"p","children":["If images or text in the article require permissions for use, please keep in mind that securing permissions will be the author(s)’ responsibility. Please ensure you have a plan in place for the prompt securing of permissions should your article be accepted. In the meantime, see our page on ",{"tagName":"a","children":["Artwork "],"attributes":{"href":"https://www.palgrave.com/gp/journal/41280/authors/artwork-guidelines","target":"_self","class":"is-external"}}," and our page on ",{"tagName":"a","children":["Copyright and Permissions"],"attributes":{"href":"https://www.palgrave.com/gp/journal/41280/authors/copyright-permissions","target":"_self","class":"is-external"}},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Please note"]},": If you are including the details of more than one author on your paper, please ensure that the first-named author is prepared to be \"corresponding\" author, responsible for communication with Production and handling the proof of your manuscript, if it were to be accepted. If you're unsure of how to order your names, please contact the editors, or the publisher."]},{"tagName":"p","children":["We expect that most ",{"tagName":"em","children":["postmedieval"]}," articles will fall between 6,000 and 9,000 words (including notes and references), but these are not strict limits. For articles of exceptional brevity or length, please consult with editors."]},{"tagName":"p","children":["postmedieval uses the Chicago Author-Date style, with in-text references and an alphabetical reference list at the end. For more information, see our page on ",{"tagName":"a","children":["Presentation and Formatting"],"attributes":{"href":"https://www.palgrave.com/gp/journal/41280/authors/presentation-formatting","target":"_self","class":"is-external"}},"."]},{"tagName":"p","children":["Because postmedieval uses sidenotes rather than endnotes, we encourage authors to keep notes to a minimum (with no notes exceeding 50 words in length). The original motivation for employing sidenotes was to lay emphasis on articles’ readability, accessibility, and essayistic communications (and to distinguish the journal from other footnote-heavy venues in medieval studies). In our experience, the author-date reference format means that citations can be copious without copious notes. "]},{"tagName":"p","children":[{"tagName":"em","children":["postmedieval"]}," only accepts original submissions from authors. We cannot republish material that has been previously published elsewhere. If you have any questions about this, please contact the Managing Editor at ",{"tagName":"a","children":["postmedievalED@gmail.com"],"attributes":{"href":"mailto:postmedievalED@gmail.com","class":"is-external"}},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Submit now"]},{"tagName":"br"},"If you want to submit your manuscript online please use our submission tool: ",{"tagName":"a","children":["Submit online"],"attributes":{"href":"https://www.editorialmanager.com/POME","target":"_self","class":"is-external"}}]}]},"children":[]},{"type":"article","data":{"title":"Presentation and Formatting","shortTitle":"Presentation and Formatting","urlSegment":"presentation-formatting","html":"\u003ch4 class=\"align--left\">\u003cstrong>\u003cem>postmedieval \u003c/em>\u003c/strong>\u003cstrong>style guide\u003c/strong>\u003cbr/> \u003c/h4>\u003cp>Please note that \u003cem>postmedieval\u003c/em>’s style guidelines \u003cstrong>\u003cspan class=\"underline\">have changed significantly\u003c/span>\u003c/strong> as of Volume 13 (2022). Articles published in previous issues will not be a reliable model for our current house style. Please also note that \u003cem>postmedieval \u003c/em>only accepts original submissions from authors. We cannot publish material that has previously been published elsewhere. If you have any questions about this, please contact postmedievalED@gmail.com.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Word count\u003c/span>\u003c/strong>\u003c/p>\u003cp>Most postmedieval articles fall between 6,000 and 9,000 words (including notes and references), but these are not strict limits. For articles of exceptional brevity or length, please consult with the editors.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Referencing Style\u003c/span>\u003c/strong>\u003c/p>\u003cp>Chicago Author-Date (See sample citations below. For further documentation, consult \u003ca href=\"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html\" class=\"is-external\">https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html\u003c/a>.)\u003c/p>\u003cp>Again, use of Chicago Author-Date is \u003cstrong>\u003cspan class=\"underline\">new\u003c/span>\u003c/strong> as of 2022. It entails numerous changes; two of particular prominence are that (a) authors’ first names (not just initials) are now included in reference entries, and (b) no comma is used between author and date in parenthetical citations.\u003c/p>\u003cp>For more details about Chicago Author-date citations, please see the final part of this style guide and Chapter 15 of \u003cem>The Chicago Manual of Style. \u003c/em>(Please contact us if you do not have access to Chapter 15 of \u003cem>The Chicago Manual of Style.\u003c/em>)\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Author-Date Citation of Primary Sources\u003c/span>\u003c/strong>\u003c/p>\u003cp>For manuscripts and archival material,  the in-text citation should include the name of the author (if appropriate), the location, a shortened version of the name of the library/archive, shelfmark, and (if appropriate) folio number and line number.  The bibliography should include the name of the author and the title of the  work (if appropriate), the shelfmark, name of the library/archive, and location. Examples:\u003c/p>\u003cp>In-text citation: (Al-Bisṭāmī, Paris, BnF MS Arabe 6520, fol. 16v)\u003c/p>\u003cp>Bibliography: Al-Bisṭāmī, ʻAbd al-Raḥmān, \u003cem>Al-fawāʾiḥ al-miskiyya.\u003c/em> MS Arabe 6520, Bibliothèque nationale de la France, Paris.\u003c/p>\u003cp>In-text citation: (Salisbury, Salisbury Cathedral Archives, FG/1/1, fol. 403r, ln. 4)\u003c/p>\u003cp>Bibliography: Avebury Parish Meeting Records, 1641-3. FG/1/1, Salisbury Cathedral Archives, Salisbury.\u003c/p>\u003cp>In the bibliography, manuscripts and archival material are separated from edited sources and precede the list of edited sources. This list can be titled ‘Unedited Sources’.\u003c/p>\u003cp>Please remember that our readership issues from diverse disciplines and languages. When citing a series of primary sources or a dictionary, please give the full title (e.g. \u003cem>Middle English Dictionary\u003c/em> rather than \u003cem>MED\u003c/em>, \u003cem>Early English Text Society \u003c/em>rather than \u003cem>EETS\u003c/em>).\u003c/p>\u003cp>For a helpful guide on how to cite sources from indigenous communities, please see the \u003ca href=\"https://guides.library.ualberta.ca/c.php?g=715568&amp;p=5112574\" class=\"is-external\">Indigenous Research Guide\u003c/a> developed by the University of Alberta in collaboration with the Situated Knowledges Indigenous Peoples and Place Project (SKIPP).\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Quotations\u003c/span>\u003c/strong>\u003c/p>\u003cp>Single quotation marks; double quotation marks for quotes-within-quotes. Final punctuation occurs within marks, although full stops are displaced so as to include parenthetical citations within the sentence. Examples:\u003c/p>\u003cp>The novel plays on commonplaces of medieval devotion: ‘Jesus lowered his eyes and said, “Like a mother I give you my breast to suck”’ (Glück 1994, 22). The scene is abruptly focalized through the Vicar, who ‘saw himself twisted and crumpled forwards although he sat immobile,’ in a shift that might seem to change the rules of narrative perspective (Glück 1994, 20).\u003c/p>\u003cp>All verse quotations, and prose quotations that are longer than thirty words, are indented without quotation marks.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Notes\u003c/span>\u003c/strong>\u003c/p>\u003cp>\u003cem>postmedieval \u003c/em>uses side-notes, rather end- or footnotes. As a result, notes are \u003cstrong>\u003cspan class=\"underline\">strictly limited to no more than 50 words per note\u003c/span>\u003c/strong>. Please use parenthetical in-text citations, instead of notes, whenever possible. The journal’s original motivation for employing side-notes was to lay emphasis on articles’ readability, accessibility, and essayistic style and to distinguish the journal from other, more footnote-heavy publications in medieval studies.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Translation in text\u003c/span>\u003c/strong>\u003c/p>\u003cp>\u003cem>postmedieval\u003c/em> does not publish notes containing either original-language quotations or translations. (See previous item.) The stylistic default should be the use of Modern English translations with citations referring readers to original-language sources. For unusual or crucial phrases, it is often advisable to provide a snippet of the original language. Sometimes only a few original-language words are essential and can be incorporated parenthetically in their original script or in transliteration. The overall goal is readability. For example:\u003c/p>\u003cp>The level tone (平 Ch: \u003cem>ping\u003c/em> ) is associated with the east, the spring, wood, blue green, birth, and the awakening of desire for spiritual growth (発心 Jp: \u003cem>hosshin\u003c/em>).\u003c/p>\u003cp>When a quotation is employed in the body of the text, original-language words can be included in square brackets within the quotation, or in parentheses outside of the quotation. Examples:\u003c/p>\u003cp>This finds its most well-known formulation in Ibn Sīnā’s \u003cem>Pointers and Reminders\u003c/em>, where he states that ‘there is a certain relationship between enunciation [ لفظ ] and mental content [ معنى ]’.The treatise concludes with the assertion that the ‘\u003cem>Bright Mirror\u003c/em> ’ is ‘nothing other than a shining mirror in this final age, and nothing other than the heart and viscera of the path’ of sutra recitation (是則末代之明鏡也。是則此道之肝心也。).\u003c/p>\u003cp>If the translation is following a block quotation, the translation should be surrounded by square brackets. Example:\u003c/p>\u003cp>ولأن بين اللفظ والمعنى علاقة ما،\u003c/p>\u003cp>وربما أثرت أحوال فى اللفظ فى أحوال المعنى.\u003c/p>\u003cp>فلذاك يلزم المنطقي أيضاً أن يراعى جانب اللفظ المطلق من\u003c/p>\u003cp>حيث ذلك غير مقيد بلغة قوم دون قوم\u003c/p>\u003cp>[There is a certain relationship between enunciation and mental content. And the states of the enunciations may affect the states of the mental content. For this reason, the logician must also take heed with regards to absolute enunciation, since it is not defined in the language of one tribe more than another.] (Ibn Sīnā 1957, I 131; trans. my own from Arabic)\u003c/p>\u003cp>Please indicate the original language of any translated quotations, either in the body of the text, or in the citation. If the quotation is taken from an original-language source, which you have translated yourself, please indicate that you are the translator in the in-text citation by using a semicolon followed by ‘trans. my own from’. For example:\u003c/p>\u003cp>(Latour 2023, 132; trans. my own from French)\u003c/p>\u003cp>In the bibliography, please give the full title of works in their original language, transliterated into the Latin alphabet if required. Examples:\u003c/p>\u003cp>Ibn Khaldūn, ʿAbd al-Raḥmān. 1981. \u003cem>Al-ʿibar wa-l-dīwān al-mubtadaʾ wa-l-khabar fī tārīkh al-ʿarab\u003c/em>. Beirut: Dār al-fikr. Latour, Bruno. 2012. \u003cem>Enquête sur les modes d’existence:  une anthropologie des modernes.\u003c/em> Paris: la Découverte.\u003cbr/>\u003cbr/>\u003cstrong>\u003cspan class=\"underline\">Non-Latin Writing Systems\u003c/span>\u003c/strong>\u003c/p>\u003cp>We support non-Latin writing systems. Please insert any quotations you decide to use in their original script, without transliteration. Single words, personal names, and place names are an exception–they can be used in transliteration in a sentence. Examples:\u003c/p>\u003cp>Arabic philological methods would help to define the concept of \u003cem>ṣaḥut ha-leshon\u003c/em> , the linguistic purity of the Hebrew language. \u003cem>Kannō\u003c/em>, as a Buddhist term, speaks to a desired state of resonance between a believer and the divine being who is the object of belief.\u003c/p>\u003cp>Please contact us if you have any questions about which transliteration system to use. We recognise that when working with some premodern sources, especially premodern Sinitic textual materials, not all written characters have a stable transliteration and that how to sound a written character may often be determined by context. We are happy for authors to determine what is the most contextually appropriate transliteration.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Non-English Words\u003c/span>\u003c/strong>\u003c/p>\u003cp>Single words or phrases in Non-English languages should be italicized, unless they are in common use in English (e.g. Quran, hadith, praxis, mise en scène). If frequently used in the article, italicize the first occurrence only.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Oxford comma\u003c/span>\u003c/strong>\u003c/p>\u003cp>Yes\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Use of dashes\u003c/span>\u003c/strong>\u003c/p>\u003cp>When dashes are used in a manner similar to parentheses or commas—for instance, to add an additional thought within a sentence by gently breaking away from that sentence, as we’ve done here—then please use an \u003cspan class=\"underline\">em-dash\u003c/span> (the longest form of dash) \u003cspan class=\"underline\">not separated by spaces from its surrounding words\u003c/span>. In Microsoft Word, one creates an em-dash by typing a word, two hyphens, another word, and then a space; the two hyphens will then turn into a correctly formatted em-dash. For more on the correct use of hyphens, en-dashes, and em-dashes, see \u003ca href=\"https://www.chicagomanualofstyle.org/qanda/data/faq/topics/HyphensEnDashesEmDashes/faq0002.html\" class=\"is-external\">https://www.chicagomanualofstyle.org/qanda/data/faq/topics/HyphensEnDashesEmDashes/faq0002.html\u003c/a>.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Pronouns\u003c/span>\u003c/strong>\u003c/p>\u003cp>Our default is to use the third person plural, “they,” rather than “he or she” when gender identity is unknown.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Social media\u003c/span>\u003c/strong>\u003c/p>\u003cp>Much important intellectual work is carried out on social-media platforms. It should be cited whenever it contributes meaningfully to an article’s claims or analysis.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Images\u003c/span>\u003c/strong>\u003c/p>\u003cp>Authors are responsible for obtaining high-resolution files and\u003ca href=\"https://www.palgrave.com/gp/palgrave/journal-authors/rights-permissions/10052490\" class=\"is-external\"> \u003c/a>\u003ca href=\"https://www.palgrave.com/gp/palgrave/journal-authors/rights-permissions/10052490\" class=\"is-external\">permissions\u003c/a> by the time their article is ready for copyediting. For more information on the formats and resolutions that we support, please consult the page \u003ca href=\"https://www.palgrave.com/gp/journal/41280/authors/artwork-guidelines\" class=\"is-external\">here\u003c/a>. There is no fixed number of images allowed per article. Authors often size the images in text to show how they should be formatted. Image captions should include a description, the provenance of the image, whether the image is a detail and the credit. Please label the images as fig.1, fig. 2, and so on. In physical printing, images will be in black &amp; white, but digital (including .pdf versions) can feature them in colour. If you have questions about images, please contact postmedievalED@gmail.com\u003c/p>\u003cp>\u003cspan class=\"underline\">\u003cstrong>Second language abstract\u003c/strong>\u003c/span>\u003cbr/>\u003cbr/>We offer authors an opportunity to include, in addition to the required article abstract in English, an abstract in another language (e.g. French, Arabic, Chinese). Abstracts are not paywalled, so we hope that this practice will make your scholarship and the issue more accessible. We do not require authors to include a second abstract - we only offer it as an option for authors who might be interested doing so.\u003cbr/>If you would like to include a second abstract, there are a couple things to consider:\u003c/p>\u003cul>\u003cli>-The second abstract would need to be an exact translation of the English abstract.\u003c/li>\u003cli>-We cannot copyedit these second abstracts; all editing and proofing would need to be performed by the author or a trusted reader.\u003c/li>\u003c/ul>\u003cp>If you would like to include a second abstract, please insert it underneath the English abstract.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Ethical commitments\u003c/span>\u003c/strong>\u003c/p>\u003cp>\u003cem>postmedieval \u003c/em>asks our authors to consider their citation practises as simultaneously reflecting and constructing authority. We evaluate submissions based in part on their breadth and depth of engagement with thinkers who represent multiple perspectives in terms of race, ethnicity, gender, able-bodiedness, discipline, and/or academic status or affiliation. There is no simple rule to guide citation, so we ask authors to be thoughtful about its politics and ethics and open to editorial dialogue about it.As part of our citational ethics, we uphold a policy of not citing known harassers (unless accompanied by an acknowledgement of their harassing behaviour, documented with reference to public record). While medieval studies has been and continues to be shaped by systemic forms of violence, specific individuals nonetheless have been agents of exceptional harm. The motivation behind this policy is not to hold up past thinkers to our own moral judgement but to act in the present in solidarity with those now struggling to thrive in our field, with its hierarchies and unequal vulnerabilities. As editors, we are ready to confer confidentially with authors about relevant situations and concerns; authors are not responsible for upholding this policy on their own. Sadly, many who might have made rich intellectual contributions have already been excluded from our footnotes by the damaging effects of harassing behaviour. \u003cem>postmedieval \u003c/em>is committed to acknowledging and respecting cultural and linguistic diversity and specificity. Authors are responsible for ensuring that all names of scholars and persons to which they refer are spelled correctly throughout. Please pay particular attention to names from cultures and writing conventions to some degree unfamiliar to you.\u003cem>postmedieval\u003c/em> acknowledges the pervasive Latinisation of non-Western names in existing scholarly practice as well as the persuasive critiques of that practice. We recognise that it may at points be appropriate (for instance, to distinguish the influence of the Latin translations of the works of Ibn Sina under the Latinised name Avicenna). Authors are invited to engage critically with such usages, acknowledging and marking the adoption of naming conventions rather than naturalising Latinisation.\u003cem>postmedieval \u003c/em>follows the practice of capitalising ‘Black’ and not capitalising ‘white’ when writing about race. For further guidance: \u003ca href=\"https://www.cjr.org/analysis/capital-b-black-styleguide.php\" class=\"is-external\">https://www.cjr.org/analysis/capital-b-black-styleguide.\u003c/a>\u003ca href=\"https://www.cjr.org/analysis/capital-b-black-styleguide.php\" class=\"is-external\">php\u003c/a> \u003cem>postmedieval \u003c/em>acknowledges and supports personal religious practice, inclusive for instance of authors who should wish to spell God ‘G-d’. It invites authors to engage respectfully with religious traditions not their own.\u003c/p>\u003cp>If you would like clarifications on any aspect of this style guide, please write to postmedievalED@gmail.com.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Chicago Author-Date Sample Citations\u003c/span>\u003c/strong>\u003cbr/>\u003cbr/>\u003cstrong>Copied for your convenience from: https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html\u003c/strong>\u003c/p>\u003cp>\u003ca href=\"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html\" class=\"is-external\">Go to Notes and Bibliography: Sample \u003c/a>\u003ca href=\"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html\" class=\"is-external\">Citations\u003c/a>\u003c/p>\u003cp>The following examples illustrate the author-date system. Each example of a reference list entry is accompanied by an example of a corresponding in-text citation. For more details and many more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/toc.html\" class=\"is-external\">chapter 15\u003c/a> of \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>Book\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Grazer, Brian, and Charles Fishman. 2015. \u003cem>A Curious Mind: The Secret to a Bigger Life.\u003c/em> New York: Simon &amp; Schuster.\u003c/p>\u003cp>Smith, Zadie. 2016. \u003cem>Swing Time\u003c/em>. New York: Penguin Press.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Grazer and Fishman 2015, 12)\u003c/p>\u003cp>(Smith 2016, 315–16)\u003c/p>\u003cp>For more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec040.html\" class=\"is-external\">15.40–45\u003c/a> in \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>Chapter or other part of an edited book\u003c/strong>\u003c/p>\u003cp>In the reference list, include the page range for the chapter or part. In the text, cite specific pages.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Thoreau, Henry David. 2016. “Walking.” In \u003cem>The Making of the American Essay\u003c/em>, edited by John D’Agata, 167–95. Minneapolis: Graywolf Press.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Thoreau 2016, 177–78)\u003c/p>\u003cp>In some cases, you may want to cite the collection as a whole instead.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>D’Agata, John, ed. 2016. \u003cem>The Making of the American Essay\u003c/em>. Minneapolis: Graywolf Press.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(D’Agata 2016, 177–78)\u003c/p>\u003cp>For more details, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec036.html\" class=\"is-external\">15.36\u003c/a> and \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec042.html\" class=\"is-external\">15.42\u003c/a> in \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>Translated book\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Lahiri, Jhumpa. 2016. \u003cem>In Other Words\u003c/em>. Translated by Ann Goldstein. New York: Alfred A. Knopf.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Lahiri 2016, 146)\u003c/p>\u003cp>\u003cstrong>E-book\u003c/strong>\u003c/p>\u003cp>For books consulted online, include a URL or the name of the database in the reference list entry. For other types of e-books, name the format. If no fixed page numbers are available, cite a section title or a chapter or other number in the text, if any (or simply omit).\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Austen, Jane. 2007. \u003cem>Pride and Prejudice\u003c/em>. New York: Penguin Classics. Kindle.\u003c/p>\u003cp>Borel, Brooke. 2016. \u003cem>The Chicago Guide to Fact-Checking\u003c/em>. Chicago: University of Chicago Press. ProQuest Ebrary.\u003c/p>\u003cp>Kurland, Philip B., and Ralph Lerner, eds. 1987. \u003cem>The Founders’ Constitution\u003c/em>. Chicago: University of Chicago Press. http://press-pubs.uchicago.edu/founders/.\u003c/p>\u003cp>Melville, Herman. 1851. \u003cem>Moby-Dick; or, The Whale\u003c/em>. New York: Harper &amp; Brothers. http://mel.hofstra.edu/moby-dick-the-whale-proofs.html.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Austen 2007, chap. 3)\u003c/p>\u003cp>(Borel 2016, 92)\u003c/p>\u003cp>(Kurland and Lerner 1987, chap. 10, doc. 19)\u003c/p>\u003cp>(Melville 1851, 627)\u003c/p>\u003cp>\u003cstrong>Journal article\u003c/strong>\u003c/p>\u003cp>In the reference list, include the page range for the whole article. In the text, cite specific page numbers. For articles consulted online, include a URL or the name of the database in the reference list entry. Many journal articles list a DOI (Digital Object Identifier). A DOI forms a permanent URL that begins https://doi.org/. This URL is preferable to the URL that appears in your browser’s address bar.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Keng, Shao-Hsun, Chun-Hung Lin, and Peter F. Orazem. 2017. “Expanding College Access in Taiwan, 1978–2014: Effects on Graduate Quality and Income Inequality.” \u003cem>Journal of Human Capital\u003c/em> 11 (1): 1–34. https://doi.org/10.1086/690235.\u003c/p>\u003cp>LaSalle, Peter. 2017. “Conundrum: A Story about Reading.” \u003cem>New England Review\u003c/em> 38 (1): 95–109. Project MUSE.\u003c/p>\u003cp>Satterfield, Susan. 2016. “Livy and the \u003cem>Pax Deum\u003c/em>.” \u003cem>Classical Philology\u003c/em> 111 (2): 165–76.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Keng, Lin, and Orazem 2017, 9–10)\u003c/p>\u003cp>(LaSalle 2017, 95)\u003c/p>\u003cp>(Satterfield 2016, 170)\u003c/p>\u003cp>Journal articles often list many authors, especially in the sciences. If there are four or more authors, list up to ten in the reference list; in the text, list only the first, followed by \u003cem>et al\u003c/em>. (“and others”). For more than ten authors (not shown here), list the first seven in the reference list, followed by et al.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Bay, Rachael A., Noah Rose, Rowan Barrett, Louis Bernatchez, Cameron K. Ghalambor, Jesse R. Lasky, Rachel B. Brem, Stephen R. Palumbi, and Peter Ralph. 2017. “Predicting Responses to Contemporary Environmental Change Using Evolutionary Response Architectures.” \u003cem>American Naturalist\u003c/em> 189, no. 5 (May): 463–73. https://doi.org/10.1086/691233.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Bay et al. 2017, 465)\u003c/p>\u003cp>For more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec046.html\" class=\"is-external\">15.46–49\u003c/a> in \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>News or magazine article\u003c/strong>\u003c/p>\u003cp>Articles from newspapers or news sites, magazines, blogs, and the like are cited similarly. In the reference list, it can be helpful to repeat the year with sources that are cited also by month and day. Page numbers, if any, can be cited in the text but are omitted from a reference list entry. If you consulted the article online, include a URL or the name of the database.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Manjoo, Farhad. 2017. “Snap Makes a Bet on the Cultural Supremacy of the Camera.” \u003cem>New York Times\u003c/em>, March 8, 2017. https://www.nytimes.com/2017/03/08/technology/snap-makes-a-bet-on-the-cultural-supremacy-of-the-camera.html.\u003c/p>\u003cp>Mead, Rebecca. 2017. “The Prophet of Dystopia.” \u003cem>New Yorker\u003c/em>, April 17, 2017.\u003c/p>\u003cp>Pai, Tanya. 2017. “The Squishy, Sugary History of Peeps.” \u003cem>Vox\u003c/em>, April 11, 2017. http://www.vox.com/culture/2017/4/11/15209084/peeps-easter.\u003c/p>\u003cp>Pegoraro, Rob. 2007. “Apple’s iPhone Is Sleek, Smart and Simple.” \u003cem>Washington Post\u003c/em>, July 5, 2007. LexisNexis Academic.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Manjoo 2017)\u003c/p>\u003cp>(Mead 2017, 43)\u003c/p>\u003cp>(Pai 2017)\u003c/p>\u003cp>(Pegoraro 2007)\u003c/p>\u003cp>Readers’ comments are cited in the text but omitted from a reference list.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Eduardo B [Los Angeles], March 9, 2017, comment on Manjoo 2017)\u003c/p>\u003cp>For more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec049.html\" class=\"is-external\">15.49\u003c/a> (newspapers and magazines) and \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec051.html\" class=\"is-external\">15.51\u003c/a> (blogs) in \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>Book review\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Kakutani, Michiko. 2016. “Friendship Takes a Path That Diverges.” Review of \u003cem>Swing Time\u003c/em>, by Zadie Smith. \u003cem>New York Times\u003c/em>, November 7, 2016.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Kakutani 2016)\u003c/p>\u003cp>\u003cstrong>Interview\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Stamper, Kory. 2017. “From ‘F-Bomb’ to ‘Photobomb,’ How the Dictionary Keeps Up with English.” Interview by Terry Gross. \u003cem>Fresh Air\u003c/em>, NPR, April 19, 2017. Audio, 35:25. http://www.npr.org/2017/04/19/524618639/from-f-bomb-to-photobomb-how-the-dictionary-keeps-up-with-english.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Stamper 2017)\u003c/p>\u003cp>\u003cstrong>Thesis or dissertation\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Rutz, Cynthia Lillian. 2013. “\u003cem>King Lear\u003c/em> and Its Folktale Analogues.” PhD diss., University of Chicago.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Rutz 2013, 99–100)\u003c/p>\u003cp>\u003cstrong>Website content\u003c/strong>\u003c/p>\u003cp>It is often sufficient simply to describe web pages and other website content in the text (“As of May 1, 2017, Yale’s home page listed . . .”). If a more formal citation is needed, it may be styled like the examples below. For a source that does not list a date of publication or revision, use \u003cem>n.d.\u003c/em> (for “no date”) in place of the year and include an access date.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Bouman, Katie. 2016. “How to Take a Picture of a Black Hole.” Filmed November 2016 at TEDxBeaconStreet, Brookline, MA. Video, 12:51. https://www.ted.com/talks/katie_bouman_what_does_a_black_hole_look_like.\u003c/p>\u003cp>Google. 2017. “Privacy Policy.” Privacy &amp; Terms. Last modified April 17, 2017. https://www.google.com/policies/privacy/.\u003c/p>\u003cp>Yale University. n.d. “About Yale: Yale Facts.” Accessed May 1, 2017. https://www.yale.edu/about-yale/yale-facts.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Bouman 2016)\u003c/p>\u003cp>(Google 2017)\u003c/p>\u003cp>(Yale University, n.d.)\u003c/p>\u003cp>For more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec050.html\" class=\"is-external\">15.50–52\u003c/a> in \u003cem>The Chicago Manual of Style\u003c/em>. For multimedia, including live performances, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec057.html\" class=\"is-external\">15.57\u003c/a>.\u003c/p>\u003cp>\u003cstrong>Social media content\u003c/strong>\u003c/p>\u003cp>Citations of content shared through social media can usually be limited to the text (as in the first example below). If a more formal citation is needed, a reference list entry may be appropriate. In place of a title, quote up to the first 160 characters of the post. Comments are cited in reference to the original post.\u003c/p>\u003cp>\u003cstrong>\u003cem>Text\u003c/em>\u003c/strong>\u003c/p>\u003cp>Conan O’Brien’s tweet was characteristically deadpan: “In honor of Earth Day, I’m recycling my tweets” (@ConanOBrien, April 22, 2015).\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Chicago Manual of Style. 2015. “Is the world ready for singular they? We thought so back in 1993.” Facebook, April 17, 2015. https://www.facebook.com/ChicagoManual/posts/10152906193679151.\u003c/p>\u003cp>Souza, Pete (@petesouza). 2016. “President Obama bids farewell to President Xi of China at the conclusion of the Nuclear Security Summit.” Instagram photo, April 1, 2016. https://www.instagram.com/p/BDrmfXTtNCt/.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Chicago Manual of Style 2015)\u003c/p>\u003cp>(Souza 2016)\u003c/p>\u003cp>(Michele Truty, April 17, 2015, 1:09 p.m., comment on Chicago Manual of Style 2015)\u003c/p>\u003cp>\u003cstrong>Personal communication\u003c/strong>\u003c/p>\u003cp>Personal communications, including email and text messages and direct messages sent through social media, are usually cited in the text only; they are rarely included in a reference list.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Sam Gomez, Facebook message to author, August 1, 2017)\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h4","styles":["headline"],"children":[{"tagName":"strong","children":[{"tagName":"em","children":["postmedieval "]}]},{"tagName":"strong","children":["style guide"]},{"tagName":"br"}," "],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Please note that ",{"tagName":"em","children":["postmedieval"]},"’s style guidelines ",{"tagName":"strong","children":[{"tagName":"span","children":["have changed significantly"],"attributes":{"class":"underline"}}]}," as of Volume 13 (2022). Articles published in previous issues will not be a reliable model for our current house style. Please also note that ",{"tagName":"em","children":["postmedieval "]},"only accepts original submissions from authors. We cannot publish material that has previously been published elsewhere. If you have any questions about this, please contact postmedievalED@gmail.com."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Word count"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Most postmedieval articles fall between 6,000 and 9,000 words (including notes and references), but these are not strict limits. For articles of exceptional brevity or length, please consult with the editors."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Referencing Style"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Chicago Author-Date (See sample citations below. For further documentation, consult ",{"tagName":"a","children":["https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html"],"attributes":{"href":"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html","class":"is-external"}},".)"]},{"tagName":"p","children":["Again, use of Chicago Author-Date is ",{"tagName":"strong","children":[{"tagName":"span","children":["new"],"attributes":{"class":"underline"}}]}," as of 2022. It entails numerous changes; two of particular prominence are that (a) authors’ first names (not just initials) are now included in reference entries, and (b) no comma is used between author and date in parenthetical citations."]},{"tagName":"p","children":["For more details about Chicago Author-date citations, please see the final part of this style guide and Chapter 15 of ",{"tagName":"em","children":["The Chicago Manual of Style. "]},"(Please contact us if you do not have access to Chapter 15 of ",{"tagName":"em","children":["The Chicago Manual of Style."]},")"]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Author-Date Citation of Primary Sources"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["For manuscripts and archival material,  the in-text citation should include the name of the author (if appropriate), the location, a shortened version of the name of the library/archive, shelfmark, and (if appropriate) folio number and line number.  The bibliography should include the name of the author and the title of the  work (if appropriate), the shelfmark, name of the library/archive, and location. Examples:"]},{"tagName":"p","children":["In-text citation: (Al-Bisṭāmī, Paris, BnF MS Arabe 6520, fol. 16v)"]},{"tagName":"p","children":["Bibliography: Al-Bisṭāmī, ʻAbd al-Raḥmān, ",{"tagName":"em","children":["Al-fawāʾiḥ al-miskiyya."]}," MS Arabe 6520, Bibliothèque nationale de la France, Paris."]},{"tagName":"p","children":["In-text citation: (Salisbury, Salisbury Cathedral Archives, FG/1/1, fol. 403r, ln. 4)"]},{"tagName":"p","children":["Bibliography: Avebury Parish Meeting Records, 1641-3. FG/1/1, Salisbury Cathedral Archives, Salisbury."]},{"tagName":"p","children":["In the bibliography, manuscripts and archival material are separated from edited sources and precede the list of edited sources. This list can be titled ‘Unedited Sources’."]},{"tagName":"p","children":["Please remember that our readership issues from diverse disciplines and languages. When citing a series of primary sources or a dictionary, please give the full title (e.g. ",{"tagName":"em","children":["Middle English Dictionary"]}," rather than ",{"tagName":"em","children":["MED"]},", ",{"tagName":"em","children":["Early English Text Society "]},"rather than ",{"tagName":"em","children":["EETS"]},")."]},{"tagName":"p","children":["For a helpful guide on how to cite sources from indigenous communities, please see the ",{"tagName":"a","children":["Indigenous Research Guide"],"attributes":{"href":"https://guides.library.ualberta.ca/c.php?g=715568&p=5112574","class":"is-external"}}," developed by the University of Alberta in collaboration with the Situated Knowledges Indigenous Peoples and Place Project (SKIPP)."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Quotations"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Single quotation marks; double quotation marks for quotes-within-quotes. Final punctuation occurs within marks, although full stops are displaced so as to include parenthetical citations within the sentence. Examples:"]},{"tagName":"p","children":["The novel plays on commonplaces of medieval devotion: ‘Jesus lowered his eyes and said, “Like a mother I give you my breast to suck”’ (Glück 1994, 22). The scene is abruptly focalized through the Vicar, who ‘saw himself twisted and crumpled forwards although he sat immobile,’ in a shift that might seem to change the rules of narrative perspective (Glück 1994, 20)."]},{"tagName":"p","children":["All verse quotations, and prose quotations that are longer than thirty words, are indented without quotation marks."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Notes"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":[{"tagName":"em","children":["postmedieval "]},"uses side-notes, rather end- or footnotes. As a result, notes are ",{"tagName":"strong","children":[{"tagName":"span","children":["strictly limited to no more than 50 words per note"],"attributes":{"class":"underline"}}]},". Please use parenthetical in-text citations, instead of notes, whenever possible. The journal’s original motivation for employing side-notes was to lay emphasis on articles’ readability, accessibility, and essayistic style and to distinguish the journal from other, more footnote-heavy publications in medieval studies."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Translation in text"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":[{"tagName":"em","children":["postmedieval"]}," does not publish notes containing either original-language quotations or translations. (See previous item.) The stylistic default should be the use of Modern English translations with citations referring readers to original-language sources. For unusual or crucial phrases, it is often advisable to provide a snippet of the original language. Sometimes only a few original-language words are essential and can be incorporated parenthetically in their original script or in transliteration. The overall goal is readability. For example:"]},{"tagName":"p","children":["The level tone (平 Ch: ",{"tagName":"em","children":["ping"]}," ) is associated with the east, the spring, wood, blue green, birth, and the awakening of desire for spiritual growth (発心 Jp: ",{"tagName":"em","children":["hosshin"]},")."]},{"tagName":"p","children":["When a quotation is employed in the body of the text, original-language words can be included in square brackets within the quotation, or in parentheses outside of the quotation. Examples:"]},{"tagName":"p","children":["This finds its most well-known formulation in Ibn Sīnā’s ",{"tagName":"em","children":["Pointers and Reminders"]},", where he states that ‘there is a certain relationship between enunciation [ لفظ ] and mental content [ معنى ]’.The treatise concludes with the assertion that the ‘",{"tagName":"em","children":["Bright Mirror"]}," ’ is ‘nothing other than a shining mirror in this final age, and nothing other than the heart and viscera of the path’ of sutra recitation (是則末代之明鏡也。是則此道之肝心也。)."]},{"tagName":"p","children":["If the translation is following a block quotation, the translation should be surrounded by square brackets. Example:"]},{"tagName":"p","children":["ولأن بين اللفظ والمعنى علاقة ما،"]},{"tagName":"p","children":["وربما أثرت أحوال فى اللفظ فى أحوال المعنى."]},{"tagName":"p","children":["فلذاك يلزم المنطقي أيضاً أن يراعى جانب اللفظ المطلق من"]},{"tagName":"p","children":["حيث ذلك غير مقيد بلغة قوم دون قوم"]},{"tagName":"p","children":["[There is a certain relationship between enunciation and mental content. And the states of the enunciations may affect the states of the mental content. For this reason, the logician must also take heed with regards to absolute enunciation, since it is not defined in the language of one tribe more than another.] (Ibn Sīnā 1957, I 131; trans. my own from Arabic)"]},{"tagName":"p","children":["Please indicate the original language of any translated quotations, either in the body of the text, or in the citation. If the quotation is taken from an original-language source, which you have translated yourself, please indicate that you are the translator in the in-text citation by using a semicolon followed by ‘trans. my own from’. For example:"]},{"tagName":"p","children":["(Latour 2023, 132; trans. my own from French)"]},{"tagName":"p","children":["In the bibliography, please give the full title of works in their original language, transliterated into the Latin alphabet if required. Examples:"]},{"tagName":"p","children":["Ibn Khaldūn, ʿAbd al-Raḥmān. 1981. ",{"tagName":"em","children":["Al-ʿibar wa-l-dīwān al-mubtadaʾ wa-l-khabar fī tārīkh al-ʿarab"]},". Beirut: Dār al-fikr. Latour, Bruno. 2012. ",{"tagName":"em","children":["Enquête sur les modes d’existence:  une anthropologie des modernes."]}," Paris: la Découverte.",{"tagName":"br"},{"tagName":"br"},{"tagName":"strong","children":[{"tagName":"span","children":["Non-Latin Writing Systems"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["We support non-Latin writing systems. Please insert any quotations you decide to use in their original script, without transliteration. Single words, personal names, and place names are an exception–they can be used in transliteration in a sentence. Examples:"]},{"tagName":"p","children":["Arabic philological methods would help to define the concept of ",{"tagName":"em","children":["ṣaḥut ha-leshon"]}," , the linguistic purity of the Hebrew language. ",{"tagName":"em","children":["Kannō"]},", as a Buddhist term, speaks to a desired state of resonance between a believer and the divine being who is the object of belief."]},{"tagName":"p","children":["Please contact us if you have any questions about which transliteration system to use. We recognise that when working with some premodern sources, especially premodern Sinitic textual materials, not all written characters have a stable transliteration and that how to sound a written character may often be determined by context. We are happy for authors to determine what is the most contextually appropriate transliteration."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Non-English Words"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Single words or phrases in Non-English languages should be italicized, unless they are in common use in English (e.g. Quran, hadith, praxis, mise en scène). If frequently used in the article, italicize the first occurrence only."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Oxford comma"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Yes"]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Use of dashes"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["When dashes are used in a manner similar to parentheses or commas—for instance, to add an additional thought within a sentence by gently breaking away from that sentence, as we’ve done here—then please use an ",{"tagName":"span","children":["em-dash"],"attributes":{"class":"underline"}}," (the longest form of dash) ",{"tagName":"span","children":["not separated by spaces from its surrounding words"],"attributes":{"class":"underline"}},". In Microsoft Word, one creates an em-dash by typing a word, two hyphens, another word, and then a space; the two hyphens will then turn into a correctly formatted em-dash. For more on the correct use of hyphens, en-dashes, and em-dashes, see ",{"tagName":"a","children":["https://www.chicagomanualofstyle.org/qanda/data/faq/topics/HyphensEnDashesEmDashes/faq0002.html"],"attributes":{"href":"https://www.chicagomanualofstyle.org/qanda/data/faq/topics/HyphensEnDashesEmDashes/faq0002.html","class":"is-external"}},"."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Pronouns"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Our default is to use the third person plural, “they,” rather than “he or she” when gender identity is unknown."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Social media"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Much important intellectual work is carried out on social-media platforms. It should be cited whenever it contributes meaningfully to an article’s claims or analysis."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Images"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Authors are responsible for obtaining high-resolution files and",{"tagName":"a","children":[" "],"attributes":{"href":"https://www.palgrave.com/gp/palgrave/journal-authors/rights-permissions/10052490","class":"is-external"}},{"tagName":"a","children":["permissions"],"attributes":{"href":"https://www.palgrave.com/gp/palgrave/journal-authors/rights-permissions/10052490","class":"is-external"}}," by the time their article is ready for copyediting. For more information on the formats and resolutions that we support, please consult the page ",{"tagName":"a","children":["here"],"attributes":{"href":"https://www.palgrave.com/gp/journal/41280/authors/artwork-guidelines","class":"is-external"}},". There is no fixed number of images allowed per article. Authors often size the images in text to show how they should be formatted. Image captions should include a description, the provenance of the image, whether the image is a detail and the credit. Please label the images as fig.1, fig. 2, and so on. In physical printing, images will be in black & white, but digital (including .pdf versions) can feature them in colour. If you have questions about images, please contact postmedievalED@gmail.com"]},{"tagName":"p","children":[{"tagName":"span","children":[{"tagName":"strong","children":["Second language abstract"]}],"attributes":{"class":"underline"}},{"tagName":"br"},{"tagName":"br"},"We offer authors an opportunity to include, in addition to the required article abstract in English, an abstract in another language (e.g. French, Arabic, Chinese). Abstracts are not paywalled, so we hope that this practice will make your scholarship and the issue more accessible. We do not require authors to include a second abstract - we only offer it as an option for authors who might be interested doing so.",{"tagName":"br"},"If you would like to include a second abstract, there are a couple things to consider:"]},{"tagName":"ul","children":[{"tagName":"li","children":["-The second abstract would need to be an exact translation of the English abstract."]},{"tagName":"li","children":["-We cannot copyedit these second abstracts; all editing and proofing would need to be performed by the author or a trusted reader."]}]},{"tagName":"p","children":["If you would like to include a second abstract, please insert it underneath the English abstract."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Ethical commitments"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":[{"tagName":"em","children":["postmedieval "]},"asks our authors to consider their citation practises as simultaneously reflecting and constructing authority. We evaluate submissions based in part on their breadth and depth of engagement with thinkers who represent multiple perspectives in terms of race, ethnicity, gender, able-bodiedness, discipline, and/or academic status or affiliation. There is no simple rule to guide citation, so we ask authors to be thoughtful about its politics and ethics and open to editorial dialogue about it.As part of our citational ethics, we uphold a policy of not citing known harassers (unless accompanied by an acknowledgement of their harassing behaviour, documented with reference to public record). While medieval studies has been and continues to be shaped by systemic forms of violence, specific individuals nonetheless have been agents of exceptional harm. The motivation behind this policy is not to hold up past thinkers to our own moral judgement but to act in the present in solidarity with those now struggling to thrive in our field, with its hierarchies and unequal vulnerabilities. As editors, we are ready to confer confidentially with authors about relevant situations and concerns; authors are not responsible for upholding this policy on their own. Sadly, many who might have made rich intellectual contributions have already been excluded from our footnotes by the damaging effects of harassing behaviour. ",{"tagName":"em","children":["postmedieval "]},"is committed to acknowledging and respecting cultural and linguistic diversity and specificity. Authors are responsible for ensuring that all names of scholars and persons to which they refer are spelled correctly throughout. Please pay particular attention to names from cultures and writing conventions to some degree unfamiliar to you.",{"tagName":"em","children":["postmedieval"]}," acknowledges the pervasive Latinisation of non-Western names in existing scholarly practice as well as the persuasive critiques of that practice. We recognise that it may at points be appropriate (for instance, to distinguish the influence of the Latin translations of the works of Ibn Sina under the Latinised name Avicenna). Authors are invited to engage critically with such usages, acknowledging and marking the adoption of naming conventions rather than naturalising Latinisation.",{"tagName":"em","children":["postmedieval "]},"follows the practice of capitalising ‘Black’ and not capitalising ‘white’ when writing about race. For further guidance: ",{"tagName":"a","children":["https://www.cjr.org/analysis/capital-b-black-styleguide."],"attributes":{"href":"https://www.cjr.org/analysis/capital-b-black-styleguide.php","class":"is-external"}},{"tagName":"a","children":["php"],"attributes":{"href":"https://www.cjr.org/analysis/capital-b-black-styleguide.php","class":"is-external"}}," ",{"tagName":"em","children":["postmedieval "]},"acknowledges and supports personal religious practice, inclusive for instance of authors who should wish to spell God ‘G-d’. It invites authors to engage respectfully with religious traditions not their own."]},{"tagName":"p","children":["If you would like clarifications on any aspect of this style guide, please write to postmedievalED@gmail.com."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Chicago Author-Date Sample Citations"],"attributes":{"class":"underline"}}]},{"tagName":"br"},{"tagName":"br"},{"tagName":"strong","children":["Copied for your convenience from: https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html"]}]},{"tagName":"p","children":[{"tagName":"a","children":["Go to Notes and Bibliography: Sample "],"attributes":{"href":"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html","class":"is-external"}},{"tagName":"a","children":["Citations"],"attributes":{"href":"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html","class":"is-external"}}]},{"tagName":"p","children":["The following examples illustrate the author-date system. Each example of a reference list entry is accompanied by an example of a corresponding in-text citation. For more details and many more examples, see ",{"tagName":"a","children":["chapter 15"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/toc.html","class":"is-external"}}," of ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Book"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Grazer, Brian, and Charles Fishman. 2015. ",{"tagName":"em","children":["A Curious Mind: The Secret to a Bigger Life."]}," New York: Simon & Schuster."]},{"tagName":"p","children":["Smith, Zadie. 2016. ",{"tagName":"em","children":["Swing Time"]},". New York: Penguin Press."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Grazer and Fishman 2015, 12)"]},{"tagName":"p","children":["(Smith 2016, 315–16)"]},{"tagName":"p","children":["For more examples, see ",{"tagName":"a","children":["15.40–45"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec040.html","class":"is-external"}}," in ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Chapter or other part of an edited book"]}]},{"tagName":"p","children":["In the reference list, include the page range for the chapter or part. In the text, cite specific pages."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Thoreau, Henry David. 2016. “Walking.” In ",{"tagName":"em","children":["The Making of the American Essay"]},", edited by John D’Agata, 167–95. Minneapolis: Graywolf Press."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Thoreau 2016, 177–78)"]},{"tagName":"p","children":["In some cases, you may want to cite the collection as a whole instead."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["D’Agata, John, ed. 2016. ",{"tagName":"em","children":["The Making of the American Essay"]},". Minneapolis: Graywolf Press."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(D’Agata 2016, 177–78)"]},{"tagName":"p","children":["For more details, see ",{"tagName":"a","children":["15.36"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec036.html","class":"is-external"}}," and ",{"tagName":"a","children":["15.42"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec042.html","class":"is-external"}}," in ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Translated book"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Lahiri, Jhumpa. 2016. ",{"tagName":"em","children":["In Other Words"]},". Translated by Ann Goldstein. New York: Alfred A. Knopf."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Lahiri 2016, 146)"]},{"tagName":"p","children":[{"tagName":"strong","children":["E-book"]}]},{"tagName":"p","children":["For books consulted online, include a URL or the name of the database in the reference list entry. For other types of e-books, name the format. If no fixed page numbers are available, cite a section title or a chapter or other number in the text, if any (or simply omit)."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Austen, Jane. 2007. ",{"tagName":"em","children":["Pride and Prejudice"]},". New York: Penguin Classics. Kindle."]},{"tagName":"p","children":["Borel, Brooke. 2016. ",{"tagName":"em","children":["The Chicago Guide to Fact-Checking"]},". Chicago: University of Chicago Press. ProQuest Ebrary."]},{"tagName":"p","children":["Kurland, Philip B., and Ralph Lerner, eds. 1987. ",{"tagName":"em","children":["The Founders’ Constitution"]},". Chicago: University of Chicago Press. http://press-pubs.uchicago.edu/founders/."]},{"tagName":"p","children":["Melville, Herman. 1851. ",{"tagName":"em","children":["Moby-Dick; or, The Whale"]},". New York: Harper & Brothers. http://mel.hofstra.edu/moby-dick-the-whale-proofs.html."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Austen 2007, chap. 3)"]},{"tagName":"p","children":["(Borel 2016, 92)"]},{"tagName":"p","children":["(Kurland and Lerner 1987, chap. 10, doc. 19)"]},{"tagName":"p","children":["(Melville 1851, 627)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Journal article"]}]},{"tagName":"p","children":["In the reference list, include the page range for the whole article. In the text, cite specific page numbers. For articles consulted online, include a URL or the name of the database in the reference list entry. Many journal articles list a DOI (Digital Object Identifier). A DOI forms a permanent URL that begins https://doi.org/. This URL is preferable to the URL that appears in your browser’s address bar."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Keng, Shao-Hsun, Chun-Hung Lin, and Peter F. Orazem. 2017. “Expanding College Access in Taiwan, 1978–2014: Effects on Graduate Quality and Income Inequality.” ",{"tagName":"em","children":["Journal of Human Capital"]}," 11 (1): 1–34. https://doi.org/10.1086/690235."]},{"tagName":"p","children":["LaSalle, Peter. 2017. “Conundrum: A Story about Reading.” ",{"tagName":"em","children":["New England Review"]}," 38 (1): 95–109. Project MUSE."]},{"tagName":"p","children":["Satterfield, Susan. 2016. “Livy and the ",{"tagName":"em","children":["Pax Deum"]},".” ",{"tagName":"em","children":["Classical Philology"]}," 111 (2): 165–76."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Keng, Lin, and Orazem 2017, 9–10)"]},{"tagName":"p","children":["(LaSalle 2017, 95)"]},{"tagName":"p","children":["(Satterfield 2016, 170)"]},{"tagName":"p","children":["Journal articles often list many authors, especially in the sciences. If there are four or more authors, list up to ten in the reference list; in the text, list only the first, followed by ",{"tagName":"em","children":["et al"]},". (“and others”). For more than ten authors (not shown here), list the first seven in the reference list, followed by et al."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Bay, Rachael A., Noah Rose, Rowan Barrett, Louis Bernatchez, Cameron K. Ghalambor, Jesse R. Lasky, Rachel B. Brem, Stephen R. Palumbi, and Peter Ralph. 2017. “Predicting Responses to Contemporary Environmental Change Using Evolutionary Response Architectures.” ",{"tagName":"em","children":["American Naturalist"]}," 189, no. 5 (May): 463–73. https://doi.org/10.1086/691233."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Bay et al. 2017, 465)"]},{"tagName":"p","children":["For more examples, see ",{"tagName":"a","children":["15.46–49"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec046.html","class":"is-external"}}," in ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["News or magazine article"]}]},{"tagName":"p","children":["Articles from newspapers or news sites, magazines, blogs, and the like are cited similarly. In the reference list, it can be helpful to repeat the year with sources that are cited also by month and day. Page numbers, if any, can be cited in the text but are omitted from a reference list entry. If you consulted the article online, include a URL or the name of the database."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Manjoo, Farhad. 2017. “Snap Makes a Bet on the Cultural Supremacy of the Camera.” ",{"tagName":"em","children":["New York Times"]},", March 8, 2017. https://www.nytimes.com/2017/03/08/technology/snap-makes-a-bet-on-the-cultural-supremacy-of-the-camera.html."]},{"tagName":"p","children":["Mead, Rebecca. 2017. “The Prophet of Dystopia.” ",{"tagName":"em","children":["New Yorker"]},", April 17, 2017."]},{"tagName":"p","children":["Pai, Tanya. 2017. “The Squishy, Sugary History of Peeps.” ",{"tagName":"em","children":["Vox"]},", April 11, 2017. http://www.vox.com/culture/2017/4/11/15209084/peeps-easter."]},{"tagName":"p","children":["Pegoraro, Rob. 2007. “Apple’s iPhone Is Sleek, Smart and Simple.” ",{"tagName":"em","children":["Washington Post"]},", July 5, 2007. LexisNexis Academic."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Manjoo 2017)"]},{"tagName":"p","children":["(Mead 2017, 43)"]},{"tagName":"p","children":["(Pai 2017)"]},{"tagName":"p","children":["(Pegoraro 2007)"]},{"tagName":"p","children":["Readers’ comments are cited in the text but omitted from a reference list."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Eduardo B [Los Angeles], March 9, 2017, comment on Manjoo 2017)"]},{"tagName":"p","children":["For more examples, see ",{"tagName":"a","children":["15.49"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec049.html","class":"is-external"}}," (newspapers and magazines) and ",{"tagName":"a","children":["15.51"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec051.html","class":"is-external"}}," (blogs) in ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Book review"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Kakutani, Michiko. 2016. “Friendship Takes a Path That Diverges.” Review of ",{"tagName":"em","children":["Swing Time"]},", by Zadie Smith. ",{"tagName":"em","children":["New York Times"]},", November 7, 2016."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Kakutani 2016)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Interview"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Stamper, Kory. 2017. “From ‘F-Bomb’ to ‘Photobomb,’ How the Dictionary Keeps Up with English.” Interview by Terry Gross. ",{"tagName":"em","children":["Fresh Air"]},", NPR, April 19, 2017. Audio, 35:25. http://www.npr.org/2017/04/19/524618639/from-f-bomb-to-photobomb-how-the-dictionary-keeps-up-with-english."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Stamper 2017)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Thesis or dissertation"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Rutz, Cynthia Lillian. 2013. “",{"tagName":"em","children":["King Lear"]}," and Its Folktale Analogues.” PhD diss., University of Chicago."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Rutz 2013, 99–100)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Website content"]}]},{"tagName":"p","children":["It is often sufficient simply to describe web pages and other website content in the text (“As of May 1, 2017, Yale’s home page listed . . .”). If a more formal citation is needed, it may be styled like the examples below. For a source that does not list a date of publication or revision, use ",{"tagName":"em","children":["n.d."]}," (for “no date”) in place of the year and include an access date."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Bouman, Katie. 2016. “How to Take a Picture of a Black Hole.” Filmed November 2016 at TEDxBeaconStreet, Brookline, MA. Video, 12:51. https://www.ted.com/talks/katie_bouman_what_does_a_black_hole_look_like."]},{"tagName":"p","children":["Google. 2017. “Privacy Policy.” Privacy & Terms. Last modified April 17, 2017. https://www.google.com/policies/privacy/."]},{"tagName":"p","children":["Yale University. n.d. “About Yale: Yale Facts.” Accessed May 1, 2017. https://www.yale.edu/about-yale/yale-facts."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Bouman 2016)"]},{"tagName":"p","children":["(Google 2017)"]},{"tagName":"p","children":["(Yale University, n.d.)"]},{"tagName":"p","children":["For more examples, see ",{"tagName":"a","children":["15.50–52"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec050.html","class":"is-external"}}," in ",{"tagName":"em","children":["The Chicago Manual of Style"]},". For multimedia, including live performances, see ",{"tagName":"a","children":["15.57"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec057.html","class":"is-external"}},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Social media content"]}]},{"tagName":"p","children":["Citations of content shared through social media can usually be limited to the text (as in the first example below). If a more formal citation is needed, a reference list entry may be appropriate. In place of a title, quote up to the first 160 characters of the post. Comments are cited in reference to the original post."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Text"]}]}]},{"tagName":"p","children":["Conan O’Brien’s tweet was characteristically deadpan: “In honor of Earth Day, I’m recycling my tweets” (@ConanOBrien, April 22, 2015)."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Chicago Manual of Style. 2015. “Is the world ready for singular they? We thought so back in 1993.” Facebook, April 17, 2015. https://www.facebook.com/ChicagoManual/posts/10152906193679151."]},{"tagName":"p","children":["Souza, Pete (@petesouza). 2016. “President Obama bids farewell to President Xi of China at the conclusion of the Nuclear Security Summit.” Instagram photo, April 1, 2016. https://www.instagram.com/p/BDrmfXTtNCt/."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Chicago Manual of Style 2015)"]},{"tagName":"p","children":["(Souza 2016)"]},{"tagName":"p","children":["(Michele Truty, April 17, 2015, 1:09 p.m., comment on Chicago Manual of Style 2015)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Personal communication"]}]},{"tagName":"p","children":["Personal communications, including email and text messages and direct messages sent through social media, are usually cited in the text only; they are rarely included in a reference list."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Sam Gomez, Facebook message to author, August 1, 2017)"]}]},"children":[]},{"type":"article","data":{"title":"Tables and Figures","shortTitle":"Tables and Figures","urlSegment":"tables-figures","html":"\u003ch3>Illustrations\u003c/h3>\u003cp>Supply figures and plates as separate files, in either TIFF or JPEG format, with their position within the text clearly indicated on the page where they are introduced. Images should be provided in greyscale and at a minimum of 300 dpi. Provide typed captions for figures and plates.\u003c/p>\u003cp>The journal is printed in black-and-white. Therefore, we prefer that you supply your figures in greyscale. Figures supplied in colour will be converted to greyscale for print unless the author confirms they will cover the cost of printing in colour (costs available from the production/editorial office).\u003c/p>\u003cp>You may however request for any/all figures to be shown in colour in the HTML (web) version of your article, but bear in mind that the PDF/print version will still be black-and-white, so please make sure that colour is not critical to understanding any figures; and do not describe elements of the figure in terms of their colours.\u003c/p>\u003cp>For example line graphs with several data series can usually be represented adequately in black-and-white by using different line styles and/or different shaped nodes.\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h3","styles":["headline"],"children":["Illustrations"]},{"tagName":"p","children":["Supply figures and plates as separate files, in either TIFF or JPEG format, with their position within the text clearly indicated on the page where they are introduced. Images should be provided in greyscale and at a minimum of 300 dpi. Provide typed captions for figures and plates."]},{"tagName":"p","children":["The journal is printed in black-and-white. Therefore, we prefer that you supply your figures in greyscale. Figures supplied in colour will be converted to greyscale for print unless the author confirms they will cover the cost of printing in colour (costs available from the production/editorial office)."]},{"tagName":"p","children":["You may however request for any/all figures to be shown in colour in the HTML (web) version of your article, but bear in mind that the PDF/print version will still be black-and-white, so please make sure that colour is not critical to understanding any figures; and do not describe elements of the figure in terms of their colours."]},{"tagName":"p","children":["For example line graphs with several data series can usually be represented adequately in black-and-white by using different line styles and/or different shaped nodes."]}]},"children":[]},{"type":"article","data":{"title":"Artwork Guidelines ","shortTitle":"Artwork Guidelines ","urlSegment":"artwork-guidelines","html":"\u003cp>This guide is to assist authors whose manuscripts have been accepted for publication by Palgrave Macmillan. It will help you to prepare artwork so that it will be processed as quickly and smoothly as possible, and give the best possible results in the final printed version. Please follow these instructions carefully.\u003c/p>\u003ch3>File formats\u003c/h3>\u003ch4>We prefer:\u003c/h4>\u003ctable class=\"Table\">\u003ctbody>\u003ctr>\u003ctd>\u003cp>\u003cstrong>Format\u003c/strong>\u003c/p>\u003c/td>\u003ctd>\u003cp>\u003cstrong>Resolution/Notes\u003c/strong>\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Adobe Illustrator or Encapsulated PostScript (*.AI or *.EPS)\u003c/p>\u003c/td>\u003ctd>\u003cp>For vector and composite images: minimum resolution for bitmap content of 300dpi (dots per inch) at final printed size. Fonts to be included.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Adobe Photoshop (*.PSD)\u003c/p>\u003c/td>\u003ctd>\u003cp>Please supply with any layers intact.\u003c/p>\u003c/td>\u003c/tr>\u003c/tbody>\u003c/table>\u003ch4>We can accept:\u003c/h4>\u003ctable>\u003ctbody>\u003ctr>\u003ctd>\u003cstrong>Format\u003c/strong>\u003c/td>\u003ctd>\u003cstrong>Resolution/Notes\u003c/strong>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>TIFF\u003c/p>\u003c/td>\u003ctd>\u003cp>Minimum resolution of 300dpi at the size the image is to appear in print. If the figure contains text minimum resolution is 400dpi and 600dpi where it contains small text or other fine detail. Compress only if file size is large.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>MS Word, MS PowerPoint, MS Excel\u003c/p>\u003c/td>\u003ctd>\u003cp>Minimum resolution of 300dpi for halftone images and 1000dpi for line art. Generate postscript files by using ‘Print to file’. To do this, open the image in its native application, go into the ‘print’ menu and change the destination from ‘printer’ to ‘file’ (or click on ‘print to file’). This will write a Postscript (.ps or .prn) file.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>JPEG\u003c/p>\u003c/td>\u003ctd>\u003cp>Minimum resolution of 300dpi (72dpi files are not useable) at the size the image is to appear in print. If the figure contains text minimum resolution is 400dpi and 600dpi where it contains small text or other fine detail. Compress only if file size large. Please supply the highest possible quality (between 10 and 12) to prevent reduction of quality.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Acrobat PDF\u003c/p>\u003c/td>\u003ctd>\u003cp>Use ‘Print PDF’ or ‘Press PDF’ settings. Always use embed fonts option in the job options setting (fonts tab). For composite images – min. resolution of 300dpi at final printed size.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>PICT\u003c/p>\u003c/td>\u003ctd>\u003cp>Minimum resolution of 300dpi (72dpi files are not useable) at the size the image is to appear in print. If the figure contains text, minimum resolution is 400dpi, and 600dpi where it contains small text or other fine detail. Compress only if file size is large.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Canvas version 9\u003c/p>\u003c/td>\u003ctd>\u003cp>-\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>DeltaGraph version 5.6\u003c/p>\u003c/td>\u003ctd>\u003cp>-\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Sigma Plot 9\u003c/p>\u003c/td>\u003ctd>\u003cp>-\u003c/p>\u003c/td>\u003c/tr>\u003c/tbody>\u003c/table>\u003cp>We \u003cstrong>cannot\u003c/strong> accept: Canvas before version 3.5, DeltaGraph before version 5.6. Where manuscripts are submitted as TeΧ files, we accept graphics in EPS or TIF formats.\u003c/p>\u003ch3>Image types\u003c/h3>\u003cp>Raster formats (bitmapped images) are best suited to photographs and scans (we prefer Photoshop or TIFF files). Line (or vector) formats are best for graphs and schematic diagrams.\u003c/p>\u003ch3>Colour artwork\u003c/h3>\u003cp>Some, but not all, Palgrave Macmillan journals publish colour artwork. For these journals, remember that there is a charge for reproducing print figures in colour, so if colour is not a significant element in your figures, we recommend that you supply them in a greyscale format (Excel bar graphs, for example), or indicate clearly that greyscale reproduction is acceptable. Otherwise, we may send you a form detailing the applicable colour charges, and asking you to confirm whether you want to proceed with colour printing.\u003c/p>\u003cp>The colour printing process requires files to be in CMYK format.\u003c/p>\u003cp>We prefer authors to convert their artwork to CMYK format before submission – this means that the author can approve any change in colour that occurs during the conversion process.\u003c/p>\u003cp>However, conversion from RGB to CMYK is very critical and depends upon profiles, so if you are not well versed with conversion, please supply the RGB files. We will convert these with standard profiles, so as to minimize the loss in colours.\u003c/p>\u003ch3>Presentation of figures\u003c/h3>\u003cp>\u003cstrong>Lettering should be:\u003c/strong>\u003c/p>\u003cul>\u003cli>In a sans serif typeface (preferably Helvetica or Arial)\u003c/li>\u003cli>In the same typeface throughout\u003c/li>\u003cli>Not placed directly over images or shaded areas\u003c/li>\u003cli>Bold upright (not italic) and lowercase when labelling multipart figures\u003c/li>\u003cli>Between 6 and 8 point for labels\u003c/li>\u003c/ul>\u003cp>\u003cstrong>Figure sizing should:\u003c/strong>\u003c/p>\u003cul>\u003cli>Be as small as possible (for reasons of space in the journal)\u003c/li>\u003cli>Be supplied in a comparable size to similar figures in printed issues of the journal\u003c/li>\u003cli>Be able to fit into a single column of the printed journal wherever possible\u003c/li>\u003cli>Be able to be reduced significantly without loss of quality wherever possible\u003c/li>\u003cli>Ensure that lettering will remain readable after reduction (avoid large type or thick lines) – we recommend that lines are between 0.5 and 1 point\u003c/li>\u003c/ul>\u003ch3 class=\"flapHead hideContent\">Terminology\u003c/h3>\u003cp class=\"flapContent\">\u003cstrong>BITMAP:\u003c/strong> Any image that’s made up of a grid of dots: typically photos from digital cameras, scanned images, and screenshots are bitmaps. Painting and imageediting applications such as Photoshop and Paint Shop Pro produce bitmap images. Bitmaps are resolution dependent, which means a particular level of detail was saved when they were first created, and if you then try to enlarge them, they will start to look blocky and jagged. Some bitmap file formats such as JPG use compression to reduce the file size; this can also result in blockiness and loss of detail: therefore, please avoid compression settings unless the file sizes are getting too big to transfer with ease. Some common bitmap file formats: TIFF, BMP, JPG, PNG.\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>COMPOSITE: \u003c/strong>A type of file format that can store both bitmap and vector image data. EPS files are the most common type of composite image. Photoshop PSD files are bitmap-based but can also store vector data such as editable text. Illustrator and CorelDraw files are vector-based but can also store bitmap data.\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>D.P.I.:\u003c/strong> Dots per inch: the usual measure of resolution for bitmap images.\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>RASTER:\u003c/strong> same as bitmap\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>RESOLUTION:\u003c/strong> The level of detail stored in a bitmap image. When you first take a digital photo or scan a document, you should get a chance to choose the resolution. Higher resolution results in a larger file, but looks much better when printed. We ask that you create images with a resolution of at least 300 d.p.i. where possible. Images copied from web pages are only 72 d.p.i. and can look very blocky when printed; we therefore recommend that you only use these when absolutely unavoidable: when the figure is specifically depicting a web page, for example. In other instances, it’s always worth contacting the owner of the website in question to ask whether the image is also available in another format.\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>VECTOR:\u003c/strong> An image that is made up of separate elements such as lines, boxes and text, which are individually editable: line graphs, flow charts, schematic diagrams are best saved as vector files. Files created by drawing packages such as Illustrator, AutoCAD or Visio for example, or diagrams created using Word or PowerPoint’s native drawing tools. Vector images are resolution independent, which means you can scale them up or down without loss of detail. Some common vector file formats: WMF, EMF.\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["This guide is to assist authors whose manuscripts have been accepted for publication by Palgrave Macmillan. It will help you to prepare artwork so that it will be processed as quickly and smoothly as possible, and give the best possible results in the final printed version. Please follow these instructions carefully."]},{"tagName":"h3","styles":["headline"],"children":["File formats"]},{"tagName":"h4","styles":["headline"],"children":["We prefer:"]},{"tagName":"table","children":[{"tagName":"tbody","children":[{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":[{"tagName":"strong","children":["Format"]}]}]},{"tagName":"td","children":[{"tagName":"p","children":[{"tagName":"strong","children":["Resolution/Notes"]}]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Adobe Illustrator or Encapsulated PostScript (*.AI or *.EPS)"]}]},{"tagName":"td","children":[{"tagName":"p","children":["For vector and composite images: minimum resolution for bitmap content of 300dpi (dots per inch) at final printed size. Fonts to be included."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Adobe Photoshop (*.PSD)"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Please supply with any layers intact."]}]}]}]}],"attributes":{"class":"Table"}},{"tagName":"h4","styles":["headline"],"children":["We can accept:"]},{"tagName":"table","children":[{"tagName":"tbody","children":[{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"strong","children":["Format"]}]},{"tagName":"td","children":[{"tagName":"strong","children":["Resolution/Notes"]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["TIFF"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Minimum resolution of 300dpi at the size the image is to appear in print. If the figure contains text minimum resolution is 400dpi and 600dpi where it contains small text or other fine detail. Compress only if file size is large."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["MS Word, MS PowerPoint, MS Excel"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Minimum resolution of 300dpi for halftone images and 1000dpi for line art. Generate postscript files by using ‘Print to file’. To do this, open the image in its native application, go into the ‘print’ menu and change the destination from ‘printer’ to ‘file’ (or click on ‘print to file’). This will write a Postscript (.ps or .prn) file."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["JPEG"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Minimum resolution of 300dpi (72dpi files are not useable) at the size the image is to appear in print. If the figure contains text minimum resolution is 400dpi and 600dpi where it contains small text or other fine detail. Compress only if file size large. Please supply the highest possible quality (between 10 and 12) to prevent reduction of quality."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Acrobat PDF"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Use ‘Print PDF’ or ‘Press PDF’ settings. Always use embed fonts option in the job options setting (fonts tab). For composite images – min. resolution of 300dpi at final printed size."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["PICT"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Minimum resolution of 300dpi (72dpi files are not useable) at the size the image is to appear in print. If the figure contains text, minimum resolution is 400dpi, and 600dpi where it contains small text or other fine detail. Compress only if file size is large."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Canvas version 9"]}]},{"tagName":"td","children":[{"tagName":"p","children":["-"]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["DeltaGraph version 5.6"]}]},{"tagName":"td","children":[{"tagName":"p","children":["-"]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Sigma Plot 9"]}]},{"tagName":"td","children":[{"tagName":"p","children":["-"]}]}]}]}]},{"tagName":"p","children":["We ",{"tagName":"strong","children":["cannot"]}," accept: Canvas before version 3.5, DeltaGraph before version 5.6. Where manuscripts are submitted as TeΧ files, we accept graphics in EPS or TIF formats."]},{"tagName":"h3","styles":["headline"],"children":["Image types"]},{"tagName":"p","children":["Raster formats (bitmapped images) are best suited to photographs and scans (we prefer Photoshop or TIFF files). Line (or vector) formats are best for graphs and schematic diagrams."]},{"tagName":"h3","styles":["headline"],"children":["Colour artwork"]},{"tagName":"p","children":["Some, but not all, Palgrave Macmillan journals publish colour artwork. For these journals, remember that there is a charge for reproducing print figures in colour, so if colour is not a significant element in your figures, we recommend that you supply them in a greyscale format (Excel bar graphs, for example), or indicate clearly that greyscale reproduction is acceptable. Otherwise, we may send you a form detailing the applicable colour charges, and asking you to confirm whether you want to proceed with colour printing."]},{"tagName":"p","children":["The colour printing process requires files to be in CMYK format."]},{"tagName":"p","children":["We prefer authors to convert their artwork to CMYK format before submission – this means that the author can approve any change in colour that occurs during the conversion process."]},{"tagName":"p","children":["However, conversion from RGB to CMYK is very critical and depends upon profiles, so if you are not well versed with conversion, please supply the RGB files. We will convert these with standard profiles, so as to minimize the loss in colours."]},{"tagName":"h3","styles":["headline"],"children":["Presentation of figures"]},{"tagName":"p","children":[{"tagName":"strong","children":["Lettering should be:"]}]},{"tagName":"ul","children":[{"tagName":"li","children":["In a sans serif typeface (preferably Helvetica or Arial)"]},{"tagName":"li","children":["In the same typeface throughout"]},{"tagName":"li","children":["Not placed directly over images or shaded areas"]},{"tagName":"li","children":["Bold upright (not italic) and lowercase when labelling multipart figures"]},{"tagName":"li","children":["Between 6 and 8 point for labels"]}]},{"tagName":"p","children":[{"tagName":"strong","children":["Figure sizing should:"]}]},{"tagName":"ul","children":[{"tagName":"li","children":["Be as small as possible (for reasons of space in the journal)"]},{"tagName":"li","children":["Be supplied in a comparable size to similar figures in printed issues of the journal"]},{"tagName":"li","children":["Be able to fit into a single column of the printed journal wherever possible"]},{"tagName":"li","children":["Be able to be reduced significantly without loss of quality wherever possible"]},{"tagName":"li","children":["Ensure that lettering will remain readable after reduction (avoid large type or thick lines) – we recommend that lines are between 0.5 and 1 point"]}]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["Terminology"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":[{"tagName":"strong","children":["BITMAP:"]}," Any image that’s made up of a grid of dots: typically photos from digital cameras, scanned images, and screenshots are bitmaps. Painting and imageediting applications such as Photoshop and Paint Shop Pro produce bitmap images. Bitmaps are resolution dependent, which means a particular level of detail was saved when they were first created, and if you then try to enlarge them, they will start to look blocky and jagged. Some bitmap file formats such as JPG use compression to reduce the file size; this can also result in blockiness and loss of detail: therefore, please avoid compression settings unless the file sizes are getting too big to transfer with ease. Some common bitmap file formats: TIFF, BMP, JPG, PNG."],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["COMPOSITE: "]},"A type of file format that can store both bitmap and vector image data. EPS files are the most common type of composite image. Photoshop PSD files are bitmap-based but can also store vector data such as editable text. Illustrator and CorelDraw files are vector-based but can also store bitmap data."],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["D.P.I.:"]}," Dots per inch: the usual measure of resolution for bitmap images."],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["RASTER:"]}," same as bitmap"],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["RESOLUTION:"]}," The level of detail stored in a bitmap image. When you first take a digital photo or scan a document, you should get a chance to choose the resolution. Higher resolution results in a larger file, but looks much better when printed. We ask that you create images with a resolution of at least 300 d.p.i. where possible. Images copied from web pages are only 72 d.p.i. and can look very blocky when printed; we therefore recommend that you only use these when absolutely unavoidable: when the figure is specifically depicting a web page, for example. In other instances, it’s always worth contacting the owner of the website in question to ask whether the image is also available in another format."],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["VECTOR:"]}," An image that is made up of separate elements such as lines, boxes and text, which are individually editable: line graphs, flow charts, schematic diagrams are best saved as vector files. Files created by drawing packages such as Illustrator, AutoCAD or Visio for example, or diagrams created using Word or PowerPoint’s native drawing tools. Vector images are resolution independent, which means you can scale them up or down without loss of detail. Some common vector file formats: WMF, EMF."],"attributes":{"class":"flapContent"}}]}]},"children":[]},{"type":"article","data":{"title":"Copyright and Permissions","shortTitle":"Copyright and Permissions","urlSegment":"copyright-permissions","html":"\u003ch3>Reproducing copyrighted material in articles – clearing permissions\u003c/h3>\u003cp>The author bears the responsibility for checking whether material submitted is subject to copyright or ownership rights, e.g. figures, tables, photographs, illustrations, trade literature and data. The author will need to obtain permission to reproduce any such items, and include these permissions with their final submission. Where use is so restricted, the Editor/editorial office and Publisher must be informed with the final submission of the material. Please see further guidance on the use of 3rd party materials below. Please add any necessary acknowledgments to the typescript, preferably in the form of an Acknowledgments section at the end of the paper. Credit the source and copyright of photographs, figures, illustrations etc. in the accompanying captions.\u003c/p>\u003cp>\u003ca href=\"/gp/palgrave/journal-authors/rights-permissions/10052490\" target=\"_blank\">Using 3rd party material in your article\u003c/a>\u003c/p>\u003ch3>Copyright of subscription content\u003c/h3>\u003cp>When publishing via the subscription route, it is our policy to ask all contributors to transfer the copyright in their contribution to the journal owner. There are two broad reasons for this:\u003c/p>\u003cul>\u003cli>ownership of copyright by the journal owner facilitates international protection against infringement of copyright, libel or plagiarism;\u003c/li>\u003cli>it also ensures that requests by third parties to reprint or reproduce a contribution, or part of it, in either print or electronic form, are handled efficiently in accordance with our general policy which encourages dissemination of knowledge within the framework of copyright.\u003c/li>\u003c/ul>\u003cp>As an author and contributor you retain many rights. These are detailed at the link below. The journal mandates the Copyright Clearance Center in the USA and the Copyright Licensing Agency in the UK to offer centralized licensing arrangements for photocopying in their respective territories.\u003c/p>\u003cp>\u003ca href=\"/gp/palgrave/journal-authors/rights-permissions/10052490\" target=\"_blank\">Retained rights\u003c/a>\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h3","styles":["headline"],"children":["Reproducing copyrighted material in articles – clearing permissions"]},{"tagName":"p","children":["The author bears the responsibility for checking whether material submitted is subject to copyright or ownership rights, e.g. figures, tables, photographs, illustrations, trade literature and data. The author will need to obtain permission to reproduce any such items, and include these permissions with their final submission. Where use is so restricted, the Editor/editorial office and Publisher must be informed with the final submission of the material. Please see further guidance on the use of 3rd party materials below. Please add any necessary acknowledgments to the typescript, preferably in the form of an Acknowledgments section at the end of the paper. Credit the source and copyright of photographs, figures, illustrations etc. in the accompanying captions."]},{"tagName":"p","children":[{"tagName":"a","children":["Using 3rd party material in your article"],"attributes":{"href":"/gp/palgrave/journal-authors/rights-permissions/10052490","target":"_blank"}}]},{"tagName":"h3","styles":["headline"],"children":["Copyright of subscription content"]},{"tagName":"p","children":["When publishing via the subscription route, it is our policy to ask all contributors to transfer the copyright in their contribution to the journal owner. There are two broad reasons for this:"]},{"tagName":"ul","children":[{"tagName":"li","children":["ownership of copyright by the journal owner facilitates international protection against infringement of copyright, libel or plagiarism;"]},{"tagName":"li","children":["it also ensures that requests by third parties to reprint or reproduce a contribution, or part of it, in either print or electronic form, are handled efficiently in accordance with our general policy which encourages dissemination of knowledge within the framework of copyright."]}]},{"tagName":"p","children":["As an author and contributor you retain many rights. These are detailed at the link below. The journal mandates the Copyright Clearance Center in the USA and the Copyright Licensing Agency in the UK to offer centralized licensing arrangements for photocopying in their respective territories."]},{"tagName":"p","children":[{"tagName":"a","children":["Retained rights"],"attributes":{"href":"/gp/palgrave/journal-authors/rights-permissions/10052490","target":"_blank"}}]}]},"children":[]},{"type":"article","data":{"title":"Ethics Policy","shortTitle":"Ethics Policy","urlSegment":"ethics-policy","html":"\u003cp>This journal, via its publisher Palgrave Macmillan, is a member of the Committee on Publication Ethics (COPE). COPE’s mission is to promote integrity in scholarly research and its publication, and the journal strives to uphold ethical principles across all its processes.\u003c/p>\u003cp>The journal expects all prospective authors to read and understand the Ethics Policy of the journal and its Publisher, Palgrave Macmillan, before submitting any manuscript to this journal. This policy details the responsibilities of all authors, editors and reviewers working with and for Palgrave Macmillan Journals as well as the journal’s own ethical responsibilities. This includes, but is not limited to, plagiarism, falsification of data, misuse of third-party material, fabrication of results and fraudulent authorship.\u003c/p>\u003cblockquote>\u003cp>This journal does not charge for the submission of manuscripts to the journal.\u003c/p>\u003cp>The manuscript review process is handled via a manuscript management platform called Editorial Manager. All the steps taken in the review process, and all communications around the review of a manuscript, are typically logged on Editorial Manager, for ease of use and transparency. Not all journals follow this, please refer to the specific journal for instructions.\u003c/p>\u003cp>Manuscripts submitted to the journal are subject to checks using iThenticate to detect instances of overlapping and similar text. The iThenticate software checks submissions against millions of published research papers, documents on the web, and other relevant sources. If plagiarism or misconduct is found, consequences are detailed in Palgrave’s Ethics Policy.\u003c/p>\u003cp>Upon submission, authors are asked to state any conflicts of interest around their research. The order of authors for a manuscript needs to be clear and included in the cover page of the submitted manuscript. Any changes in author order, or in authorship, will be addressed formally and require the consent of all parties.\u003c/p>\u003cp>Journal reviewers are explicitly asked to decline any reviewership which may be subject to conflicts of interest.\u003c/p>\u003c/blockquote>\u003cp>\u003cstrong>Useful links\u003c/strong>\u003c/p>\u003cul>\u003cli>\u003ca href=\"https://publicationethics.org/\" target=\"_self\" class=\"is-external\">Committee on Publication Ethics (COPE)\u003c/a>\u003c/li>\u003cli>\u003ca href=\"https://www.palgrave.com/gp/palgrave/journal-authors/ethics-policy/10052358\" target=\"_self\" class=\"is-external\">Palgrave Macmillan’s Ethics Policy\u003c/a>\u003c/li>\u003cli>\u003ca href=\"https://www.crossref.org/services/similarity-check/\" target=\"_self\" class=\"is-external\">Similarity Check\u003c/a>\u003c/li>\u003c/ul>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["This journal, via its publisher Palgrave Macmillan, is a member of the Committee on Publication Ethics (COPE). COPE’s mission is to promote integrity in scholarly research and its publication, and the journal strives to uphold ethical principles across all its processes."]},{"tagName":"p","children":["The journal expects all prospective authors to read and understand the Ethics Policy of the journal and its Publisher, Palgrave Macmillan, before submitting any manuscript to this journal. This policy details the responsibilities of all authors, editors and reviewers working with and for Palgrave Macmillan Journals as well as the journal’s own ethical responsibilities. This includes, but is not limited to, plagiarism, falsification of data, misuse of third-party material, fabrication of results and fraudulent authorship."]},{"tagName":"blockquote","children":[{"tagName":"p","children":["This journal does not charge for the submission of manuscripts to the journal."]},{"tagName":"p","children":["The manuscript review process is handled via a manuscript management platform called Editorial Manager. All the steps taken in the review process, and all communications around the review of a manuscript, are typically logged on Editorial Manager, for ease of use and transparency. Not all journals follow this, please refer to the specific journal for instructions."]},{"tagName":"p","children":["Manuscripts submitted to the journal are subject to checks using iThenticate to detect instances of overlapping and similar text. The iThenticate software checks submissions against millions of published research papers, documents on the web, and other relevant sources. If plagiarism or misconduct is found, consequences are detailed in Palgrave’s Ethics Policy."]},{"tagName":"p","children":["Upon submission, authors are asked to state any conflicts of interest around their research. The order of authors for a manuscript needs to be clear and included in the cover page of the submitted manuscript. Any changes in author order, or in authorship, will be addressed formally and require the consent of all parties."]},{"tagName":"p","children":["Journal reviewers are explicitly asked to decline any reviewership which may be subject to conflicts of interest."]}]},{"tagName":"p","children":[{"tagName":"strong","children":["Useful links"]}]},{"tagName":"ul","children":[{"tagName":"li","children":[{"tagName":"a","children":["Committee on Publication Ethics (COPE)"],"attributes":{"href":"https://publicationethics.org/","target":"_self","class":"is-external"}}]},{"tagName":"li","children":[{"tagName":"a","children":["Palgrave Macmillan’s Ethics Policy"],"attributes":{"href":"https://www.palgrave.com/gp/palgrave/journal-authors/ethics-policy/10052358","target":"_self","class":"is-external"}}]},{"tagName":"li","children":[{"tagName":"a","children":["Similarity Check"],"attributes":{"href":"https://www.crossref.org/services/similarity-check/","target":"_self","class":"is-external"}}]}]}]},"children":[]},{"type":"article","data":{"title":"Open Access & Self Archiving","shortTitle":"Open Access & Self Archiving","urlSegment":"open-access-self-archiving","html":"\u003ch3>Self-archiving (green open access)\u003c/h3>\u003cp>Where articles are published via the subscription route, authors are permitted to self-archive the accepted manuscript (the version post-peer review, but prior to copy-editing and typesetting) on their own personal website and/or in their funder or institutional repositories, for public release after an embargo period of 12 months after first publication.\u003c/p>\u003cp>\u003ca href=\"https://www.springernature.com/gp/open-research/policies/journal-policies\" target=\"_self\" class=\"is-external\">Learn more about self-archiving\u003c/a>\u003c/p>\u003ch3>Publishing open access (gold open access)\u003c/h3>\u003cp>Upon acceptance, authors can indicate whether they wish to pay an optional article processing charge (APC) for their article to be made open access online immediately upon publication. By paying this charge authors are also permitted to post the final, published PDF of their article on a website, institutional repository or other free public server, immediately on publication. \u003c/p>\u003cp>Open access articles are published under under a CC BY-NC-ND (Creative Commons Attribution Non-Commercial No Derivatives 4.0 International licence) or CC BY (Creative Commons Attribution 4.0 International licence) licence. Under Creative Commons, authors retain copyright in their articles.\u003c/p>\u003cul>\u003cli>\u003ca href=\"https://creativecommons.org/licenses/by-nc-nd/4.0/\" target=\"_self\" class=\"is-external\">CC BY-NC-ND\u003c/a>: The article can be shared for non-commercial purposes as long as the authors are credited. Permission is needed for commercial re-use or sharing adapted and derivative versions.\u003c/li>\u003cli>\u003ca href=\"https://creativecommons.org/licenses/by/4.0/\" target=\"_self\" class=\"is-external\">CC BY\u003c/a>: The article may be shared and adapted for any purpose, including commercially, so long as the authors are credited.\u003c/li>\u003c/ul>\u003cp>To learn more about OA licences visit our \u003ca href=\"https://www.springernature.com/gp/open-research/policies/journal-policies/licensing-and-copyright\" target=\"_self\" class=\"is-external\">licensing and copyright guide\u003c/a>. \u003c/p>\u003cp>Visit our \u003ca href=\"https://www.springernature.com/gp/open-research/policies/journal-policies\" class=\"is-external\">open research site\u003c/a> for more information about Creative Commons licensing. \u003c/p>\u003cp>Once an article has been accepted for publication, and the corresponding author has confirmed relevant affiliations, authors who choose to publish open access must:\u003c/p>\u003cul>\u003cli>Determine whether an article processing charge (APC) is covered by an agreement with their institution.\u003cbr/> \u003cul>\u003cli>Accepted articles are checked for eligibility under our \u003ca href=\"https://www.springernature.com/gp/open-research/institutional-agreements\" class=\"is-external\">institutional open access agreements\u003c/a> based on the institutional affiliation of the corresponding author. Some articles are eligible for partial or full coverage of the APC as part of an institutional agreement with Springer Nature.\u003c/li>\u003cli>In the event that an author is not eligible under an institutional open access agreement, they may still select the OA option and arrange for APC processing through direct payment or through a variety of \u003ca href=\"https://www.springernature.com/gp/open-research/funding\" class=\"is-external\">funding options\u003c/a>.\u003c/li>\u003c/ul>\u003c/li>\u003cli>Sign the appropriate publishing agreement.\u003cbr/> \u003cul>\u003cli>Depending on the ownership of the journal and its policies, authors will either grant the Publisher an exclusive license to publish the article or will be asked to transfer copyright of the article to the Publisher. A copy of the agreement is automatically sent to the author via email. \u003c/li>\u003c/ul>\u003c/li>\u003cli>Arrange payment for associated publication costs.\u003c/li>\u003c/ul>\u003cp>\u003cbr/>Article proofs will only be sent to authors once they've completed these guided checkpoints.\u003c/p>\u003cp>With regard to payment, please note that usual credit terms are 30 days from receipt of invoice. Failure to pay your invoice within the stated credit term may result in the Open Access status of the paper being rescinded, with the paper being placed behind the paywall. You may also be subject to such penalties as restrictions on your ability to publish with Palgrave Macmillan in the future, involvement of a third party debt collection agency and legal proceedings.\u003c/p>\u003cp>\u003ca href=\"https://www.springernature.com/gp/open-research/policies/journal-policies\" target=\"_self\" class=\"is-external\">Open Access for Palgrave Authors\u003c/a>\u003c/p>\u003ch3>Compliance with open access mandates\u003c/h3>\u003cp>Palgrave Macmillan's publishing policies ensure that authors can comply with the public access requirements of many major funding bodies worldwide. \u003cstrong>Authors may need to take specific actions to achieve \u003ca href=\"https://www.springernature.com/gp/open-research/funding/policy-compliance-faqs\" target=\"_self\" class=\"is-external\">compliance\u003c/a> with funder and institutional open access mandates\u003c/strong>. If your research is supported by a funder that requires immediate open access (e.g. according to \u003ca href=\"https://www.springernature.com/gp/open-research/plan-s-compliance\" target=\"_self\" class=\"is-external\">Plan S principles\u003c/a>) then you should select the gold OA route, and we will direct you to the compliant route where possible. For authors selecting the subscription publication route, the journal's standard licensing terms will need to be accepted, including \u003ca href=\"https://www.springernature.com/gp/open-research/policies/journal-policies\" target=\"_self\" class=\"is-external\">self-archiving policies\u003c/a>. Those licensing terms will supersede any other terms that the author or any third party may assert apply to any version of the manuscript.\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h3","styles":["headline"],"children":["Self-archiving (green open access)"]},{"tagName":"p","children":["Where articles are published via the subscription route, authors are permitted to self-archive the accepted manuscript (the version post-peer review, but prior to copy-editing and typesetting) on their own personal website and/or in their funder or institutional repositories, for public release after an embargo period of 12 months after first publication."]},{"tagName":"p","children":[{"tagName":"a","children":["Learn more about self-archiving"],"attributes":{"href":"https://www.springernature.com/gp/open-research/policies/journal-policies","target":"_self","class":"is-external"}}]},{"tagName":"h3","styles":["headline"],"children":["Publishing open access (gold open access)"]},{"tagName":"p","children":["Upon acceptance, authors can indicate whether they wish to pay an optional article processing charge (APC) for their article to be made open access online immediately upon publication. By paying this charge authors are also permitted to post the final, published PDF of their article on a website, institutional repository or other free public server, immediately on publication. "]},{"tagName":"p","children":["Open access articles are published under under a CC BY-NC-ND (Creative Commons Attribution Non-Commercial No Derivatives 4.0 International licence) or CC BY (Creative Commons Attribution 4.0 International licence) licence. Under Creative Commons, authors retain copyright in their articles."]},{"tagName":"ul","children":[{"tagName":"li","children":[{"tagName":"a","children":["CC BY-NC-ND"],"attributes":{"href":"https://creativecommons.org/licenses/by-nc-nd/4.0/","target":"_self","class":"is-external"}},": The article can be shared for non-commercial purposes as long as the authors are credited. Permission is needed for commercial re-use or sharing adapted and derivative versions."]},{"tagName":"li","children":[{"tagName":"a","children":["CC BY"],"attributes":{"href":"https://creativecommons.org/licenses/by/4.0/","target":"_self","class":"is-external"}},": The article may be shared and adapted for any purpose, including commercially, so long as the authors are credited."]}]},{"tagName":"p","children":["To learn more about OA licences visit our ",{"tagName":"a","children":["licensing and copyright guide"],"attributes":{"href":"https://www.springernature.com/gp/open-research/policies/journal-policies/licensing-and-copyright","target":"_self","class":"is-external"}},". "]},{"tagName":"p","children":["Visit our ",{"tagName":"a","children":["open research site"],"attributes":{"href":"https://www.springernature.com/gp/open-research/policies/journal-policies","class":"is-external"}}," for more information about Creative Commons licensing. 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Filipović, University of Sarajevo\u003cbr/>\nMicah Goodrich, Boston University\u003cbr/>\nAdam J. Goldwyn, North Dakota State University\u003cbr/>\nEmily Guerry, University of Kent\u003cbr/>\nN. İpek Hüner, Boğaziçi University\u003cbr/>\nElizabeth Lambourn, De Montfort University\u003cbr/>\nSam Lasman, University of Cambridge\u003cbr/>\nHuijun Mai, UCLA\u003cbr/>\nPia Maria Malik, University of Delhi\u003cbr/>\nAfrodesia McCannon, New York University\u003cbr/>\nJulie Orlemanski, University of Chicago\u003cbr/>\nMilan Vukašinović, Uppsala University\u003cbr/>\nMyra Seaman, College of Charleston\u003cbr/>\nSteven Swarbrick, Baruch College\u003cbr/>\nElizabeth Upton, UCLA\u003cbr/>\nFelege-Selam Yirga, University of Tennessee, Knoxville\u003cbr/>\nYing Zhang, Leiden University\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":[{"tagName":"strong","children":["Editors:"]}," Shazia Jagot, University of York, UK",{"tagName":"br"},"\nSara Ritchey, University of Tennessee, Knoxville, USA",{"tagName":"br"},"\nRebecca De Souza, University of Stirling, UK",{"tagName":"br"},"\nJason Jacobs, Roger Williams University, USA",{"tagName":"br"},"\n",{"tagName":"br"},"\n",{"tagName":"strong","children":["Managing Editor"]},": Nicola Estrafallaces, University of Glasgow, Scotland",{"tagName":"br"},"\n",{"tagName":"br"},"\n",{"tagName":"strong","children":["Editorial Board"]},": Clínio Amaral, Universidade Federal Rural do Rio de Janeiro",{"tagName":"br"},"\nAida Alavi, Bordeaux Montaigne University",{"tagName":"br"},"\nKathleen Bickford Berzock, Northwestern University",{"tagName":"br"},"\nAdam Bursi, Independent Scholar",{"tagName":"br"},"\nCameron Cross, University of Michigan, Ann Arbor",{"tagName":"br"},"\nJean Dangler, Tulane University",{"tagName":"br"},"\nLouise D'Arcens, Macquarie University",{"tagName":"br"},"\nSarah Ifft Decker, Rhodes College",{"tagName":"br"},"\nCharlotte Eubanks, Pennsylvania State University",{"tagName":"br"},"\nLara Farina, West Virginia University",{"tagName":"br"},"\nEmir O. 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İpek Hüner, Boğaziçi University",{"tagName":"br"},"\nElizabeth Lambourn, De Montfort University",{"tagName":"br"},"\nSam Lasman, University of Cambridge",{"tagName":"br"},"\nHuijun Mai, UCLA",{"tagName":"br"},"\nPia Maria Malik, University of Delhi",{"tagName":"br"},"\nAfrodesia McCannon, New York University",{"tagName":"br"},"\nJulie Orlemanski, University of Chicago",{"tagName":"br"},"\nMilan Vukašinović, Uppsala University",{"tagName":"br"},"\nMyra Seaman, College of Charleston",{"tagName":"br"},"\nSteven Swarbrick, Baruch College",{"tagName":"br"},"\nElizabeth Upton, UCLA",{"tagName":"br"},"\nFelege-Selam Yirga, University of Tennessee, Knoxville",{"tagName":"br"},"\nYing Zhang, Leiden University"]}]}}]},{"tagName":"aside","attributes":{"class":"column medium-3"},"children":[{"value":{"tagName":"section","attributes":{"class":"box"},"children":[{"tagName":"section","attributes":{},"children":[{"tagName":"h1","attributes":{},"children":["Want to publish with us? 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The new Editors are excited both to carry on this legacy and to transform it. We are committed to extending postmedieval ’s sense of conceptual adventure, political urgency, and inclusive dialogue to a new generation and to a wider compass of scholars and thinkers. Especially important to us is opening up the geographic and disciplinary traditions that the journal represents, featuring scholarship that reaches across fields, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval and its ongoing reverberations. (Look out for upcoming announcements concerning the new Editorial Board.)\u003c/p>\u003cp class=\"align--left\">One immediate change at the journal is that we’ll now be publishing more open-topic issues, including the first issues under new editorial leadership. That means we’re looking for submissions! We welcome submissions of 5,000 to 10,000 words for peer-reviewed consideration. Any disciplinary approach that considers premodernity in one of its varied forms or afterlives is warmly invited. For queries and proposals, please contact Managing Editor Francesca Petrizzo at postmedievalED@gmail.com​.\u003c/p>\u003cp class=\"align--left\">\u003cstrong>Editor bios​:\u003c/strong>\u003c/p>\u003cp class=\"align--left\">Shazia Jagot is a Lecturer in Medieval and Global Literature at the University of York. She is a literary specialist whose research explores the connections, both entangled and diffuse, between Western literary culture and the Islamic world. She is currently writing her first monograph on Chaucer’s Arabic ‘sources’.  \u003c/p>\u003cp class=\"align--left\">Julie Orlemanski is Associate Professor of English at the University of Chicago. Her monograph \u003cem>Symptomatic Subjects: Bodies, Medicine, and Causality in the Literature of Late Medieval England\u003c/em> appeared in 2019. She is at work on two book-length projects: one concerns prosopopoeia in medieval writing; the other follows the tangled genealogies of fictionality and disenchantment to argue for a comparative poetics of fiction.    \u003c/p>\u003cp class=\"align--left\">Sara Ritchey is Associate Professor of History at the University of Tennessee, Knoxville. Her latest book is \u003cem>​Acts of Care: Recovering Women in Late Medieval Health\u003c/em> ​(Cornell, 2021). She is now interrogating the concepts of periodization and orality in a project that explores trans-temporal engagements with medieval French performance traditions. \u003c/p>\u003cp class=\"align--left\">\u003cstrong>Managing Editor bio​: \u003c/strong>\u003c/p>\u003cp class=\"align--left\">Francesca Petrizzo is currently also Editorial Assistant at the \u003cem>​European Journal of International Security\u003c/em>​ , and has worked at the International Medieval Bibliography.​ ​ She is interested in masculinity and identity in the Middle Ages, and medievalisms from the Renaissance to the modern era. \u003c/p>\u003cp class=\"align--left\">\u003cbr/>\u003c/p>\u003ch4 class=\"align--left\">Call for Papers: Race, Revulsion, and Revolution\u003c/h4>\u003cp>DEADLINE FOR ABSTRACTS: JUNE 1, 2019\u003c/p>\u003cp>Guest Editors: M. Rambaran-Olm, M. Breann Leake, Micah Goodrich\u003cimg alt=\"image © Doreen Garner, Red Rack of Those Ravaged and Unconsenting (2017), sculpture.\" class=\"float--right\" title=\"image © Doreen Garner, Red Rack of Those Ravaged and Unconsenting (2017), sculpture.\" src=\"//resource-cms.springernature.com/springer-cms/rest/v1/content/16628154/data/v7\"/>\u003c/p>\u003cp>This special issue seeks papers on topics that capsize the racist narrative to which Medieval Studies broadly and Anglo-Saxon Studies especially have been held captive. We ask for papers that embrace ideas and bodies discarded in traditional discourse and that rebels against scholarship that is both sterilized and sterilizing. This issue encourages contributions from various disciplines and methodologies within all of Medieval Studies but wish to highlight the urgent and decisive intersectional work within Anglo-Saxon studies. Through this collaborative endeavor, we hope to create a compilation of essays that will declutter centuries worth of traditionalist, elitist and racist politics in the field. We endeavor to include pieces from various disciplines within Anglo-Saxon studies including literary, history, archaeology, art history, etc. that can serve as a foundational source for scholars and students as well as a catalyst for further research. In particular, we encourage scholarly articles that embrace critical race theory, gender and sexuality studies, class studies, et al., and/or the possibilities for overlap and discussions of intersectionality. Other approaches that confront revulsion and cultivate revolution are welcome.\u003c/p>\u003cp> \u003cstrong>\u003ca href=\"https://resource-cms.springernature.com/springer-cms/rest/v1/content/16628150/data/v1\" target=\"_blank\" class=\"is-external\">Read the full call for papers here.\u003c/a>\u003c/strong>\u003c/p>\u003cp>Articles may be collaborative pieces or single-authored. Pending proposal acceptance, completed essays of no longer than 3,000 words (\u003cem>note brevity\u003c/em>) will be due \u003cstrong>October 15, 2019\u003c/strong>.\u003c/p>\u003cp>Please send abstracts with a brief biographical blurb to Mary Rambaran-Olm, M. Breann Leake and Micah Goodrich at \u003ca href=\"mailto:postmed10@gmail.com\" class=\"is-external\">postmed10@gmail.com\u003c/a> by \u003cstrong>June 1, 2019\u003c/strong>.\u003c/p>\u003ch4 class=\"align--left\">Call for Papers: Confessions\u003c/h4>\u003cp class=\"align--left\">DEADLINE FOR ABSTRACTS: APRIL 5, 2019\u003c/p>\u003cp class=\"align--left\">Guest Editors: Abdulhamit Arvas, Afrodesia McCannon, and Kris Trujillo\u003cbr/>\u003cem>\u003cimg alt=\"New Content Item\" class=\"float--right\" title=\"New Content Item\" src=\"//resource-cms.springernature.com/springer-cms/rest/v1/content/16496838/data/v3\"/>\u003c/em>How is our devotion to the past shaped by our present devotions to communities, political mobilization, and visions of the world? How are the methods and theories that we bring to our scholarship conditioned by concomitant attachments to values, ethics, and ideals? At the same time that we call contributors to account for their particular positions as subjects shaped in the world, we recognize the numerous crises that shape this world, so we ask: “What matters to you and why does it matter for your scholarship?” For example, how might the growing voices of medievalists of color and queer medievalists require a reconception of the ethical demands of medieval scholarship? How do racism and the threat of white supremacy lend urgency to engagements with critical race theory? How does the #MeToo Movement influence feminist analyses of the past? How do queer and trans activisms play themselves out in ancient, medieval, and early modern scholarship? Does increasing financial inequity motivate examinations of premodern labor? How might xenophobic nationalism and immigration issues inform approaches to the Global Middle Ages or the Global Renaissance? In fact, might premodern models of desire and devotion reflect our own, and when might it be ethically or politically exigent to distance oneself from the devotions of premoderns?\u003c/p>\u003cp>\u003cstrong>\u003ca href=\"https://resource-cms.springernature.com/springer-cms/rest/v1/content/16628188/data/v1\" target=\"_blank\" class=\"is-external\">Read the full call for papers here.\u003c/a>\u003c/strong>\u003c/p>\u003cp>We welcome submissions that examine any historical period, cultural context, and geographical region in the premodern world. We especially encourage contributions from early-career scholars as well as contributions that creatively reimagine the form of the confession as, for example, dialogue, interview, manifesto, etc.\u003c/p>\u003cp>In order to be considered for inclusion, please submit an abstract of no more than 300 words and a brief bio to the guest-editors, Abdulhamit Arvas, Afrodesia McCannon, and Kris Trujillo, at &lt;\u003ca href=\"mailto:postmedieval10th@gmail.com\" class=\"is-external\">postmedieval10th@gmail.com\u003c/a>> by \u003cstrong>April 5, 2019\u003c/strong>. Pending proposal acceptance, completed essays of no longer than 3,000 words (\u003cem>note brevity\u003c/em>) will be due \u003cstrong>August 15, 2019\u003c/strong>.\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":[{"tagName":"strong","children":["We are pleased to announce a new editorial team at postmedieval! 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Especially important to us is opening up the geographic and disciplinary traditions that the journal represents, featuring scholarship that reaches across fields, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval and its ongoing reverberations. (Look out for upcoming announcements concerning the new Editorial Board.)"],"attributes":{"class":"align--left"}},{"tagName":"p","children":["One immediate change at the journal is that we’ll now be publishing more open-topic issues, including the first issues under new editorial leadership. That means we’re looking for submissions! We welcome submissions of 5,000 to 10,000 words for peer-reviewed consideration. Any disciplinary approach that considers premodernity in one of its varied forms or afterlives is warmly invited. For queries and proposals, please contact Managing Editor Francesca Petrizzo at postmedievalED@gmail.com​."],"attributes":{"class":"align--left"}},{"tagName":"p","children":[{"tagName":"strong","children":["Editor bios​:"]}],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Shazia Jagot is a Lecturer in Medieval and Global Literature at the University of York. She is a literary specialist whose research explores the connections, both entangled and diffuse, between Western literary culture and the Islamic world. She is currently writing her first monograph on Chaucer’s Arabic ‘sources’.  "],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Julie Orlemanski is Associate Professor of English at the University of Chicago. Her monograph ",{"tagName":"em","children":["Symptomatic Subjects: Bodies, Medicine, and Causality in the Literature of Late Medieval England"]}," appeared in 2019. She is at work on two book-length projects: one concerns prosopopoeia in medieval writing; the other follows the tangled genealogies of fictionality and disenchantment to argue for a comparative poetics of fiction.    "],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Sara Ritchey is Associate Professor of History at the University of Tennessee, Knoxville. Her latest book is ",{"tagName":"em","children":["​Acts of Care: Recovering Women in Late Medieval Health"]}," ​(Cornell, 2021). She is now interrogating the concepts of periodization and orality in a project that explores trans-temporal engagements with medieval French performance traditions. "],"attributes":{"class":"align--left"}},{"tagName":"p","children":[{"tagName":"strong","children":["Managing Editor bio​: "]}],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Francesca Petrizzo is currently also Editorial Assistant at the ",{"tagName":"em","children":["​European Journal of International Security"]},"​ , and has worked at the International Medieval Bibliography.​ ​ She is interested in masculinity and identity in the Middle Ages, and medievalisms from the Renaissance to the modern era. "],"attributes":{"class":"align--left"}},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"align--left"}},{"tagName":"h4","styles":["headline"],"children":["Call for Papers: Race, Revulsion, and Revolution"],"attributes":{"class":"align--left"}},{"tagName":"p","children":["DEADLINE FOR ABSTRACTS: JUNE 1, 2019"]},{"tagName":"p","children":["Guest Editors: M. Rambaran-Olm, M. Breann Leake, Micah Goodrich",{"tagName":"img","attributes":{"alt":"image © Doreen Garner, Red Rack of Those Ravaged and Unconsenting (2017), sculpture.","class":"float--right","title":"image © Doreen Garner, Red Rack of Those Ravaged and Unconsenting (2017), sculpture.","src":"//resource-cms.springernature.com/springer-cms/rest/v1/content/16628154/data/v7"}}]},{"tagName":"p","children":["This special issue seeks papers on topics that capsize the racist narrative to which Medieval Studies broadly and Anglo-Saxon Studies especially have been held captive. We ask for papers that embrace ideas and bodies discarded in traditional discourse and that rebels against scholarship that is both sterilized and sterilizing. This issue encourages contributions from various disciplines and methodologies within all of Medieval Studies but wish to highlight the urgent and decisive intersectional work within Anglo-Saxon studies. Through this collaborative endeavor, we hope to create a compilation of essays that will declutter centuries worth of traditionalist, elitist and racist politics in the field. We endeavor to include pieces from various disciplines within Anglo-Saxon studies including literary, history, archaeology, art history, etc. that can serve as a foundational source for scholars and students as well as a catalyst for further research. In particular, we encourage scholarly articles that embrace critical race theory, gender and sexuality studies, class studies, et al., and/or the possibilities for overlap and discussions of intersectionality. Other approaches that confront revulsion and cultivate revolution are welcome."]},{"tagName":"p","children":[" ",{"tagName":"strong","children":[{"tagName":"a","children":["Read the full call for papers here."],"attributes":{"href":"https://resource-cms.springernature.com/springer-cms/rest/v1/content/16628150/data/v1","target":"_blank","class":"is-external"}}]}]},{"tagName":"p","children":["Articles may be collaborative pieces or single-authored. Pending proposal acceptance, completed essays of no longer than 3,000 words (",{"tagName":"em","children":["note brevity"]},") will be due ",{"tagName":"strong","children":["October 15, 2019"]},"."]},{"tagName":"p","children":["Please send abstracts with a brief biographical blurb to Mary Rambaran-Olm, M. Breann Leake and Micah Goodrich at ",{"tagName":"a","children":["postmed10@gmail.com"],"attributes":{"href":"mailto:postmed10@gmail.com","class":"is-external"}}," by ",{"tagName":"strong","children":["June 1, 2019"]},"."]},{"tagName":"h4","styles":["headline"],"children":["Call for Papers: Confessions"],"attributes":{"class":"align--left"}},{"tagName":"p","children":["DEADLINE FOR ABSTRACTS: APRIL 5, 2019"],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Guest Editors: Abdulhamit Arvas, Afrodesia McCannon, and Kris Trujillo",{"tagName":"br"},{"tagName":"em","children":[{"tagName":"img","attributes":{"alt":"New Content Item","class":"float--right","title":"New Content Item","src":"//resource-cms.springernature.com/springer-cms/rest/v1/content/16496838/data/v3"}}]},"How is our devotion to the past shaped by our present devotions to communities, political mobilization, and visions of the world? How are the methods and theories that we bring to our scholarship conditioned by concomitant attachments to values, ethics, and ideals? At the same time that we call contributors to account for their particular positions as subjects shaped in the world, we recognize the numerous crises that shape this world, so we ask: “What matters to you and why does it matter for your scholarship?” For example, how might the growing voices of medievalists of color and queer medievalists require a reconception of the ethical demands of medieval scholarship? How do racism and the threat of white supremacy lend urgency to engagements with critical race theory? How does the #MeToo Movement influence feminist analyses of the past? How do queer and trans activisms play themselves out in ancient, medieval, and early modern scholarship? Does increasing financial inequity motivate examinations of premodern labor? How might xenophobic nationalism and immigration issues inform approaches to the Global Middle Ages or the Global Renaissance? In fact, might premodern models of desire and devotion reflect our own, and when might it be ethically or politically exigent to distance oneself from the devotions of premoderns?"],"attributes":{"class":"align--left"}},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"a","children":["Read the full call for papers here."],"attributes":{"href":"https://resource-cms.springernature.com/springer-cms/rest/v1/content/16628188/data/v1","target":"_blank","class":"is-external"}}]}]},{"tagName":"p","children":["We welcome submissions that examine any historical period, cultural context, and geographical region in the premodern world. We especially encourage contributions from early-career scholars as well as contributions that creatively reimagine the form of the confession as, for example, dialogue, interview, manifesto, etc."]},{"tagName":"p","children":["In order to be considered for inclusion, please submit an abstract of no more than 300 words and a brief bio to the guest-editors, Abdulhamit Arvas, Afrodesia McCannon, and Kris Trujillo, at \u003c",{"tagName":"a","children":["postmedieval10th@gmail.com"],"attributes":{"href":"mailto:postmedieval10th@gmail.com","class":"is-external"}},"> by ",{"tagName":"strong","children":["April 5, 2019"]},". Pending proposal acceptance, completed essays of no longer than 3,000 words (",{"tagName":"em","children":["note brevity"]},") will be due ",{"tagName":"strong","children":["August 15, 2019"]},"."]}]}}]},{"tagName":"aside","attributes":{"class":"column medium-3"},"children":[{"value":{"tagName":"section","attributes":{"class":"box"},"children":[{"tagName":"section","attributes":{},"children":[{"tagName":"h1","attributes":{},"children":["Want to publish with us? 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Medieval Studies in general and Middle English literary studies in particular can definitely use another venue for theoretically informed, interdisciplinary, even anti-disciplinary scholarship.”\u003c/p>\u003cp>“In terms of what we might call quality and rigor in the traditional scholarly sense, this inaugural issue is truly very impressive. To the extent that the short essay format can bear comparison to other more traditional, long-form journals, I would say that even the toughest, most prestigious journals in the field would have been proud to bring out most of the pieces in this issue.”\u003c/p>\u003cp>\u003ca href=\"https://scholarworks.iu.edu/journals/index.php/tmr/article/view/17352\" class=\"is-external\">Read the review in full\u003c/a>\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch4>Louise D’Arcens, Studies in the Age of Chaucer, Vol. 33 (2011), 349-53\u003c/h4>\u003cp>“a new, strongly credentialized journal that aims not only to add to the store of knowledge but to reflect on the field’s critical directions, and to foster its participation in debates beyond its disciplinary borders.”\u003cbr/>“Postmedieval is an energizing new addition to the adjacent fields of medieval and medievalism studies, and it will be fascinating to follow its development.”\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch4>Carol L. Robinson, Medievally Speaking, April 2012\u003c/h4>\u003cp>“from disability studies to post-colonial, sexuality, and trauma theory, Postmedieval finds itself on the cutting (and sometimes bleeding) edge”\u003c/p>\u003cp>“The journal's editors, and Palgrave Macmillan, are to be lauded for choosing the best of multiple citation systems and for thinking carefully about how to present their material in such a strong visual fashion.”\u003c/p>\u003cp>\u003ca href=\"http://ir.uiowa.edu/mff/vol47/iss1/12/\" class=\"is-external\">Read the review in full (subscription required).\u003c/a>\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch4>Mariusz Beclawski, Parergon 28.1 (2011), 248-50\u003c/h4>\u003cp>“an impressive publication, with its eye-catching and well-chosen graphical design”\u003c/p>\u003cp>“The volume smartly tackles the idea of interrelations between ‘human’ and ‘post-human’, an investigation that is propelled by elaborate juxtapositions of true values with modern technoloTwo column separator - Leftgical innovations.”\u003c/p>\u003cp>\u003ca href=\"https://resource-cms.springernature.com/springer-cms/rest/v1/content/12343660/data/v1\" target=\"_blank\" class=\"is-external\">Read the review in full (pdf, 483 kB)\u003c/a>\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003ch4>Thomas Ertl, The Medieval History Journal 14.1 (2011), 129-31\u003c/h4>\u003cp>“posthumanism will undoubtedly continue to play a role in medieval studies, and the first issue of Postmedieval will become one of the reference points of the further discussions. Appetite for more is quickened and so we will anticipate the following issues with curiosity.”\u003c/p>\u003cp>\u003ca href=\"hhttp://mhj.sagepub.com/content/14/1/129.full.pdf+html\">Read the review in full (subscription required)\u003c/a>. \u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["Recognized for its innovative and cross-disciplinary approach, ",{"tagName":"em","children":["postmedieval "]},"has been awarded a number of prestigious awards, including:"]},{"tagName":"ul","children":[{"tagName":"li","children":["Codex Award for 2015 by the ",{"tagName":"a","children":["Council of Editors of Learned Journals (CELJ)"],"attributes":{"href":"http://www.celj.org/","class":"is-external"}}]},{"tagName":"li","children":["Best New Journal 2012 by the ",{"tagName":"a","children":["Association of Learned and Professional Society Publishers (ALPSP)"],"attributes":{"href":"http://www.alpsp.org/","class":"is-external"}}]},{"tagName":"li","children":["Best New Journal in Humanities and Social Sciences at the ",{"tagName":"a","children":["2011 PROSE Awards"],"attributes":{"href":"https://proseawards.com/winners/2011-award-winners/","class":"is-external"}},"."]}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"h3","styles":["headline"],"children":["Reviews of postmedieval's inaugural issue (launched March 2010), 'When did we become post/human?'"]},{"tagName":"p","children":[{"tagName":"a","children":["View the issue here"],"attributes":{"href":"http://link.springer.com/journal/41280/1/1/page/1","class":"is-external"}}]},{"tagName":"h4","styles":["headline"],"children":["Larry Scanlon, The Medieval Review, 11.09.26"]},{"tagName":"p","children":["“I think it fair to say postmedieval has identified a significant lacuna in the field. 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Robinson, Medievally Speaking, April 2012"]},{"tagName":"p","children":["“from disability studies to post-colonial, sexuality, and trauma theory, Postmedieval finds itself on the cutting (and sometimes bleeding) edge”"]},{"tagName":"p","children":["“The journal's editors, and Palgrave Macmillan, are to be lauded for choosing the best of multiple citation systems and for thinking carefully about how to present their material in such a strong visual fashion.”"]},{"tagName":"p","children":[{"tagName":"a","children":["Read the review in full (subscription required)."],"attributes":{"href":"http://ir.uiowa.edu/mff/vol47/iss1/12/","class":"is-external"}}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"h4","styles":["headline"],"children":["Mariusz Beclawski, Parergon 28.1 (2011), 248-50"]},{"tagName":"p","children":["“an impressive publication, with its eye-catching and well-chosen graphical design”"]},{"tagName":"p","children":["“The volume smartly tackles the idea of interrelations between ‘human’ and ‘post-human’, an investigation that is propelled by elaborate juxtapositions of true values with modern technoloTwo column separator - Leftgical innovations.”"]},{"tagName":"p","children":[{"tagName":"a","children":["Read the review in full (pdf, 483 kB)"],"attributes":{"href":"https://resource-cms.springernature.com/springer-cms/rest/v1/content/12343660/data/v1","target":"_blank","class":"is-external"}}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"h4","styles":["headline"],"children":["Thomas Ertl, The Medieval History Journal 14.1 (2011), 129-31"]},{"tagName":"p","children":["“posthumanism will undoubtedly continue to play a role in medieval studies, and the first issue of Postmedieval will become one of the reference points of the further discussions. 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Submit your Manuscript online."],"styles":["headline"]}]},{"tagName":"a","attributes":{"href":"https://www.editorialmanager.com/pome/default.aspx","target":"_blank","data-track":"click"},"children":[{"tagName":"span","attributes":{},"children":["Submit paper"],"styles":["button-label"]},{"tagName":"svg","attributes":{"width":16,"height":16,"viewBox":"0 0 16 16"},"children":[{"tagName":"path","attributes":{"fill":"inherit","fill-rule":"evenodd","d":"M13.161 12.387c.428 0 .774.347.774.774v1.033c0 .996-.81 1.806-1.806 1.806H1.677A1.68 1.68 0 0 1 0 14.323V3.87c0-.996.81-1.806 1.806-1.806H2.84a.774.774 0 0 1 0 1.548H1.806a.258.258 0 0 0-.258.258v10.452a.13.13 0 0 0 .13.129h10.451a.258.258 0 0 0 .258-.258V13.16c0-.427.347-.774.774-.774zM14.323 0A1.68 1.68 0 0 1 16 1.677V8a.774.774 0 0 1-1.548 0V2.644l-9.002 9a.768.768 0 0 1-.547.227.773.773 0 0 1-.547-1.321l9-9.002H8A.774.774 0 0 1 8 0h6.323z"},"children":[],"ns":"svg"}],"styles":["button-icon"],"ns":"svg"}],"styles":["button-base"],"state":{"backgroundColor":"#00768a"}}],"styles":["box"]}}]}]}]}]}]},"pages/about/crowd-review":{"title":"About / Crowd Review","content":[{"tagName":"div","attributes":{"class":"live-area-wrapper"},"children":[{"tagName":"div","attributes":{"class":"live-area"},"children":[{"tagName":"div","attributes":{"class":"row"},"children":[{"tagName":"div","attributes":{"class":"column medium-2"},"children":[{"type":"navigation","data":[{"href":"/gp/journal/41280/about/editorial-board","name":"Editorial Board","route":"about/editorial-board","parent":"about","type":"link"},{"href":"/gp/journal/41280/about/news","name":"News","route":"about/news","parent":"about","type":"link"},{"href":"/gp/journal/41280/about/awards","name":"Awards","route":"about/awards","parent":"about","type":"link"},{"href":"/gp/journal/41280/about/crowd-review","name":"Crowd Review","route":"about/crowd-review","parent":"about","type":"link"},{"href":"/gp/journal/41280/about/connect-with-us","name":"Connect with us","route":"about/connect-with-us","parent":"about","type":"link"}]}]},{"tagName":"div","attributes":{"class":"column medium-7"},"children":[{"id":null,"children":[],"type":"article","data":{"title":"Crowd Review","shortTitle":"Crowd Review","urlSegment":"crowd-review","html":"\u003cp class=\"align--left\">\u003cem>…open peer review has the potential to be explosive in the most daring ways.\u003c/em>\u003c/p>\u003cp class=\"align--left\">Holly Crocker\u003cbr/>postmedieval FORUM II (Introduction)\u003c/p>\u003ch3>About Crowd Review\u003c/h3>\u003cp>Traditionally, peer review of academic articles is conducted anonymously: neither the reviewer nor the author know the identity of the other, and comments made by reviewers are not released to the public. By contrast, open/crowd review provides a platform for public critique — and starting in 2011, postmedieval has experimented with this format, on open blogs that allow for full discussion and transparency. In each case, scholars, and indeed anyone with a contribution to make, are invited to comment and discuss the papers publicly, under their own names, and the authors are encouraged to respond openly. After the Crowd Review has closed, authors have an opportunity to revise their papers before they are published in their final form in the journal, in a designated issue. In this way, the journal offers a valuable model to explore a more transparent process for evaluating and contextualizing scholarly production.\u003c/p>\u003cp>We believe experiments in open 'crowd' review are important, following what Kathleen Fitzpatrick argued in 2011 in her book \u003cem>Planned Obsolescence\u003c/em>, that 'the production of knowledge is still very much the academy’s very reason for being', yet at the same time, 'if we cling to an outdated system for the establishment and measurement of authority at the very same time that the nature of authority is shifting around us, we run the risk of becoming increasingly irrelevant to the dominant ways of knowing of contemporary culture'. We also believe in expanding the definition of 'peer' to include not just the specialized experts of one’s narrow sub-fields but also members of the more broad intellectual community, both within and outside the university proper. We believe more open processes of peer review make visible what has always been true about the intellectual and scholarly life, but which is often only quietly articulated in the notes of acknowledgment in articles and books: we think and work together; our brains are already crowd-sourced, so why not make that fact more tangible?\u003c/p>\u003cp>Read 'The Case for Open Review' published in Inside Higher Ed, \u003ca href=\"https://www.insidehighered.com/views/2016/05/16/open-peer-review-journal-articles-offers-significant-benefits-essay\" class=\"is-external\">here\u003c/a>!\u003c/p>\u003ch3>Previous crowd review experiments\u003c/h3>\u003cp>Open the links below to find out more about previous issues of postmedieval executed using crowd review...\u003c/p>\u003ch3 class=\"flapHead hideContent\">2016\u003c/h3>\u003cp class=\"flapContent\">The fourth postmedieval online crowd review experiment was hosted at \u003ca href=\"http://thematerialcollective.org/postmedieval\" class=\"is-external\">The Material Collective\u003c/a>. This time, Guest Editors Maggie M. Williams (William Paterson University, USA) and Karen Eileen Overbey (Tufts University, USA) invited publicly generated reviews from readers for their issue on '\u003ca href=\"https://link.springer.com/journal/41280/7/3/page/1\" target=\"_blank\" class=\"is-external\">Hoarders and Hordes: Responses to the Staffordshire Hoard\u003c/a>'.\u003c/p>\u003ch3 class=\"flapHead hideContent\">2014\u003c/h3>\u003cp class=\"flapContent\">In 2014, we worked with guest Editors Nina Caputo (University of Florida, USA) and Hannah Johnson (University of Pittsburgh, USA) on the third issue of postmedieval to take advantage of crowd review, '\u003ca href=\"http://www.palgrave-journals.com/pmed/journal/v5/n3/index.html\" class=\"is-external\">The Holocaust and the Middle Ages\u003c/a>’. Hosted and stewarded by Kathleen Fitzpatrick and company at MediaCommons, New York University, the issue attracted nearly 80 comments from a range of reviewers, which Caputo and Johnson acknowledge as a reminder of '\u003ca href=\"https://dx.doi.org/10.1057/pmed.2014.20\" class=\"is-external\">our place, as always, in the midst of conversation, never at an end\u003c/a>' .\u003c/p>\u003ch3 class=\"flapHead hideContent\">2013\u003c/h3>\u003cp class=\"flapContent\">In November 2013, the second crowd review experiment was launched in collaboration with MediaCommons Press at New York University, whose open review experiments, led by Kathleen Fitzpatrick, inspired postmedieval’s first crowd review project. With a new platform and more supple commenting templates created by MediaCommons, the issue reviewed this time, Louise D'Arcens's '\u003ca href=\"http://mcpress.media-commons.org/postmedieval_comicmedievalisms\" class=\"is-external\">Comic Medievalisms\u003c/a>', received over 250 comments from over 30 reviewers.\u003c/p>\u003ch3 class=\"flapHead hideContent\">2011\u003c/h3>\u003cp class=\"flapContent\">\u003ca href=\"https://postmedievalcrowdreview.wordpress.com/\" class=\"is-external\">Our first experiment\u003c/a>, with our 'Becoming Media' issue, ran from July 15th to September 15th 2011. As the issue editors stated in their editorial, which accompanied the \u003ca href=\"http://www.palgrave-journals.com/pmed/journal/v3/n1/index.html\" class=\"is-external\">final papers in print\u003c/a> : \"In the three month-long period of the online crowd review for this volume, scholars generated over 50 individual and detailed responses for the six essays, totalling some 24,000 words – nearly half the total of length of the essays themselves, and containing many ideas and suggestions which found their way into the essays' final forms\".\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":[{"tagName":"em","children":["…open peer review has the potential to be explosive in the most daring ways."]}],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Holly Crocker",{"tagName":"br"},"postmedieval FORUM II (Introduction)"],"attributes":{"class":"align--left"}},{"tagName":"h3","styles":["headline"],"children":["About Crowd Review"]},{"tagName":"p","children":["Traditionally, peer review of academic articles is conducted anonymously: neither the reviewer nor the author know the identity of the other, and comments made by reviewers are not released to the public. 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We believe more open processes of peer review make visible what has always been true about the intellectual and scholarly life, but which is often only quietly articulated in the notes of acknowledgment in articles and books: we think and work together; our brains are already crowd-sourced, so why not make that fact more tangible?"]},{"tagName":"p","children":["Read 'The Case for Open Review' published in Inside Higher Ed, ",{"tagName":"a","children":["here"],"attributes":{"href":"https://www.insidehighered.com/views/2016/05/16/open-peer-review-journal-articles-offers-significant-benefits-essay","class":"is-external"}},"!"]},{"tagName":"h3","styles":["headline"],"children":["Previous crowd review experiments"]},{"tagName":"p","children":["Open the links below to find out more about previous issues of postmedieval executed using crowd review..."]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["2016"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":["The fourth postmedieval online crowd review experiment was hosted at ",{"tagName":"a","children":["The Material Collective"],"attributes":{"href":"http://thematerialcollective.org/postmedieval","class":"is-external"}},". 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Williams (William Paterson University, USA) and Karen Eileen Overbey (Tufts University, USA) invited publicly generated reviews from readers for their issue on '",{"tagName":"a","children":["Hoarders and Hordes: Responses to the Staffordshire Hoard"],"attributes":{"href":"https://link.springer.com/journal/41280/7/3/page/1","target":"_blank","class":"is-external"}},"'."],"attributes":{"class":"flapContent"}}]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["2014"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":["In 2014, we worked with guest Editors Nina Caputo (University of Florida, USA) and Hannah Johnson (University of Pittsburgh, USA) on the third issue of postmedieval to take advantage of crowd review, '",{"tagName":"a","children":["The Holocaust and the Middle Ages"],"attributes":{"href":"http://www.palgrave-journals.com/pmed/journal/v5/n3/index.html","class":"is-external"}},"’. Hosted and stewarded by Kathleen Fitzpatrick and company at MediaCommons, New York University, the issue attracted nearly 80 comments from a range of reviewers, which Caputo and Johnson acknowledge as a reminder of '",{"tagName":"a","children":["our place, as always, in the midst of conversation, never at an end"],"attributes":{"href":"https://dx.doi.org/10.1057/pmed.2014.20","class":"is-external"}},"' ."],"attributes":{"class":"flapContent"}}]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["2013"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":["In November 2013, the second crowd review experiment was launched in collaboration with MediaCommons Press at New York University, whose open review experiments, led by Kathleen Fitzpatrick, inspired postmedieval’s first crowd review project. With a new platform and more supple commenting templates created by MediaCommons, the issue reviewed this time, Louise D'Arcens's '",{"tagName":"a","children":["Comic Medievalisms"],"attributes":{"href":"http://mcpress.media-commons.org/postmedieval_comicmedievalisms","class":"is-external"}},"', received over 250 comments from over 30 reviewers."],"attributes":{"class":"flapContent"}}]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["2011"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":[{"tagName":"a","children":["Our first experiment"],"attributes":{"href":"https://postmedievalcrowdreview.wordpress.com/","class":"is-external"}},", with our 'Becoming Media' issue, ran from July 15th to September 15th 2011. As the issue editors stated in their editorial, which accompanied the ",{"tagName":"a","children":["final papers in print"],"attributes":{"href":"http://www.palgrave-journals.com/pmed/journal/v3/n1/index.html","class":"is-external"}}," : \"In the three month-long period of the online crowd review for this volume, scholars generated over 50 individual and detailed responses for the six essays, totalling some 24,000 words – nearly half the total of length of the essays themselves, and containing many ideas and suggestions which found their way into the essays' final forms\"."],"attributes":{"class":"flapContent"}}]}]}}]},{"tagName":"aside","attributes":{"class":"column medium-3"},"children":[{"value":{"tagName":"section","attributes":{"class":"box"},"children":[{"tagName":"section","attributes":{},"children":[{"tagName":"h1","attributes":{},"children":["Want to publish with us? 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Articles","route":"volumes-issues/online-first-articles","parent":"volumes-issues","type":"link"},{"href":"/gp/journal/41280/volumes-issues/free-articles","name":"Free articles","route":"volumes-issues/free-articles","parent":"volumes-issues","type":"link"}]}]},{"tagName":"div","attributes":{"class":"column medium-7"},"children":[{"id":null,"children":[],"type":"article","data":{"title":"","shortTitle":"Latest Issue","urlSegment":"latest-issue","html":"\n                    \u003ch3 class=\"kicker\">Volume 15, Issue 2, June 2024\u003c/h3>\n                    \u003ch3>Table of Content\u003c/h3>\n                    \n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00326-1\" title=\"About the Cover\" target=\"_blank\">About the Cover\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Francesca Brooks\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Original Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00324-3\" title=\"The womb as a wild mother beast\" target=\"_blank\">The womb as a wild mother beast\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Naama Cohen-Hanegbi\u003c/span>, \u003cspan>Guy Erez\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Original Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00325-2\" title=\"‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone\" target=\"_blank\">‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Eric Weiskott\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Original Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00323-4\" title=\"Medieval and modern race-thinking in Frank Yerby’s The Saracen Blade\" target=\"_blank\">Medieval and modern race-thinking in Frank Yerby’s The Saracen Blade\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Rebecca C. Pawel\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Dialogue\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00314-5\" title=\"Breath, bodies, and sacred text: Thinking about recitation with al-Ghazālī and Kūkai\" target=\"_blank\">Breath, bodies, and sacred text: Thinking about recitation with al-Ghazālī and Kūkai\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Charlotte Eubanks\u003c/span>, \u003cspan>Lauren Osborne\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Roundtable\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00313-6\" title=\"Migrants shaping Europe, past and present: A roundtable\" target=\"_blank\">Migrants shaping Europe, past and present: A roundtable\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Brian A. Catlos\u003c/span>, \u003cspan>Akash Kumar\u003c/span>, \u003cspan>Émilie Picherot\u003c/span>, \u003cspan>Helen Solterer\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Article\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00315-4\" title=\"Editors’ introduction: Medieval Forgeries / Forging the Medieval\" target=\"_blank\">Editors’ introduction: Medieval Forgeries / Forging the Medieval\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Hannah Armstrong\u003c/span>, \u003cspan>Rebecca Menmuir\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00316-3\" title=\"Osbert of Clare and the reforging of Westminster Abbey’s past\" target=\"_blank\">Osbert of Clare and the reforging of Westminster Abbey’s past\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Jennie M. England\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00317-2\" title=\"Hearkening to the 'voice' of Teika: Authors and readers of poetry treatise forgeries in medieval Japan\" target=\"_blank\">Hearkening to the 'voice' of Teika: Authors and readers of poetry treatise forgeries in medieval Japan\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Yumiko Watanabe\u003c/span>, \u003cspan>Eric Esteban\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay Cluster: Medieval Forgeries/Forging the Medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00318-1\" title=\"Medievalist forgery? Editions, adaptations, and translations of Kudrun in the nineteenth century\" target=\"_blank\">Medievalist forgery? Editions, adaptations, and translations of Kudrun in the nineteenth century\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Mary Boyle\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay Cluster: Medieval Forgeries/Forging the Medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00319-0\" title=\"Medieval re-creation and translation in Edwin Morgan and Derek Jarman’s archives: A dialogue\" target=\"_blank\">Medieval re-creation and translation in Edwin Morgan and Derek Jarman’s archives: A dialogue\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Francesca Brooks\u003c/span>, \u003cspan>E. K. Myerson\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00320-7\" title=\"Forging the medieval amidst loss: The Public Record Office of Ireland and Ireland’s medieval history\" target=\"_blank\">Forging the medieval amidst loss: The Public Record Office of Ireland and Ireland’s medieval history\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Elizabeth Biggs\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the Medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00321-6\" title=\"Forging the medieval on Wikipedia\" target=\"_blank\">Forging the medieval on Wikipedia\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Fran Allfrey\u003c/span>, \u003cspan>Lucy Moore\u003c/span>, \u003cspan>Richard Nevell\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Essay cluster: Medieval forgeries / Forging the Medieval\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00322-5\" title=\"Response essay: A hypothesis of the Middle Ages\" target=\"_blank\">Response essay: A hypothesis of the Middle Ages\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Andrew B. R. Elliott\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Correction\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00312-7\" title=\"Correction to: Encountering the environmental uncanny in Su Shi’s Rhapsodies on the Red Cliff: An ecocritical parable in text and image\" target=\"_blank\">Correction to: Encountering the environmental uncanny in Su Shi’s Rhapsodies on the Red Cliff: An ecocritical parable in text and image\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Benjamin Ridgway\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Correction\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00327-0\" title=\"Correction to: ‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone\" target=\"_blank\">Correction to: ‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Eric Weiskott\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Publisher Correction\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00331-4\" title=\"Publisher Correction: Hearkening to the ‘voice’ of Teika: Authors and readers of poetry treatise forgeries in medieval Japan\" target=\"_blank\">Publisher Correction: Hearkening to the ‘voice’ of Teika: Authors and readers of poetry treatise forgeries in medieval Japan\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Yumiko Watanabe\u003c/span>, \u003cspan>Eric Esteban\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>\n                    \n                    \u003cdiv class=\"issue\">\n                        \u003cp class=\"type\">\u003csmall>Correction\u003c/small>\u003c/p>\n                        \u003ch3 class=\"link\">\n                            \u003ca href=\"https://link.springer.com/article/10.1057/s41280-024-00341-2\" title=\"Correction: The intersection of medieval studies and Indigenous studies: A Norse-Saami case study\" target=\"_blank\">Correction: The intersection of medieval studies and Indigenous studies: A Norse-Saami case study\u003c/a>\n                        \u003c/h3>\n                        \u003cp class=\"editors\">\u003csmall>\u003cspan>Solveig Marie Wang\u003c/span>\u003c/small>\u003c/p>\n                    \u003c/div>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"nodes":["\n                    ",{"tagName":"h3","styles":["headline"],"children":["Volume 15, Issue 2, June 2024"],"attributes":{"class":"kicker"}},"\n                    ",{"tagName":"h3","styles":["headline"],"children":["Table of Content"]},"\n                    \n                    \n                    ",{"tagName":"div","children":["\n                        ",{"tagName":"p","children":[{"tagName":"small","children":["Article"]}],"attributes":{"class":"type"}},"\n                        ",{"tagName":"h3","styles":["headline"],"children":["\n                            ",{"tagName":"a","children":["About the Cover"],"attributes":{"href":"https://link.springer.com/article/10.1057/s41280-024-00326-1","title":"About the Cover","target":"_blank"}},"\n                        "],"attributes":{"class":"link"}},"\n                        ",{"tagName":"p","children":[{"tagName":"small","children":[{"tagName":"span","children":["Francesca Brooks"]}]}],"attributes":{"class":"editors"}},"\n                    "],"attributes":{"class":"issue"}},"\n                    \n                    ",{"tagName":"div","children":["\n                        ",{"tagName":"p","children":[{"tagName":"small","children":["Original Article"]}],"attributes":{"class":"type"}},"\n                        ",{"tagName":"h3","styles":["headline"],"children":["\n                            ",{"tagName":"a","children":["The womb as a wild mother beast"],"attributes":{"href":"https://link.springer.com/article/10.1057/s41280-024-00324-3","title":"The womb as a wild mother beast","target":"_blank"}},"\n                        "],"attributes":{"class":"link"}},"\n                        ",{"tagName":"p","children":[{"tagName":"small","children":[{"tagName":"span","children":["Naama Cohen-Hanegbi"]},", ",{"tagName":"span","children":["Guy Erez"]}]}],"attributes":{"class":"editors"}},"\n                    "],"attributes":{"class":"issue"}},"\n                    \n                    ",{"tagName":"div","children":["\n                        ",{"tagName":"p","children":[{"tagName":"small","children":["Original Article"]}],"attributes":{"class":"type"}},"\n                        ",{"tagName":"h3","styles":["headline"],"children":["\n                            ",{"tagName":"a","children":["‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone"],"attributes":{"href":"https://link.springer.com/article/10.1057/s41280-024-00325-2","title":"‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone","target":"_blank"}},"\n                        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The Jewish massed body in Old Norse literature\u003c/a>\u003cbr/>Richard Cole\u003cbr/>postmedieval: a journal of medieval cultural studies (2014) 5, 346-358\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003cp>\u003ca href=\"http://dx.doi.org/10.1057/pmed.2014.13\" class=\"is-external\">Said in jest: Who's laughing at the Middle Ages (and when)?\u003c/a>\u003cbr/>David Matthews\u003cbr/>postmedieval: a journal of medieval cultural studies (2014) 5, 126-139\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003cp>\u003ca href=\"http://dx.doi.org/10.1057/pmed.2014.1\" class=\"is-external\">The new knighthood: Terrorism and the medieval\u003c/a>\u003cbr/>Daniel Wollenberg\u003cbr/>postmedieval: a journal of medieval cultural studies (2014) 5, 21-33\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003cp>\u003ca href=\"http://dx.doi.org/10.1057/pmed.2014.42\" class=\"is-external\">On firm Carthaginian ground: ethnic boundary fluidity and Chaucer's Dido\u003c/a>\u003cbr/>Randy P Schiff\u003cbr/>postmedieval: a journal of medieval cultural studies (2015) 6, 23-35\u003c/p>\u003cp class=\"twoColumnSeparatorLeft--paragraph\">\u003cbr/>\u003c/p>\u003cp>\u003ca href=\"http://dx.doi.org/10.1057/pmed.2015.16\" class=\"is-external\">More Gravy than the Grave: classical Arabic lexical monographs in translation\u003c/a>\u003cbr/>David Larsen\u003cbr/>+postmedieval: a journal of medieval cultural studies (2015) 6, 127-135\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["Palgrave Macmillan and the editorial team have selected this set of papers from the archive of the journal to give a representative sample of the best of our content."],"attributes":{"class":"intro--paragraph"}},{"tagName":"p","children":["These papers, listed in chronological order, are available free to read and download."]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Plant→animal→book: Magnifying a microhistory of media circuits"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2012.7","class":"is-external"}},{"tagName":"br"},"Whitney Anne Trettien>",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2012) 3, 97-118",{"tagName":"br"},"Digital essay of above: ",{"tagName":"a","children":["http://www.palgrave-journals.com/pmed/journal/v3/n1/plantanimalbook"],"attributes":{"href":"http://www.palgrave-journals.com/pmed/journal/v3/n1/plantanimalbook","class":"is-external"}}]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["How to kiss a leper"],"attributes":{"href":"http://dx.doi.org/10.1057/pmed.2012.11","class":"is-external"}},{"tagName":"br"},"Julie Orlemanski",{"tagName":"br"},"postmedieval: a journal of medieval cultural studies (2012) 3, 142-157"]},{"tagName":"p","children":[{"tagName":"br"}],"attributes":{"class":"twoColumnSeparatorLeft--paragraph"}},{"tagName":"p","children":[{"tagName":"a","children":["Cloud/land - 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Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval – with its archives and art, its thought and practices, its traces and its enduring possibilities. \u003cbr/>\n\u003cbr/>\nIn general, \u003cem>postmedieval \u003c/em>is published four times a year. Some of these are themed, guest-edited issues; others are open-topic. The journal&amp;rsquo;s editors will consider submissions of individual essays as well as proposals for themed issues. If accepted, individual essays will be published as Online First publications, appearing first as independent articles on the journal website and later in one of the print issues. We will also entertain small, themed clusters of essays to be included in open issues as well as commissioned book-review essays.","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"em","children":["postmedieval "]},"publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. 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Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval—with its archives and art, its thought and practices, its traces and its enduring possibilities. Contributions on sources beyond Western Europe are warmly encouraged.\u003c/p>\u003cp>In general, postmedieval is published four times a year. Some of these are themed, guest-edited issues; others are open-topic. The journal’s editors will consider submissions of individual essays as well as proposals for themed issues. If accepted, individual essays will be published as Online First publications, appearing first as independent articles on the journal’s website and later in one of the print issues. We will also entertain small, themed “clusters” of essays to be included in open issues as well as commissioned book-review essays. \u003c/p>\u003cp>If you have a suggestion for or would like to guest-edit a themed issue, or would like to discuss the appropriateness of an article for an open issue prior to submission, please contact the Managing Editor at postmedievalED@gmail.com. \u003c/p>\u003ch2>General submission guidelines\u003cbr/> \u003c/h2>\u003cp>Authors wishing to submit to an article for publication in an open-topic issue should send their manuscript via the journal's online submission site at the link below. Authors interested in submitting to a themed issue should contact the guest editors directly. Information about the guest editors of forthcoming issues can be found under the 'Forthcoming Issues' link.\u003c/p>\u003cp>Manuscripts should be in English, preferably in Word format. Please submit two documents, containing the following elements:\u003c/p>\u003cp>1. Author contact details and biography:\u003c/p>\u003cul>\u003cli>the title of the article\u003c/li>\u003cli>the author(s)' names \u003c/li>\u003cli>[optional] the author(s) institutional affiliations\u003c/li>\u003cli>[optional] a short biography of no more than 80 words for each author, as well as any additional background information that be helpful to editors, like author(s)’ first language and/or national academic training outside Anglo/US institutions\u003c/li>\u003cli>full contact details (including email, postal address and phone number) for the “corresponding author” (or the author primarily responsible for communications with the publisher)\u003c/li>\u003c/ul>\u003cp>2. Article:\u003c/p>\u003cul>\u003cli>Make sure the article is titled.\u003c/li>\u003cli>At the start of the article, please include a summary or abstract of not more than 150 words, outlining the aims and subject matter.\u003c/li>\u003cli>The full article should follow the abstract, with references. Please double-space the entire manuscript, including all notes and bibliographical references, and make sure all pages are numbered consecutively.\u003c/li>\u003cli>In preparing your article, please keep in mind that postmedieval’s lay-out means that notes necessarily will be constrained in length. However, the synthetic “References” list has no fixed limit. \u003c/li>\u003cli>Please print a word count at the end of your manuscript. Word counts should include abstract, article, and all notes and references.\u003c/li>\u003cli>Please make sure that the article is anonymized and there is no identifying information throughout. \u003c/li>\u003c/ul>\u003cp>In the peer review process for postmedieval both authors and reviewers will be anonymous. Please ensure that NO author names are given on the first page of the article manuscript nor anywhere throughout and that author names have been taken out of the ‘File’ ‘Properties’ screen in Word.\u003c/p>\u003cp>If images or text in the article require permissions for use, please keep in mind that securing permissions will be the author(s)’ responsibility. Please ensure you have a plan in place for the prompt securing of permissions should your article be accepted. In the meantime, see our page on \u003ca href=\"https://www.palgrave.com/gp/journal/41280/authors/artwork-guidelines\" target=\"_self\" class=\"is-external\">Artwork \u003c/a> and our page on \u003ca href=\"https://www.palgrave.com/gp/journal/41280/authors/copyright-permissions\" target=\"_self\" class=\"is-external\">Copyright and Permissions\u003c/a>.\u003c/p>\u003cp>\u003cstrong>Please note\u003c/strong>: If you are including the details of more than one author on your paper, please ensure that the first-named author is prepared to be \"corresponding\" author, responsible for communication with Production and handling the proof of your manuscript, if it were to be accepted. If you're unsure of how to order your names, please contact the editors, or the publisher.\u003c/p>\u003cp>We expect that most \u003cem>postmedieval\u003c/em> articles will fall between 6,000 and 9,000 words (including notes and references), but these are not strict limits. For articles of exceptional brevity or length, please consult with editors.\u003c/p>\u003cp>postmedieval uses the Chicago Author-Date style, with in-text references and an alphabetical reference list at the end. For more information, see our page on \u003ca href=\"https://www.palgrave.com/gp/journal/41280/authors/presentation-formatting\" target=\"_self\" class=\"is-external\">Presentation and Formatting\u003c/a>.\u003c/p>\u003cp>Because postmedieval uses sidenotes rather than endnotes, we encourage authors to keep notes to a minimum (with no notes exceeding 50 words in length). The original motivation for employing sidenotes was to lay emphasis on articles’ readability, accessibility, and essayistic communications (and to distinguish the journal from other footnote-heavy venues in medieval studies). In our experience, the author-date reference format means that citations can be copious without copious notes. \u003c/p>\u003cp>\u003cem>postmedieval\u003c/em> only accepts original submissions from authors. We cannot republish material that has been previously published elsewhere. If you have any questions about this, please contact the Managing Editor at \u003ca href=\"mailto:postmedievalED@gmail.com\" class=\"is-external\">postmedievalED@gmail.com\u003c/a>.\u003c/p>\u003cp>\u003cstrong>Submit now\u003c/strong>\u003cbr/>If you want to submit your manuscript online please use our submission tool: \u003ca href=\"https://www.editorialmanager.com/POME\" target=\"_self\" class=\"is-external\">Submit online\u003c/a>\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h2","children":["Notes for contributors"]},{"tagName":"p","children":["postmedieval publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval—with its archives and art, its thought and practices, its traces and its enduring possibilities. Contributions on sources beyond Western Europe are warmly encouraged."]},{"tagName":"p","children":["In general, postmedieval is published four times a year. Some of these are themed, guest-edited issues; others are open-topic. The journal’s editors will consider submissions of individual essays as well as proposals for themed issues. If accepted, individual essays will be published as Online First publications, appearing first as independent articles on the journal’s website and later in one of the print issues. We will also entertain small, themed “clusters” of essays to be included in open issues as well as commissioned book-review essays. "]},{"tagName":"p","children":["If you have a suggestion for or would like to guest-edit a themed issue, or would like to discuss the appropriateness of an article for an open issue prior to submission, please contact the Managing Editor at postmedievalED@gmail.com. "]},{"tagName":"h2","children":["General submission guidelines",{"tagName":"br"}," "]},{"tagName":"p","children":["Authors wishing to submit to an article for publication in an open-topic issue should send their manuscript via the journal's online submission site at the link below. Authors interested in submitting to a themed issue should contact the guest editors directly. Information about the guest editors of forthcoming issues can be found under the 'Forthcoming Issues' link."]},{"tagName":"p","children":["Manuscripts should be in English, preferably in Word format. Please submit two documents, containing the following elements:"]},{"tagName":"p","children":["1. Author contact details and biography:"]},{"tagName":"ul","children":[{"tagName":"li","children":["the title of the article"]},{"tagName":"li","children":["the author(s)' names "]},{"tagName":"li","children":["[optional] the author(s) institutional affiliations"]},{"tagName":"li","children":["[optional] a short biography of no more than 80 words for each author, as well as any additional background information that be helpful to editors, like author(s)’ first language and/or national academic training outside Anglo/US institutions"]},{"tagName":"li","children":["full contact details (including email, postal address and phone number) for the “corresponding author” (or the author primarily responsible for communications with the publisher)"]}]},{"tagName":"p","children":["2. Article:"]},{"tagName":"ul","children":[{"tagName":"li","children":["Make sure the article is titled."]},{"tagName":"li","children":["At the start of the article, please include a summary or abstract of not more than 150 words, outlining the aims and subject matter."]},{"tagName":"li","children":["The full article should follow the abstract, with references. Please double-space the entire manuscript, including all notes and bibliographical references, and make sure all pages are numbered consecutively."]},{"tagName":"li","children":["In preparing your article, please keep in mind that postmedieval’s lay-out means that notes necessarily will be constrained in length. However, the synthetic “References” list has no fixed limit. "]},{"tagName":"li","children":["Please print a word count at the end of your manuscript. Word counts should include abstract, article, and all notes and references."]},{"tagName":"li","children":["Please make sure that the article is anonymized and there is no identifying information throughout. "]}]},{"tagName":"p","children":["In the peer review process for postmedieval both authors and reviewers will be anonymous. Please ensure that NO author names are given on the first page of the article manuscript nor anywhere throughout and that author names have been taken out of the ‘File’ ‘Properties’ screen in Word."]},{"tagName":"p","children":["If images or text in the article require permissions for use, please keep in mind that securing permissions will be the author(s)’ responsibility. Please ensure you have a plan in place for the prompt securing of permissions should your article be accepted. In the meantime, see our page on ",{"tagName":"a","children":["Artwork "],"attributes":{"href":"https://www.palgrave.com/gp/journal/41280/authors/artwork-guidelines","target":"_self","class":"is-external"}}," and our page on ",{"tagName":"a","children":["Copyright and Permissions"],"attributes":{"href":"https://www.palgrave.com/gp/journal/41280/authors/copyright-permissions","target":"_self","class":"is-external"}},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Please note"]},": If you are including the details of more than one author on your paper, please ensure that the first-named author is prepared to be \"corresponding\" author, responsible for communication with Production and handling the proof of your manuscript, if it were to be accepted. If you're unsure of how to order your names, please contact the editors, or the publisher."]},{"tagName":"p","children":["We expect that most ",{"tagName":"em","children":["postmedieval"]}," articles will fall between 6,000 and 9,000 words (including notes and references), but these are not strict limits. For articles of exceptional brevity or length, please consult with editors."]},{"tagName":"p","children":["postmedieval uses the Chicago Author-Date style, with in-text references and an alphabetical reference list at the end. For more information, see our page on ",{"tagName":"a","children":["Presentation and Formatting"],"attributes":{"href":"https://www.palgrave.com/gp/journal/41280/authors/presentation-formatting","target":"_self","class":"is-external"}},"."]},{"tagName":"p","children":["Because postmedieval uses sidenotes rather than endnotes, we encourage authors to keep notes to a minimum (with no notes exceeding 50 words in length). The original motivation for employing sidenotes was to lay emphasis on articles’ readability, accessibility, and essayistic communications (and to distinguish the journal from other footnote-heavy venues in medieval studies). In our experience, the author-date reference format means that citations can be copious without copious notes. "]},{"tagName":"p","children":[{"tagName":"em","children":["postmedieval"]}," only accepts original submissions from authors. We cannot republish material that has been previously published elsewhere. If you have any questions about this, please contact the Managing Editor at ",{"tagName":"a","children":["postmedievalED@gmail.com"],"attributes":{"href":"mailto:postmedievalED@gmail.com","class":"is-external"}},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Submit now"]},{"tagName":"br"},"If you want to submit your manuscript online please use our submission tool: ",{"tagName":"a","children":["Submit online"],"attributes":{"href":"https://www.editorialmanager.com/POME","target":"_self","class":"is-external"}}]}]}}]},{"tagName":"aside","attributes":{"class":"column medium-3"},"children":[{"value":{"tagName":"section","attributes":{"class":"box"},"children":[{"tagName":"section","attributes":{},"children":[{"tagName":"h1","attributes":{},"children":["Want to publish with us? Submit your Manuscript online."],"styles":["headline"]}]},{"tagName":"a","attributes":{"href":"https://www.editorialmanager.com/pome/default.aspx","target":"_blank","data-track":"click"},"children":[{"tagName":"span","attributes":{},"children":["Submit paper"],"styles":["button-label"]},{"tagName":"svg","attributes":{"width":16,"height":16,"viewBox":"0 0 16 16"},"children":[{"tagName":"path","attributes":{"fill":"inherit","fill-rule":"evenodd","d":"M13.161 12.387c.428 0 .774.347.774.774v1.033c0 .996-.81 1.806-1.806 1.806H1.677A1.68 1.68 0 0 1 0 14.323V3.87c0-.996.81-1.806 1.806-1.806H2.84a.774.774 0 0 1 0 1.548H1.806a.258.258 0 0 0-.258.258v10.452a.13.13 0 0 0 .13.129h10.451a.258.258 0 0 0 .258-.258V13.16c0-.427.347-.774.774-.774zM14.323 0A1.68 1.68 0 0 1 16 1.677V8a.774.774 0 0 1-1.548 0V2.644l-9.002 9a.768.768 0 0 1-.547.227.773.773 0 0 1-.547-1.321l9-9.002H8A.774.774 0 0 1 8 0h6.323z"},"children":[],"ns":"svg"}],"styles":["button-icon"],"ns":"svg"}],"styles":["button-base"],"state":{"backgroundColor":"#00768a"}}],"styles":["box"]}}]}]}]}]}]},"pages/authors/presentation-formatting":{"title":"For Authors / Presentation and Formatting","content":[{"tagName":"div","attributes":{"class":"live-area-wrapper"},"children":[{"tagName":"div","attributes":{"class":"live-area"},"children":[{"tagName":"div","attributes":{"class":"row"},"children":[{"tagName":"div","attributes":{"class":"column medium-2"},"children":[{"type":"navigation","data":[{"href":"/gp/journal/41280/authors/aims-scope","name":"Aims & Scope","route":"authors/aims-scope","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/submission","name":"Submission","route":"authors/submission","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/presentation-formatting","name":"Presentation and Formatting","route":"authors/presentation-formatting","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/tables-figures","name":"Tables and Figures","route":"authors/tables-figures","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/artwork-guidelines","name":"Artwork Guidelines ","route":"authors/artwork-guidelines","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/copyright-permissions","name":"Copyright and Permissions","route":"authors/copyright-permissions","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/ethics-policy","name":"Ethics Policy","route":"authors/ethics-policy","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/open-access-self-archiving","name":"Open Access & Self Archiving","route":"authors/open-access-self-archiving","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/proofs","name":"Proofs","route":"authors/proofs","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/offprints","name":"Offprints","route":"authors/offprints","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/sharing-your-article","name":"Sharing your article","route":"authors/sharing-your-article","parent":"authors","type":"link"},{"href":"/gp/journal/41280/authors/contacts","name":"Contacts","route":"authors/contacts","parent":"authors","type":"link"}]}]},{"tagName":"div","attributes":{"class":"column medium-7"},"children":[{"id":null,"children":[],"type":"article","data":{"title":"Presentation and Formatting","shortTitle":"Presentation and Formatting","urlSegment":"presentation-formatting","html":"\u003ch4 class=\"align--left\">\u003cstrong>\u003cem>postmedieval \u003c/em>\u003c/strong>\u003cstrong>style guide\u003c/strong>\u003cbr/> \u003c/h4>\u003cp>Please note that \u003cem>postmedieval\u003c/em>’s style guidelines \u003cstrong>\u003cspan class=\"underline\">have changed significantly\u003c/span>\u003c/strong> as of Volume 13 (2022). Articles published in previous issues will not be a reliable model for our current house style. Please also note that \u003cem>postmedieval \u003c/em>only accepts original submissions from authors. We cannot publish material that has previously been published elsewhere. If you have any questions about this, please contact postmedievalED@gmail.com.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Word count\u003c/span>\u003c/strong>\u003c/p>\u003cp>Most postmedieval articles fall between 6,000 and 9,000 words (including notes and references), but these are not strict limits. For articles of exceptional brevity or length, please consult with the editors.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Referencing Style\u003c/span>\u003c/strong>\u003c/p>\u003cp>Chicago Author-Date (See sample citations below. For further documentation, consult \u003ca href=\"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html\" class=\"is-external\">https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html\u003c/a>.)\u003c/p>\u003cp>Again, use of Chicago Author-Date is \u003cstrong>\u003cspan class=\"underline\">new\u003c/span>\u003c/strong> as of 2022. It entails numerous changes; two of particular prominence are that (a) authors’ first names (not just initials) are now included in reference entries, and (b) no comma is used between author and date in parenthetical citations.\u003c/p>\u003cp>For more details about Chicago Author-date citations, please see the final part of this style guide and Chapter 15 of \u003cem>The Chicago Manual of Style. \u003c/em>(Please contact us if you do not have access to Chapter 15 of \u003cem>The Chicago Manual of Style.\u003c/em>)\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Author-Date Citation of Primary Sources\u003c/span>\u003c/strong>\u003c/p>\u003cp>For manuscripts and archival material,  the in-text citation should include the name of the author (if appropriate), the location, a shortened version of the name of the library/archive, shelfmark, and (if appropriate) folio number and line number.  The bibliography should include the name of the author and the title of the  work (if appropriate), the shelfmark, name of the library/archive, and location. Examples:\u003c/p>\u003cp>In-text citation: (Al-Bisṭāmī, Paris, BnF MS Arabe 6520, fol. 16v)\u003c/p>\u003cp>Bibliography: Al-Bisṭāmī, ʻAbd al-Raḥmān, \u003cem>Al-fawāʾiḥ al-miskiyya.\u003c/em> MS Arabe 6520, Bibliothèque nationale de la France, Paris.\u003c/p>\u003cp>In-text citation: (Salisbury, Salisbury Cathedral Archives, FG/1/1, fol. 403r, ln. 4)\u003c/p>\u003cp>Bibliography: Avebury Parish Meeting Records, 1641-3. FG/1/1, Salisbury Cathedral Archives, Salisbury.\u003c/p>\u003cp>In the bibliography, manuscripts and archival material are separated from edited sources and precede the list of edited sources. This list can be titled ‘Unedited Sources’.\u003c/p>\u003cp>Please remember that our readership issues from diverse disciplines and languages. When citing a series of primary sources or a dictionary, please give the full title (e.g. \u003cem>Middle English Dictionary\u003c/em> rather than \u003cem>MED\u003c/em>, \u003cem>Early English Text Society \u003c/em>rather than \u003cem>EETS\u003c/em>).\u003c/p>\u003cp>For a helpful guide on how to cite sources from indigenous communities, please see the \u003ca href=\"https://guides.library.ualberta.ca/c.php?g=715568&amp;p=5112574\" class=\"is-external\">Indigenous Research Guide\u003c/a> developed by the University of Alberta in collaboration with the Situated Knowledges Indigenous Peoples and Place Project (SKIPP).\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Quotations\u003c/span>\u003c/strong>\u003c/p>\u003cp>Single quotation marks; double quotation marks for quotes-within-quotes. Final punctuation occurs within marks, although full stops are displaced so as to include parenthetical citations within the sentence. Examples:\u003c/p>\u003cp>The novel plays on commonplaces of medieval devotion: ‘Jesus lowered his eyes and said, “Like a mother I give you my breast to suck”’ (Glück 1994, 22). The scene is abruptly focalized through the Vicar, who ‘saw himself twisted and crumpled forwards although he sat immobile,’ in a shift that might seem to change the rules of narrative perspective (Glück 1994, 20).\u003c/p>\u003cp>All verse quotations, and prose quotations that are longer than thirty words, are indented without quotation marks.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Notes\u003c/span>\u003c/strong>\u003c/p>\u003cp>\u003cem>postmedieval \u003c/em>uses side-notes, rather end- or footnotes. As a result, notes are \u003cstrong>\u003cspan class=\"underline\">strictly limited to no more than 50 words per note\u003c/span>\u003c/strong>. Please use parenthetical in-text citations, instead of notes, whenever possible. The journal’s original motivation for employing side-notes was to lay emphasis on articles’ readability, accessibility, and essayistic style and to distinguish the journal from other, more footnote-heavy publications in medieval studies.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Translation in text\u003c/span>\u003c/strong>\u003c/p>\u003cp>\u003cem>postmedieval\u003c/em> does not publish notes containing either original-language quotations or translations. (See previous item.) The stylistic default should be the use of Modern English translations with citations referring readers to original-language sources. For unusual or crucial phrases, it is often advisable to provide a snippet of the original language. Sometimes only a few original-language words are essential and can be incorporated parenthetically in their original script or in transliteration. The overall goal is readability. For example:\u003c/p>\u003cp>The level tone (平 Ch: \u003cem>ping\u003c/em> ) is associated with the east, the spring, wood, blue green, birth, and the awakening of desire for spiritual growth (発心 Jp: \u003cem>hosshin\u003c/em>).\u003c/p>\u003cp>When a quotation is employed in the body of the text, original-language words can be included in square brackets within the quotation, or in parentheses outside of the quotation. Examples:\u003c/p>\u003cp>This finds its most well-known formulation in Ibn Sīnā’s \u003cem>Pointers and Reminders\u003c/em>, where he states that ‘there is a certain relationship between enunciation [ لفظ ] and mental content [ معنى ]’.The treatise concludes with the assertion that the ‘\u003cem>Bright Mirror\u003c/em> ’ is ‘nothing other than a shining mirror in this final age, and nothing other than the heart and viscera of the path’ of sutra recitation (是則末代之明鏡也。是則此道之肝心也。).\u003c/p>\u003cp>If the translation is following a block quotation, the translation should be surrounded by square brackets. Example:\u003c/p>\u003cp>ولأن بين اللفظ والمعنى علاقة ما،\u003c/p>\u003cp>وربما أثرت أحوال فى اللفظ فى أحوال المعنى.\u003c/p>\u003cp>فلذاك يلزم المنطقي أيضاً أن يراعى جانب اللفظ المطلق من\u003c/p>\u003cp>حيث ذلك غير مقيد بلغة قوم دون قوم\u003c/p>\u003cp>[There is a certain relationship between enunciation and mental content. And the states of the enunciations may affect the states of the mental content. For this reason, the logician must also take heed with regards to absolute enunciation, since it is not defined in the language of one tribe more than another.] (Ibn Sīnā 1957, I 131; trans. my own from Arabic)\u003c/p>\u003cp>Please indicate the original language of any translated quotations, either in the body of the text, or in the citation. If the quotation is taken from an original-language source, which you have translated yourself, please indicate that you are the translator in the in-text citation by using a semicolon followed by ‘trans. my own from’. For example:\u003c/p>\u003cp>(Latour 2023, 132; trans. my own from French)\u003c/p>\u003cp>In the bibliography, please give the full title of works in their original language, transliterated into the Latin alphabet if required. Examples:\u003c/p>\u003cp>Ibn Khaldūn, ʿAbd al-Raḥmān. 1981. \u003cem>Al-ʿibar wa-l-dīwān al-mubtadaʾ wa-l-khabar fī tārīkh al-ʿarab\u003c/em>. Beirut: Dār al-fikr. Latour, Bruno. 2012. \u003cem>Enquête sur les modes d’existence:  une anthropologie des modernes.\u003c/em> Paris: la Découverte.\u003cbr/>\u003cbr/>\u003cstrong>\u003cspan class=\"underline\">Non-Latin Writing Systems\u003c/span>\u003c/strong>\u003c/p>\u003cp>We support non-Latin writing systems. Please insert any quotations you decide to use in their original script, without transliteration. Single words, personal names, and place names are an exception–they can be used in transliteration in a sentence. Examples:\u003c/p>\u003cp>Arabic philological methods would help to define the concept of \u003cem>ṣaḥut ha-leshon\u003c/em> , the linguistic purity of the Hebrew language. \u003cem>Kannō\u003c/em>, as a Buddhist term, speaks to a desired state of resonance between a believer and the divine being who is the object of belief.\u003c/p>\u003cp>Please contact us if you have any questions about which transliteration system to use. We recognise that when working with some premodern sources, especially premodern Sinitic textual materials, not all written characters have a stable transliteration and that how to sound a written character may often be determined by context. We are happy for authors to determine what is the most contextually appropriate transliteration.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Non-English Words\u003c/span>\u003c/strong>\u003c/p>\u003cp>Single words or phrases in Non-English languages should be italicized, unless they are in common use in English (e.g. Quran, hadith, praxis, mise en scène). If frequently used in the article, italicize the first occurrence only.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Oxford comma\u003c/span>\u003c/strong>\u003c/p>\u003cp>Yes\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Use of dashes\u003c/span>\u003c/strong>\u003c/p>\u003cp>When dashes are used in a manner similar to parentheses or commas—for instance, to add an additional thought within a sentence by gently breaking away from that sentence, as we’ve done here—then please use an \u003cspan class=\"underline\">em-dash\u003c/span> (the longest form of dash) \u003cspan class=\"underline\">not separated by spaces from its surrounding words\u003c/span>. In Microsoft Word, one creates an em-dash by typing a word, two hyphens, another word, and then a space; the two hyphens will then turn into a correctly formatted em-dash. For more on the correct use of hyphens, en-dashes, and em-dashes, see \u003ca href=\"https://www.chicagomanualofstyle.org/qanda/data/faq/topics/HyphensEnDashesEmDashes/faq0002.html\" class=\"is-external\">https://www.chicagomanualofstyle.org/qanda/data/faq/topics/HyphensEnDashesEmDashes/faq0002.html\u003c/a>.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Pronouns\u003c/span>\u003c/strong>\u003c/p>\u003cp>Our default is to use the third person plural, “they,” rather than “he or she” when gender identity is unknown.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Social media\u003c/span>\u003c/strong>\u003c/p>\u003cp>Much important intellectual work is carried out on social-media platforms. It should be cited whenever it contributes meaningfully to an article’s claims or analysis.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Images\u003c/span>\u003c/strong>\u003c/p>\u003cp>Authors are responsible for obtaining high-resolution files and\u003ca href=\"https://www.palgrave.com/gp/palgrave/journal-authors/rights-permissions/10052490\" class=\"is-external\"> \u003c/a>\u003ca href=\"https://www.palgrave.com/gp/palgrave/journal-authors/rights-permissions/10052490\" class=\"is-external\">permissions\u003c/a> by the time their article is ready for copyediting. For more information on the formats and resolutions that we support, please consult the page \u003ca href=\"https://www.palgrave.com/gp/journal/41280/authors/artwork-guidelines\" class=\"is-external\">here\u003c/a>. There is no fixed number of images allowed per article. Authors often size the images in text to show how they should be formatted. Image captions should include a description, the provenance of the image, whether the image is a detail and the credit. Please label the images as fig.1, fig. 2, and so on. In physical printing, images will be in black &amp; white, but digital (including .pdf versions) can feature them in colour. If you have questions about images, please contact postmedievalED@gmail.com\u003c/p>\u003cp>\u003cspan class=\"underline\">\u003cstrong>Second language abstract\u003c/strong>\u003c/span>\u003cbr/>\u003cbr/>We offer authors an opportunity to include, in addition to the required article abstract in English, an abstract in another language (e.g. French, Arabic, Chinese). Abstracts are not paywalled, so we hope that this practice will make your scholarship and the issue more accessible. We do not require authors to include a second abstract - we only offer it as an option for authors who might be interested doing so.\u003cbr/>If you would like to include a second abstract, there are a couple things to consider:\u003c/p>\u003cul>\u003cli>-The second abstract would need to be an exact translation of the English abstract.\u003c/li>\u003cli>-We cannot copyedit these second abstracts; all editing and proofing would need to be performed by the author or a trusted reader.\u003c/li>\u003c/ul>\u003cp>If you would like to include a second abstract, please insert it underneath the English abstract.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Ethical commitments\u003c/span>\u003c/strong>\u003c/p>\u003cp>\u003cem>postmedieval \u003c/em>asks our authors to consider their citation practises as simultaneously reflecting and constructing authority. We evaluate submissions based in part on their breadth and depth of engagement with thinkers who represent multiple perspectives in terms of race, ethnicity, gender, able-bodiedness, discipline, and/or academic status or affiliation. There is no simple rule to guide citation, so we ask authors to be thoughtful about its politics and ethics and open to editorial dialogue about it.As part of our citational ethics, we uphold a policy of not citing known harassers (unless accompanied by an acknowledgement of their harassing behaviour, documented with reference to public record). While medieval studies has been and continues to be shaped by systemic forms of violence, specific individuals nonetheless have been agents of exceptional harm. The motivation behind this policy is not to hold up past thinkers to our own moral judgement but to act in the present in solidarity with those now struggling to thrive in our field, with its hierarchies and unequal vulnerabilities. As editors, we are ready to confer confidentially with authors about relevant situations and concerns; authors are not responsible for upholding this policy on their own. Sadly, many who might have made rich intellectual contributions have already been excluded from our footnotes by the damaging effects of harassing behaviour. \u003cem>postmedieval \u003c/em>is committed to acknowledging and respecting cultural and linguistic diversity and specificity. Authors are responsible for ensuring that all names of scholars and persons to which they refer are spelled correctly throughout. Please pay particular attention to names from cultures and writing conventions to some degree unfamiliar to you.\u003cem>postmedieval\u003c/em> acknowledges the pervasive Latinisation of non-Western names in existing scholarly practice as well as the persuasive critiques of that practice. We recognise that it may at points be appropriate (for instance, to distinguish the influence of the Latin translations of the works of Ibn Sina under the Latinised name Avicenna). Authors are invited to engage critically with such usages, acknowledging and marking the adoption of naming conventions rather than naturalising Latinisation.\u003cem>postmedieval \u003c/em>follows the practice of capitalising ‘Black’ and not capitalising ‘white’ when writing about race. For further guidance: \u003ca href=\"https://www.cjr.org/analysis/capital-b-black-styleguide.php\" class=\"is-external\">https://www.cjr.org/analysis/capital-b-black-styleguide.\u003c/a>\u003ca href=\"https://www.cjr.org/analysis/capital-b-black-styleguide.php\" class=\"is-external\">php\u003c/a> \u003cem>postmedieval \u003c/em>acknowledges and supports personal religious practice, inclusive for instance of authors who should wish to spell God ‘G-d’. It invites authors to engage respectfully with religious traditions not their own.\u003c/p>\u003cp>If you would like clarifications on any aspect of this style guide, please write to postmedievalED@gmail.com.\u003c/p>\u003cp>\u003cstrong>\u003cspan class=\"underline\">Chicago Author-Date Sample Citations\u003c/span>\u003c/strong>\u003cbr/>\u003cbr/>\u003cstrong>Copied for your convenience from: https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html\u003c/strong>\u003c/p>\u003cp>\u003ca href=\"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html\" class=\"is-external\">Go to Notes and Bibliography: Sample \u003c/a>\u003ca href=\"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html\" class=\"is-external\">Citations\u003c/a>\u003c/p>\u003cp>The following examples illustrate the author-date system. Each example of a reference list entry is accompanied by an example of a corresponding in-text citation. For more details and many more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/toc.html\" class=\"is-external\">chapter 15\u003c/a> of \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>Book\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Grazer, Brian, and Charles Fishman. 2015. \u003cem>A Curious Mind: The Secret to a Bigger Life.\u003c/em> New York: Simon &amp; Schuster.\u003c/p>\u003cp>Smith, Zadie. 2016. \u003cem>Swing Time\u003c/em>. New York: Penguin Press.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Grazer and Fishman 2015, 12)\u003c/p>\u003cp>(Smith 2016, 315–16)\u003c/p>\u003cp>For more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec040.html\" class=\"is-external\">15.40–45\u003c/a> in \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>Chapter or other part of an edited book\u003c/strong>\u003c/p>\u003cp>In the reference list, include the page range for the chapter or part. In the text, cite specific pages.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Thoreau, Henry David. 2016. “Walking.” In \u003cem>The Making of the American Essay\u003c/em>, edited by John D’Agata, 167–95. Minneapolis: Graywolf Press.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Thoreau 2016, 177–78)\u003c/p>\u003cp>In some cases, you may want to cite the collection as a whole instead.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>D’Agata, John, ed. 2016. \u003cem>The Making of the American Essay\u003c/em>. Minneapolis: Graywolf Press.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(D’Agata 2016, 177–78)\u003c/p>\u003cp>For more details, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec036.html\" class=\"is-external\">15.36\u003c/a> and \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec042.html\" class=\"is-external\">15.42\u003c/a> in \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>Translated book\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Lahiri, Jhumpa. 2016. \u003cem>In Other Words\u003c/em>. Translated by Ann Goldstein. New York: Alfred A. Knopf.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Lahiri 2016, 146)\u003c/p>\u003cp>\u003cstrong>E-book\u003c/strong>\u003c/p>\u003cp>For books consulted online, include a URL or the name of the database in the reference list entry. For other types of e-books, name the format. If no fixed page numbers are available, cite a section title or a chapter or other number in the text, if any (or simply omit).\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Austen, Jane. 2007. \u003cem>Pride and Prejudice\u003c/em>. New York: Penguin Classics. Kindle.\u003c/p>\u003cp>Borel, Brooke. 2016. \u003cem>The Chicago Guide to Fact-Checking\u003c/em>. Chicago: University of Chicago Press. ProQuest Ebrary.\u003c/p>\u003cp>Kurland, Philip B., and Ralph Lerner, eds. 1987. \u003cem>The Founders’ Constitution\u003c/em>. Chicago: University of Chicago Press. http://press-pubs.uchicago.edu/founders/.\u003c/p>\u003cp>Melville, Herman. 1851. \u003cem>Moby-Dick; or, The Whale\u003c/em>. New York: Harper &amp; Brothers. http://mel.hofstra.edu/moby-dick-the-whale-proofs.html.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Austen 2007, chap. 3)\u003c/p>\u003cp>(Borel 2016, 92)\u003c/p>\u003cp>(Kurland and Lerner 1987, chap. 10, doc. 19)\u003c/p>\u003cp>(Melville 1851, 627)\u003c/p>\u003cp>\u003cstrong>Journal article\u003c/strong>\u003c/p>\u003cp>In the reference list, include the page range for the whole article. In the text, cite specific page numbers. For articles consulted online, include a URL or the name of the database in the reference list entry. Many journal articles list a DOI (Digital Object Identifier). A DOI forms a permanent URL that begins https://doi.org/. This URL is preferable to the URL that appears in your browser’s address bar.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Keng, Shao-Hsun, Chun-Hung Lin, and Peter F. Orazem. 2017. “Expanding College Access in Taiwan, 1978–2014: Effects on Graduate Quality and Income Inequality.” \u003cem>Journal of Human Capital\u003c/em> 11 (1): 1–34. https://doi.org/10.1086/690235.\u003c/p>\u003cp>LaSalle, Peter. 2017. “Conundrum: A Story about Reading.” \u003cem>New England Review\u003c/em> 38 (1): 95–109. Project MUSE.\u003c/p>\u003cp>Satterfield, Susan. 2016. “Livy and the \u003cem>Pax Deum\u003c/em>.” \u003cem>Classical Philology\u003c/em> 111 (2): 165–76.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Keng, Lin, and Orazem 2017, 9–10)\u003c/p>\u003cp>(LaSalle 2017, 95)\u003c/p>\u003cp>(Satterfield 2016, 170)\u003c/p>\u003cp>Journal articles often list many authors, especially in the sciences. If there are four or more authors, list up to ten in the reference list; in the text, list only the first, followed by \u003cem>et al\u003c/em>. (“and others”). For more than ten authors (not shown here), list the first seven in the reference list, followed by et al.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Bay, Rachael A., Noah Rose, Rowan Barrett, Louis Bernatchez, Cameron K. Ghalambor, Jesse R. Lasky, Rachel B. Brem, Stephen R. Palumbi, and Peter Ralph. 2017. “Predicting Responses to Contemporary Environmental Change Using Evolutionary Response Architectures.” \u003cem>American Naturalist\u003c/em> 189, no. 5 (May): 463–73. https://doi.org/10.1086/691233.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Bay et al. 2017, 465)\u003c/p>\u003cp>For more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec046.html\" class=\"is-external\">15.46–49\u003c/a> in \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>News or magazine article\u003c/strong>\u003c/p>\u003cp>Articles from newspapers or news sites, magazines, blogs, and the like are cited similarly. In the reference list, it can be helpful to repeat the year with sources that are cited also by month and day. Page numbers, if any, can be cited in the text but are omitted from a reference list entry. If you consulted the article online, include a URL or the name of the database.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Manjoo, Farhad. 2017. “Snap Makes a Bet on the Cultural Supremacy of the Camera.” \u003cem>New York Times\u003c/em>, March 8, 2017. https://www.nytimes.com/2017/03/08/technology/snap-makes-a-bet-on-the-cultural-supremacy-of-the-camera.html.\u003c/p>\u003cp>Mead, Rebecca. 2017. “The Prophet of Dystopia.” \u003cem>New Yorker\u003c/em>, April 17, 2017.\u003c/p>\u003cp>Pai, Tanya. 2017. “The Squishy, Sugary History of Peeps.” \u003cem>Vox\u003c/em>, April 11, 2017. http://www.vox.com/culture/2017/4/11/15209084/peeps-easter.\u003c/p>\u003cp>Pegoraro, Rob. 2007. “Apple’s iPhone Is Sleek, Smart and Simple.” \u003cem>Washington Post\u003c/em>, July 5, 2007. LexisNexis Academic.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Manjoo 2017)\u003c/p>\u003cp>(Mead 2017, 43)\u003c/p>\u003cp>(Pai 2017)\u003c/p>\u003cp>(Pegoraro 2007)\u003c/p>\u003cp>Readers’ comments are cited in the text but omitted from a reference list.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Eduardo B [Los Angeles], March 9, 2017, comment on Manjoo 2017)\u003c/p>\u003cp>For more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec049.html\" class=\"is-external\">15.49\u003c/a> (newspapers and magazines) and \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec051.html\" class=\"is-external\">15.51\u003c/a> (blogs) in \u003cem>The Chicago Manual of Style\u003c/em>.\u003c/p>\u003cp>\u003cstrong>Book review\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Kakutani, Michiko. 2016. “Friendship Takes a Path That Diverges.” Review of \u003cem>Swing Time\u003c/em>, by Zadie Smith. \u003cem>New York Times\u003c/em>, November 7, 2016.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Kakutani 2016)\u003c/p>\u003cp>\u003cstrong>Interview\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Stamper, Kory. 2017. “From ‘F-Bomb’ to ‘Photobomb,’ How the Dictionary Keeps Up with English.” Interview by Terry Gross. \u003cem>Fresh Air\u003c/em>, NPR, April 19, 2017. Audio, 35:25. http://www.npr.org/2017/04/19/524618639/from-f-bomb-to-photobomb-how-the-dictionary-keeps-up-with-english.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Stamper 2017)\u003c/p>\u003cp>\u003cstrong>Thesis or dissertation\u003c/strong>\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entry\u003c/em>\u003c/strong>\u003c/p>\u003cp>Rutz, Cynthia Lillian. 2013. “\u003cem>King Lear\u003c/em> and Its Folktale Analogues.” PhD diss., University of Chicago.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Rutz 2013, 99–100)\u003c/p>\u003cp>\u003cstrong>Website content\u003c/strong>\u003c/p>\u003cp>It is often sufficient simply to describe web pages and other website content in the text (“As of May 1, 2017, Yale’s home page listed . . .”). If a more formal citation is needed, it may be styled like the examples below. For a source that does not list a date of publication or revision, use \u003cem>n.d.\u003c/em> (for “no date”) in place of the year and include an access date.\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Bouman, Katie. 2016. “How to Take a Picture of a Black Hole.” Filmed November 2016 at TEDxBeaconStreet, Brookline, MA. Video, 12:51. https://www.ted.com/talks/katie_bouman_what_does_a_black_hole_look_like.\u003c/p>\u003cp>Google. 2017. “Privacy Policy.” Privacy &amp; Terms. Last modified April 17, 2017. https://www.google.com/policies/privacy/.\u003c/p>\u003cp>Yale University. n.d. “About Yale: Yale Facts.” Accessed May 1, 2017. https://www.yale.edu/about-yale/yale-facts.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Bouman 2016)\u003c/p>\u003cp>(Google 2017)\u003c/p>\u003cp>(Yale University, n.d.)\u003c/p>\u003cp>For more examples, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec050.html\" class=\"is-external\">15.50–52\u003c/a> in \u003cem>The Chicago Manual of Style\u003c/em>. For multimedia, including live performances, see \u003ca href=\"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec057.html\" class=\"is-external\">15.57\u003c/a>.\u003c/p>\u003cp>\u003cstrong>Social media content\u003c/strong>\u003c/p>\u003cp>Citations of content shared through social media can usually be limited to the text (as in the first example below). If a more formal citation is needed, a reference list entry may be appropriate. In place of a title, quote up to the first 160 characters of the post. Comments are cited in reference to the original post.\u003c/p>\u003cp>\u003cstrong>\u003cem>Text\u003c/em>\u003c/strong>\u003c/p>\u003cp>Conan O’Brien’s tweet was characteristically deadpan: “In honor of Earth Day, I’m recycling my tweets” (@ConanOBrien, April 22, 2015).\u003c/p>\u003cp>\u003cstrong>\u003cem>Reference list entries (in alphabetical order)\u003c/em>\u003c/strong>\u003c/p>\u003cp>Chicago Manual of Style. 2015. “Is the world ready for singular they? We thought so back in 1993.” Facebook, April 17, 2015. https://www.facebook.com/ChicagoManual/posts/10152906193679151.\u003c/p>\u003cp>Souza, Pete (@petesouza). 2016. “President Obama bids farewell to President Xi of China at the conclusion of the Nuclear Security Summit.” Instagram photo, April 1, 2016. https://www.instagram.com/p/BDrmfXTtNCt/.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citations\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Chicago Manual of Style 2015)\u003c/p>\u003cp>(Souza 2016)\u003c/p>\u003cp>(Michele Truty, April 17, 2015, 1:09 p.m., comment on Chicago Manual of Style 2015)\u003c/p>\u003cp>\u003cstrong>Personal communication\u003c/strong>\u003c/p>\u003cp>Personal communications, including email and text messages and direct messages sent through social media, are usually cited in the text only; they are rarely included in a reference list.\u003c/p>\u003cp>\u003cstrong>\u003cem>In-text citation\u003c/em>\u003c/strong>\u003c/p>\u003cp>(Sam Gomez, Facebook message to author, August 1, 2017)\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h4","styles":["headline"],"children":[{"tagName":"strong","children":[{"tagName":"em","children":["postmedieval "]}]},{"tagName":"strong","children":["style guide"]},{"tagName":"br"}," "],"attributes":{"class":"align--left"}},{"tagName":"p","children":["Please note that ",{"tagName":"em","children":["postmedieval"]},"’s style guidelines ",{"tagName":"strong","children":[{"tagName":"span","children":["have changed significantly"],"attributes":{"class":"underline"}}]}," as of Volume 13 (2022). Articles published in previous issues will not be a reliable model for our current house style. Please also note that ",{"tagName":"em","children":["postmedieval "]},"only accepts original submissions from authors. We cannot publish material that has previously been published elsewhere. If you have any questions about this, please contact postmedievalED@gmail.com."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Word count"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Most postmedieval articles fall between 6,000 and 9,000 words (including notes and references), but these are not strict limits. For articles of exceptional brevity or length, please consult with the editors."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Referencing Style"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Chicago Author-Date (See sample citations below. For further documentation, consult ",{"tagName":"a","children":["https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html"],"attributes":{"href":"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html","class":"is-external"}},".)"]},{"tagName":"p","children":["Again, use of Chicago Author-Date is ",{"tagName":"strong","children":[{"tagName":"span","children":["new"],"attributes":{"class":"underline"}}]}," as of 2022. It entails numerous changes; two of particular prominence are that (a) authors’ first names (not just initials) are now included in reference entries, and (b) no comma is used between author and date in parenthetical citations."]},{"tagName":"p","children":["For more details about Chicago Author-date citations, please see the final part of this style guide and Chapter 15 of ",{"tagName":"em","children":["The Chicago Manual of Style. "]},"(Please contact us if you do not have access to Chapter 15 of ",{"tagName":"em","children":["The Chicago Manual of Style."]},")"]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Author-Date Citation of Primary Sources"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["For manuscripts and archival material,  the in-text citation should include the name of the author (if appropriate), the location, a shortened version of the name of the library/archive, shelfmark, and (if appropriate) folio number and line number.  The bibliography should include the name of the author and the title of the  work (if appropriate), the shelfmark, name of the library/archive, and location. Examples:"]},{"tagName":"p","children":["In-text citation: (Al-Bisṭāmī, Paris, BnF MS Arabe 6520, fol. 16v)"]},{"tagName":"p","children":["Bibliography: Al-Bisṭāmī, ʻAbd al-Raḥmān, ",{"tagName":"em","children":["Al-fawāʾiḥ al-miskiyya."]}," MS Arabe 6520, Bibliothèque nationale de la France, Paris."]},{"tagName":"p","children":["In-text citation: (Salisbury, Salisbury Cathedral Archives, FG/1/1, fol. 403r, ln. 4)"]},{"tagName":"p","children":["Bibliography: Avebury Parish Meeting Records, 1641-3. FG/1/1, Salisbury Cathedral Archives, Salisbury."]},{"tagName":"p","children":["In the bibliography, manuscripts and archival material are separated from edited sources and precede the list of edited sources. This list can be titled ‘Unedited Sources’."]},{"tagName":"p","children":["Please remember that our readership issues from diverse disciplines and languages. When citing a series of primary sources or a dictionary, please give the full title (e.g. ",{"tagName":"em","children":["Middle English Dictionary"]}," rather than ",{"tagName":"em","children":["MED"]},", ",{"tagName":"em","children":["Early English Text Society "]},"rather than ",{"tagName":"em","children":["EETS"]},")."]},{"tagName":"p","children":["For a helpful guide on how to cite sources from indigenous communities, please see the ",{"tagName":"a","children":["Indigenous Research Guide"],"attributes":{"href":"https://guides.library.ualberta.ca/c.php?g=715568&p=5112574","class":"is-external"}}," developed by the University of Alberta in collaboration with the Situated Knowledges Indigenous Peoples and Place Project (SKIPP)."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Quotations"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Single quotation marks; double quotation marks for quotes-within-quotes. Final punctuation occurs within marks, although full stops are displaced so as to include parenthetical citations within the sentence. Examples:"]},{"tagName":"p","children":["The novel plays on commonplaces of medieval devotion: ‘Jesus lowered his eyes and said, “Like a mother I give you my breast to suck”’ (Glück 1994, 22). The scene is abruptly focalized through the Vicar, who ‘saw himself twisted and crumpled forwards although he sat immobile,’ in a shift that might seem to change the rules of narrative perspective (Glück 1994, 20)."]},{"tagName":"p","children":["All verse quotations, and prose quotations that are longer than thirty words, are indented without quotation marks."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Notes"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":[{"tagName":"em","children":["postmedieval "]},"uses side-notes, rather end- or footnotes. As a result, notes are ",{"tagName":"strong","children":[{"tagName":"span","children":["strictly limited to no more than 50 words per note"],"attributes":{"class":"underline"}}]},". Please use parenthetical in-text citations, instead of notes, whenever possible. The journal’s original motivation for employing side-notes was to lay emphasis on articles’ readability, accessibility, and essayistic style and to distinguish the journal from other, more footnote-heavy publications in medieval studies."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Translation in text"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":[{"tagName":"em","children":["postmedieval"]}," does not publish notes containing either original-language quotations or translations. (See previous item.) The stylistic default should be the use of Modern English translations with citations referring readers to original-language sources. For unusual or crucial phrases, it is often advisable to provide a snippet of the original language. Sometimes only a few original-language words are essential and can be incorporated parenthetically in their original script or in transliteration. The overall goal is readability. For example:"]},{"tagName":"p","children":["The level tone (平 Ch: ",{"tagName":"em","children":["ping"]}," ) is associated with the east, the spring, wood, blue green, birth, and the awakening of desire for spiritual growth (発心 Jp: ",{"tagName":"em","children":["hosshin"]},")."]},{"tagName":"p","children":["When a quotation is employed in the body of the text, original-language words can be included in square brackets within the quotation, or in parentheses outside of the quotation. Examples:"]},{"tagName":"p","children":["This finds its most well-known formulation in Ibn Sīnā’s ",{"tagName":"em","children":["Pointers and Reminders"]},", where he states that ‘there is a certain relationship between enunciation [ لفظ ] and mental content [ معنى ]’.The treatise concludes with the assertion that the ‘",{"tagName":"em","children":["Bright Mirror"]}," ’ is ‘nothing other than a shining mirror in this final age, and nothing other than the heart and viscera of the path’ of sutra recitation (是則末代之明鏡也。是則此道之肝心也。)."]},{"tagName":"p","children":["If the translation is following a block quotation, the translation should be surrounded by square brackets. Example:"]},{"tagName":"p","children":["ولأن بين اللفظ والمعنى علاقة ما،"]},{"tagName":"p","children":["وربما أثرت أحوال فى اللفظ فى أحوال المعنى."]},{"tagName":"p","children":["فلذاك يلزم المنطقي أيضاً أن يراعى جانب اللفظ المطلق من"]},{"tagName":"p","children":["حيث ذلك غير مقيد بلغة قوم دون قوم"]},{"tagName":"p","children":["[There is a certain relationship between enunciation and mental content. And the states of the enunciations may affect the states of the mental content. For this reason, the logician must also take heed with regards to absolute enunciation, since it is not defined in the language of one tribe more than another.] (Ibn Sīnā 1957, I 131; trans. my own from Arabic)"]},{"tagName":"p","children":["Please indicate the original language of any translated quotations, either in the body of the text, or in the citation. If the quotation is taken from an original-language source, which you have translated yourself, please indicate that you are the translator in the in-text citation by using a semicolon followed by ‘trans. my own from’. For example:"]},{"tagName":"p","children":["(Latour 2023, 132; trans. my own from French)"]},{"tagName":"p","children":["In the bibliography, please give the full title of works in their original language, transliterated into the Latin alphabet if required. Examples:"]},{"tagName":"p","children":["Ibn Khaldūn, ʿAbd al-Raḥmān. 1981. ",{"tagName":"em","children":["Al-ʿibar wa-l-dīwān al-mubtadaʾ wa-l-khabar fī tārīkh al-ʿarab"]},". Beirut: Dār al-fikr. Latour, Bruno. 2012. ",{"tagName":"em","children":["Enquête sur les modes d’existence:  une anthropologie des modernes."]}," Paris: la Découverte.",{"tagName":"br"},{"tagName":"br"},{"tagName":"strong","children":[{"tagName":"span","children":["Non-Latin Writing Systems"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["We support non-Latin writing systems. Please insert any quotations you decide to use in their original script, without transliteration. Single words, personal names, and place names are an exception–they can be used in transliteration in a sentence. Examples:"]},{"tagName":"p","children":["Arabic philological methods would help to define the concept of ",{"tagName":"em","children":["ṣaḥut ha-leshon"]}," , the linguistic purity of the Hebrew language. ",{"tagName":"em","children":["Kannō"]},", as a Buddhist term, speaks to a desired state of resonance between a believer and the divine being who is the object of belief."]},{"tagName":"p","children":["Please contact us if you have any questions about which transliteration system to use. We recognise that when working with some premodern sources, especially premodern Sinitic textual materials, not all written characters have a stable transliteration and that how to sound a written character may often be determined by context. We are happy for authors to determine what is the most contextually appropriate transliteration."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Non-English Words"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Single words or phrases in Non-English languages should be italicized, unless they are in common use in English (e.g. Quran, hadith, praxis, mise en scène). If frequently used in the article, italicize the first occurrence only."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Oxford comma"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Yes"]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Use of dashes"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["When dashes are used in a manner similar to parentheses or commas—for instance, to add an additional thought within a sentence by gently breaking away from that sentence, as we’ve done here—then please use an ",{"tagName":"span","children":["em-dash"],"attributes":{"class":"underline"}}," (the longest form of dash) ",{"tagName":"span","children":["not separated by spaces from its surrounding words"],"attributes":{"class":"underline"}},". In Microsoft Word, one creates an em-dash by typing a word, two hyphens, another word, and then a space; the two hyphens will then turn into a correctly formatted em-dash. For more on the correct use of hyphens, en-dashes, and em-dashes, see ",{"tagName":"a","children":["https://www.chicagomanualofstyle.org/qanda/data/faq/topics/HyphensEnDashesEmDashes/faq0002.html"],"attributes":{"href":"https://www.chicagomanualofstyle.org/qanda/data/faq/topics/HyphensEnDashesEmDashes/faq0002.html","class":"is-external"}},"."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Pronouns"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Our default is to use the third person plural, “they,” rather than “he or she” when gender identity is unknown."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Social media"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Much important intellectual work is carried out on social-media platforms. It should be cited whenever it contributes meaningfully to an article’s claims or analysis."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Images"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":["Authors are responsible for obtaining high-resolution files and",{"tagName":"a","children":[" "],"attributes":{"href":"https://www.palgrave.com/gp/palgrave/journal-authors/rights-permissions/10052490","class":"is-external"}},{"tagName":"a","children":["permissions"],"attributes":{"href":"https://www.palgrave.com/gp/palgrave/journal-authors/rights-permissions/10052490","class":"is-external"}}," by the time their article is ready for copyediting. For more information on the formats and resolutions that we support, please consult the page ",{"tagName":"a","children":["here"],"attributes":{"href":"https://www.palgrave.com/gp/journal/41280/authors/artwork-guidelines","class":"is-external"}},". There is no fixed number of images allowed per article. Authors often size the images in text to show how they should be formatted. Image captions should include a description, the provenance of the image, whether the image is a detail and the credit. Please label the images as fig.1, fig. 2, and so on. In physical printing, images will be in black & white, but digital (including .pdf versions) can feature them in colour. If you have questions about images, please contact postmedievalED@gmail.com"]},{"tagName":"p","children":[{"tagName":"span","children":[{"tagName":"strong","children":["Second language abstract"]}],"attributes":{"class":"underline"}},{"tagName":"br"},{"tagName":"br"},"We offer authors an opportunity to include, in addition to the required article abstract in English, an abstract in another language (e.g. French, Arabic, Chinese). Abstracts are not paywalled, so we hope that this practice will make your scholarship and the issue more accessible. We do not require authors to include a second abstract - we only offer it as an option for authors who might be interested doing so.",{"tagName":"br"},"If you would like to include a second abstract, there are a couple things to consider:"]},{"tagName":"ul","children":[{"tagName":"li","children":["-The second abstract would need to be an exact translation of the English abstract."]},{"tagName":"li","children":["-We cannot copyedit these second abstracts; all editing and proofing would need to be performed by the author or a trusted reader."]}]},{"tagName":"p","children":["If you would like to include a second abstract, please insert it underneath the English abstract."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Ethical commitments"],"attributes":{"class":"underline"}}]}]},{"tagName":"p","children":[{"tagName":"em","children":["postmedieval "]},"asks our authors to consider their citation practises as simultaneously reflecting and constructing authority. We evaluate submissions based in part on their breadth and depth of engagement with thinkers who represent multiple perspectives in terms of race, ethnicity, gender, able-bodiedness, discipline, and/or academic status or affiliation. There is no simple rule to guide citation, so we ask authors to be thoughtful about its politics and ethics and open to editorial dialogue about it.As part of our citational ethics, we uphold a policy of not citing known harassers (unless accompanied by an acknowledgement of their harassing behaviour, documented with reference to public record). While medieval studies has been and continues to be shaped by systemic forms of violence, specific individuals nonetheless have been agents of exceptional harm. The motivation behind this policy is not to hold up past thinkers to our own moral judgement but to act in the present in solidarity with those now struggling to thrive in our field, with its hierarchies and unequal vulnerabilities. As editors, we are ready to confer confidentially with authors about relevant situations and concerns; authors are not responsible for upholding this policy on their own. Sadly, many who might have made rich intellectual contributions have already been excluded from our footnotes by the damaging effects of harassing behaviour. ",{"tagName":"em","children":["postmedieval "]},"is committed to acknowledging and respecting cultural and linguistic diversity and specificity. Authors are responsible for ensuring that all names of scholars and persons to which they refer are spelled correctly throughout. Please pay particular attention to names from cultures and writing conventions to some degree unfamiliar to you.",{"tagName":"em","children":["postmedieval"]}," acknowledges the pervasive Latinisation of non-Western names in existing scholarly practice as well as the persuasive critiques of that practice. We recognise that it may at points be appropriate (for instance, to distinguish the influence of the Latin translations of the works of Ibn Sina under the Latinised name Avicenna). Authors are invited to engage critically with such usages, acknowledging and marking the adoption of naming conventions rather than naturalising Latinisation.",{"tagName":"em","children":["postmedieval "]},"follows the practice of capitalising ‘Black’ and not capitalising ‘white’ when writing about race. For further guidance: ",{"tagName":"a","children":["https://www.cjr.org/analysis/capital-b-black-styleguide."],"attributes":{"href":"https://www.cjr.org/analysis/capital-b-black-styleguide.php","class":"is-external"}},{"tagName":"a","children":["php"],"attributes":{"href":"https://www.cjr.org/analysis/capital-b-black-styleguide.php","class":"is-external"}}," ",{"tagName":"em","children":["postmedieval "]},"acknowledges and supports personal religious practice, inclusive for instance of authors who should wish to spell God ‘G-d’. It invites authors to engage respectfully with religious traditions not their own."]},{"tagName":"p","children":["If you would like clarifications on any aspect of this style guide, please write to postmedievalED@gmail.com."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"span","children":["Chicago Author-Date Sample Citations"],"attributes":{"class":"underline"}}]},{"tagName":"br"},{"tagName":"br"},{"tagName":"strong","children":["Copied for your convenience from: https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html"]}]},{"tagName":"p","children":[{"tagName":"a","children":["Go to Notes and Bibliography: Sample "],"attributes":{"href":"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html","class":"is-external"}},{"tagName":"a","children":["Citations"],"attributes":{"href":"https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html","class":"is-external"}}]},{"tagName":"p","children":["The following examples illustrate the author-date system. Each example of a reference list entry is accompanied by an example of a corresponding in-text citation. For more details and many more examples, see ",{"tagName":"a","children":["chapter 15"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/toc.html","class":"is-external"}}," of ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Book"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Grazer, Brian, and Charles Fishman. 2015. ",{"tagName":"em","children":["A Curious Mind: The Secret to a Bigger Life."]}," New York: Simon & Schuster."]},{"tagName":"p","children":["Smith, Zadie. 2016. ",{"tagName":"em","children":["Swing Time"]},". New York: Penguin Press."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Grazer and Fishman 2015, 12)"]},{"tagName":"p","children":["(Smith 2016, 315–16)"]},{"tagName":"p","children":["For more examples, see ",{"tagName":"a","children":["15.40–45"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec040.html","class":"is-external"}}," in ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Chapter or other part of an edited book"]}]},{"tagName":"p","children":["In the reference list, include the page range for the chapter or part. 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ProQuest Ebrary."]},{"tagName":"p","children":["Kurland, Philip B., and Ralph Lerner, eds. 1987. ",{"tagName":"em","children":["The Founders’ Constitution"]},". Chicago: University of Chicago Press. http://press-pubs.uchicago.edu/founders/."]},{"tagName":"p","children":["Melville, Herman. 1851. ",{"tagName":"em","children":["Moby-Dick; or, The Whale"]},". New York: Harper & Brothers. http://mel.hofstra.edu/moby-dick-the-whale-proofs.html."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Austen 2007, chap. 3)"]},{"tagName":"p","children":["(Borel 2016, 92)"]},{"tagName":"p","children":["(Kurland and Lerner 1987, chap. 10, doc. 19)"]},{"tagName":"p","children":["(Melville 1851, 627)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Journal article"]}]},{"tagName":"p","children":["In the reference list, include the page range for the whole article. In the text, cite specific page numbers. For articles consulted online, include a URL or the name of the database in the reference list entry. Many journal articles list a DOI (Digital Object Identifier). A DOI forms a permanent URL that begins https://doi.org/. This URL is preferable to the URL that appears in your browser’s address bar."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Keng, Shao-Hsun, Chun-Hung Lin, and Peter F. Orazem. 2017. “Expanding College Access in Taiwan, 1978–2014: Effects on Graduate Quality and Income Inequality.” ",{"tagName":"em","children":["Journal of Human Capital"]}," 11 (1): 1–34. https://doi.org/10.1086/690235."]},{"tagName":"p","children":["LaSalle, Peter. 2017. “Conundrum: A Story about Reading.” ",{"tagName":"em","children":["New England Review"]}," 38 (1): 95–109. Project MUSE."]},{"tagName":"p","children":["Satterfield, Susan. 2016. “Livy and the ",{"tagName":"em","children":["Pax Deum"]},".” ",{"tagName":"em","children":["Classical Philology"]}," 111 (2): 165–76."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Keng, Lin, and Orazem 2017, 9–10)"]},{"tagName":"p","children":["(LaSalle 2017, 95)"]},{"tagName":"p","children":["(Satterfield 2016, 170)"]},{"tagName":"p","children":["Journal articles often list many authors, especially in the sciences. If there are four or more authors, list up to ten in the reference list; in the text, list only the first, followed by ",{"tagName":"em","children":["et al"]},". (“and others”). For more than ten authors (not shown here), list the first seven in the reference list, followed by et al."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Bay, Rachael A., Noah Rose, Rowan Barrett, Louis Bernatchez, Cameron K. Ghalambor, Jesse R. Lasky, Rachel B. Brem, Stephen R. Palumbi, and Peter Ralph. 2017. “Predicting Responses to Contemporary Environmental Change Using Evolutionary Response Architectures.” ",{"tagName":"em","children":["American Naturalist"]}," 189, no. 5 (May): 463–73. https://doi.org/10.1086/691233."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Bay et al. 2017, 465)"]},{"tagName":"p","children":["For more examples, see ",{"tagName":"a","children":["15.46–49"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec046.html","class":"is-external"}}," in ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["News or magazine article"]}]},{"tagName":"p","children":["Articles from newspapers or news sites, magazines, blogs, and the like are cited similarly. In the reference list, it can be helpful to repeat the year with sources that are cited also by month and day. Page numbers, if any, can be cited in the text but are omitted from a reference list entry. If you consulted the article online, include a URL or the name of the database."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Manjoo, Farhad. 2017. “Snap Makes a Bet on the Cultural Supremacy of the Camera.” ",{"tagName":"em","children":["New York Times"]},", March 8, 2017. https://www.nytimes.com/2017/03/08/technology/snap-makes-a-bet-on-the-cultural-supremacy-of-the-camera.html."]},{"tagName":"p","children":["Mead, Rebecca. 2017. “The Prophet of Dystopia.” ",{"tagName":"em","children":["New Yorker"]},", April 17, 2017."]},{"tagName":"p","children":["Pai, Tanya. 2017. “The Squishy, Sugary History of Peeps.” ",{"tagName":"em","children":["Vox"]},", April 11, 2017. http://www.vox.com/culture/2017/4/11/15209084/peeps-easter."]},{"tagName":"p","children":["Pegoraro, Rob. 2007. “Apple’s iPhone Is Sleek, Smart and Simple.” ",{"tagName":"em","children":["Washington Post"]},", July 5, 2007. LexisNexis Academic."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Manjoo 2017)"]},{"tagName":"p","children":["(Mead 2017, 43)"]},{"tagName":"p","children":["(Pai 2017)"]},{"tagName":"p","children":["(Pegoraro 2007)"]},{"tagName":"p","children":["Readers’ comments are cited in the text but omitted from a reference list."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Eduardo B [Los Angeles], March 9, 2017, comment on Manjoo 2017)"]},{"tagName":"p","children":["For more examples, see ",{"tagName":"a","children":["15.49"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec049.html","class":"is-external"}}," (newspapers and magazines) and ",{"tagName":"a","children":["15.51"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec051.html","class":"is-external"}}," (blogs) in ",{"tagName":"em","children":["The Chicago Manual of Style"]},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Book review"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Kakutani, Michiko. 2016. “Friendship Takes a Path That Diverges.” Review of ",{"tagName":"em","children":["Swing Time"]},", by Zadie Smith. ",{"tagName":"em","children":["New York Times"]},", November 7, 2016."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Kakutani 2016)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Interview"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Stamper, Kory. 2017. “From ‘F-Bomb’ to ‘Photobomb,’ How the Dictionary Keeps Up with English.” Interview by Terry Gross. ",{"tagName":"em","children":["Fresh Air"]},", NPR, April 19, 2017. Audio, 35:25. http://www.npr.org/2017/04/19/524618639/from-f-bomb-to-photobomb-how-the-dictionary-keeps-up-with-english."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Stamper 2017)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Thesis or dissertation"]}]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entry"]}]}]},{"tagName":"p","children":["Rutz, Cynthia Lillian. 2013. “",{"tagName":"em","children":["King Lear"]}," and Its Folktale Analogues.” PhD diss., University of Chicago."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Rutz 2013, 99–100)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Website content"]}]},{"tagName":"p","children":["It is often sufficient simply to describe web pages and other website content in the text (“As of May 1, 2017, Yale’s home page listed . . .”). If a more formal citation is needed, it may be styled like the examples below. For a source that does not list a date of publication or revision, use ",{"tagName":"em","children":["n.d."]}," (for “no date”) in place of the year and include an access date."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Bouman, Katie. 2016. “How to Take a Picture of a Black Hole.” Filmed November 2016 at TEDxBeaconStreet, Brookline, MA. Video, 12:51. https://www.ted.com/talks/katie_bouman_what_does_a_black_hole_look_like."]},{"tagName":"p","children":["Google. 2017. “Privacy Policy.” Privacy & Terms. Last modified April 17, 2017. https://www.google.com/policies/privacy/."]},{"tagName":"p","children":["Yale University. n.d. “About Yale: Yale Facts.” Accessed May 1, 2017. https://www.yale.edu/about-yale/yale-facts."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Bouman 2016)"]},{"tagName":"p","children":["(Google 2017)"]},{"tagName":"p","children":["(Yale University, n.d.)"]},{"tagName":"p","children":["For more examples, see ",{"tagName":"a","children":["15.50–52"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec050.html","class":"is-external"}}," in ",{"tagName":"em","children":["The Chicago Manual of Style"]},". For multimedia, including live performances, see ",{"tagName":"a","children":["15.57"],"attributes":{"href":"https://www.chicagomanualofstyle.org/book/ed17/part3/ch15/psec057.html","class":"is-external"}},"."]},{"tagName":"p","children":[{"tagName":"strong","children":["Social media content"]}]},{"tagName":"p","children":["Citations of content shared through social media can usually be limited to the text (as in the first example below). If a more formal citation is needed, a reference list entry may be appropriate. In place of a title, quote up to the first 160 characters of the post. Comments are cited in reference to the original post."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Text"]}]}]},{"tagName":"p","children":["Conan O’Brien’s tweet was characteristically deadpan: “In honor of Earth Day, I’m recycling my tweets” (@ConanOBrien, April 22, 2015)."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["Reference list entries (in alphabetical order)"]}]}]},{"tagName":"p","children":["Chicago Manual of Style. 2015. “Is the world ready for singular they? We thought so back in 1993.” Facebook, April 17, 2015. https://www.facebook.com/ChicagoManual/posts/10152906193679151."]},{"tagName":"p","children":["Souza, Pete (@petesouza). 2016. “President Obama bids farewell to President Xi of China at the conclusion of the Nuclear Security Summit.” Instagram photo, April 1, 2016. https://www.instagram.com/p/BDrmfXTtNCt/."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citations"]}]}]},{"tagName":"p","children":["(Chicago Manual of Style 2015)"]},{"tagName":"p","children":["(Souza 2016)"]},{"tagName":"p","children":["(Michele Truty, April 17, 2015, 1:09 p.m., comment on Chicago Manual of Style 2015)"]},{"tagName":"p","children":[{"tagName":"strong","children":["Personal communication"]}]},{"tagName":"p","children":["Personal communications, including email and text messages and direct messages sent through social media, are usually cited in the text only; they are rarely included in a reference list."]},{"tagName":"p","children":[{"tagName":"strong","children":[{"tagName":"em","children":["In-text citation"]}]}]},{"tagName":"p","children":["(Sam Gomez, Facebook message to author, August 1, 2017)"]}]}}]},{"tagName":"aside","attributes":{"class":"column medium-3"},"children":[{"value":{"tagName":"section","attributes":{"class":"box"},"children":[{"tagName":"section","attributes":{},"children":[{"tagName":"h1","attributes":{},"children":["Want to publish with us? 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Images should be provided in greyscale and at a minimum of 300 dpi. Provide typed captions for figures and plates.\u003c/p>\u003cp>The journal is printed in black-and-white. Therefore, we prefer that you supply your figures in greyscale. Figures supplied in colour will be converted to greyscale for print unless the author confirms they will cover the cost of printing in colour (costs available from the production/editorial office).\u003c/p>\u003cp>You may however request for any/all figures to be shown in colour in the HTML (web) version of your article, but bear in mind that the PDF/print version will still be black-and-white, so please make sure that colour is not critical to understanding any figures; and do not describe elements of the figure in terms of their colours.\u003c/p>\u003cp>For example line graphs with several data series can usually be represented adequately in black-and-white by using different line styles and/or different shaped nodes.\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h3","styles":["headline"],"children":["Illustrations"]},{"tagName":"p","children":["Supply figures and plates as separate files, in either TIFF or JPEG format, with their position within the text clearly indicated on the page where they are introduced. Images should be provided in greyscale and at a minimum of 300 dpi. Provide typed captions for figures and plates."]},{"tagName":"p","children":["The journal is printed in black-and-white. Therefore, we prefer that you supply your figures in greyscale. Figures supplied in colour will be converted to greyscale for print unless the author confirms they will cover the cost of printing in colour (costs available from the production/editorial office)."]},{"tagName":"p","children":["You may however request for any/all figures to be shown in colour in the HTML (web) version of your article, but bear in mind that the PDF/print version will still be black-and-white, so please make sure that colour is not critical to understanding any figures; and do not describe elements of the figure in terms of their colours."]},{"tagName":"p","children":["For example line graphs with several data series can usually be represented adequately in black-and-white by using different line styles and/or different shaped nodes."]}]}}]},{"tagName":"aside","attributes":{"class":"column medium-3"},"children":[{"value":{"tagName":"section","attributes":{"class":"box"},"children":[{"tagName":"section","attributes":{},"children":[{"tagName":"h1","attributes":{},"children":["Want to publish with us? 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It will help you to prepare artwork so that it will be processed as quickly and smoothly as possible, and give the best possible results in the final printed version. Please follow these instructions carefully.\u003c/p>\u003ch3>File formats\u003c/h3>\u003ch4>We prefer:\u003c/h4>\u003ctable class=\"Table\">\u003ctbody>\u003ctr>\u003ctd>\u003cp>\u003cstrong>Format\u003c/strong>\u003c/p>\u003c/td>\u003ctd>\u003cp>\u003cstrong>Resolution/Notes\u003c/strong>\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Adobe Illustrator or Encapsulated PostScript (*.AI or *.EPS)\u003c/p>\u003c/td>\u003ctd>\u003cp>For vector and composite images: minimum resolution for bitmap content of 300dpi (dots per inch) at final printed size. Fonts to be included.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Adobe Photoshop (*.PSD)\u003c/p>\u003c/td>\u003ctd>\u003cp>Please supply with any layers intact.\u003c/p>\u003c/td>\u003c/tr>\u003c/tbody>\u003c/table>\u003ch4>We can accept:\u003c/h4>\u003ctable>\u003ctbody>\u003ctr>\u003ctd>\u003cstrong>Format\u003c/strong>\u003c/td>\u003ctd>\u003cstrong>Resolution/Notes\u003c/strong>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>TIFF\u003c/p>\u003c/td>\u003ctd>\u003cp>Minimum resolution of 300dpi at the size the image is to appear in print. If the figure contains text minimum resolution is 400dpi and 600dpi where it contains small text or other fine detail. Compress only if file size is large.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>MS Word, MS PowerPoint, MS Excel\u003c/p>\u003c/td>\u003ctd>\u003cp>Minimum resolution of 300dpi for halftone images and 1000dpi for line art. Generate postscript files by using ‘Print to file’. To do this, open the image in its native application, go into the ‘print’ menu and change the destination from ‘printer’ to ‘file’ (or click on ‘print to file’). This will write a Postscript (.ps or .prn) file.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>JPEG\u003c/p>\u003c/td>\u003ctd>\u003cp>Minimum resolution of 300dpi (72dpi files are not useable) at the size the image is to appear in print. If the figure contains text minimum resolution is 400dpi and 600dpi where it contains small text or other fine detail. Compress only if file size large. Please supply the highest possible quality (between 10 and 12) to prevent reduction of quality.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Acrobat PDF\u003c/p>\u003c/td>\u003ctd>\u003cp>Use ‘Print PDF’ or ‘Press PDF’ settings. Always use embed fonts option in the job options setting (fonts tab). For composite images – min. resolution of 300dpi at final printed size.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>PICT\u003c/p>\u003c/td>\u003ctd>\u003cp>Minimum resolution of 300dpi (72dpi files are not useable) at the size the image is to appear in print. If the figure contains text, minimum resolution is 400dpi, and 600dpi where it contains small text or other fine detail. Compress only if file size is large.\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Canvas version 9\u003c/p>\u003c/td>\u003ctd>\u003cp>-\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>DeltaGraph version 5.6\u003c/p>\u003c/td>\u003ctd>\u003cp>-\u003c/p>\u003c/td>\u003c/tr>\u003ctr>\u003ctd>\u003cp>Sigma Plot 9\u003c/p>\u003c/td>\u003ctd>\u003cp>-\u003c/p>\u003c/td>\u003c/tr>\u003c/tbody>\u003c/table>\u003cp>We \u003cstrong>cannot\u003c/strong> accept: Canvas before version 3.5, DeltaGraph before version 5.6. Where manuscripts are submitted as TeΧ files, we accept graphics in EPS or TIF formats.\u003c/p>\u003ch3>Image types\u003c/h3>\u003cp>Raster formats (bitmapped images) are best suited to photographs and scans (we prefer Photoshop or TIFF files). Line (or vector) formats are best for graphs and schematic diagrams.\u003c/p>\u003ch3>Colour artwork\u003c/h3>\u003cp>Some, but not all, Palgrave Macmillan journals publish colour artwork. For these journals, remember that there is a charge for reproducing print figures in colour, so if colour is not a significant element in your figures, we recommend that you supply them in a greyscale format (Excel bar graphs, for example), or indicate clearly that greyscale reproduction is acceptable. Otherwise, we may send you a form detailing the applicable colour charges, and asking you to confirm whether you want to proceed with colour printing.\u003c/p>\u003cp>The colour printing process requires files to be in CMYK format.\u003c/p>\u003cp>We prefer authors to convert their artwork to CMYK format before submission – this means that the author can approve any change in colour that occurs during the conversion process.\u003c/p>\u003cp>However, conversion from RGB to CMYK is very critical and depends upon profiles, so if you are not well versed with conversion, please supply the RGB files. We will convert these with standard profiles, so as to minimize the loss in colours.\u003c/p>\u003ch3>Presentation of figures\u003c/h3>\u003cp>\u003cstrong>Lettering should be:\u003c/strong>\u003c/p>\u003cul>\u003cli>In a sans serif typeface (preferably Helvetica or Arial)\u003c/li>\u003cli>In the same typeface throughout\u003c/li>\u003cli>Not placed directly over images or shaded areas\u003c/li>\u003cli>Bold upright (not italic) and lowercase when labelling multipart figures\u003c/li>\u003cli>Between 6 and 8 point for labels\u003c/li>\u003c/ul>\u003cp>\u003cstrong>Figure sizing should:\u003c/strong>\u003c/p>\u003cul>\u003cli>Be as small as possible (for reasons of space in the journal)\u003c/li>\u003cli>Be supplied in a comparable size to similar figures in printed issues of the journal\u003c/li>\u003cli>Be able to fit into a single column of the printed journal wherever possible\u003c/li>\u003cli>Be able to be reduced significantly without loss of quality wherever possible\u003c/li>\u003cli>Ensure that lettering will remain readable after reduction (avoid large type or thick lines) – we recommend that lines are between 0.5 and 1 point\u003c/li>\u003c/ul>\u003ch3 class=\"flapHead hideContent\">Terminology\u003c/h3>\u003cp class=\"flapContent\">\u003cstrong>BITMAP:\u003c/strong> Any image that’s made up of a grid of dots: typically photos from digital cameras, scanned images, and screenshots are bitmaps. Painting and imageediting applications such as Photoshop and Paint Shop Pro produce bitmap images. Bitmaps are resolution dependent, which means a particular level of detail was saved when they were first created, and if you then try to enlarge them, they will start to look blocky and jagged. Some bitmap file formats such as JPG use compression to reduce the file size; this can also result in blockiness and loss of detail: therefore, please avoid compression settings unless the file sizes are getting too big to transfer with ease. Some common bitmap file formats: TIFF, BMP, JPG, PNG.\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>COMPOSITE: \u003c/strong>A type of file format that can store both bitmap and vector image data. EPS files are the most common type of composite image. Photoshop PSD files are bitmap-based but can also store vector data such as editable text. Illustrator and CorelDraw files are vector-based but can also store bitmap data.\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>D.P.I.:\u003c/strong> Dots per inch: the usual measure of resolution for bitmap images.\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>RASTER:\u003c/strong> same as bitmap\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>RESOLUTION:\u003c/strong> The level of detail stored in a bitmap image. When you first take a digital photo or scan a document, you should get a chance to choose the resolution. Higher resolution results in a larger file, but looks much better when printed. We ask that you create images with a resolution of at least 300 d.p.i. where possible. Images copied from web pages are only 72 d.p.i. and can look very blocky when printed; we therefore recommend that you only use these when absolutely unavoidable: when the figure is specifically depicting a web page, for example. In other instances, it’s always worth contacting the owner of the website in question to ask whether the image is also available in another format.\u003c/p>\u003cp class=\"flapContent\">\u003cstrong>VECTOR:\u003c/strong> An image that is made up of separate elements such as lines, boxes and text, which are individually editable: line graphs, flow charts, schematic diagrams are best saved as vector files. Files created by drawing packages such as Illustrator, AutoCAD or Visio for example, or diagrams created using Word or PowerPoint’s native drawing tools. Vector images are resolution independent, which means you can scale them up or down without loss of detail. Some common vector file formats: WMF, EMF.\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["This guide is to assist authors whose manuscripts have been accepted for publication by Palgrave Macmillan. It will help you to prepare artwork so that it will be processed as quickly and smoothly as possible, and give the best possible results in the final printed version. 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Fonts to be included."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Adobe Photoshop (*.PSD)"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Please supply with any layers intact."]}]}]}]}],"attributes":{"class":"Table"}},{"tagName":"h4","styles":["headline"],"children":["We can accept:"]},{"tagName":"table","children":[{"tagName":"tbody","children":[{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"strong","children":["Format"]}]},{"tagName":"td","children":[{"tagName":"strong","children":["Resolution/Notes"]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["TIFF"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Minimum resolution of 300dpi at the size the image is to appear in print. If the figure contains text minimum resolution is 400dpi and 600dpi where it contains small text or other fine detail. Compress only if file size is large."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["MS Word, MS PowerPoint, MS Excel"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Minimum resolution of 300dpi for halftone images and 1000dpi for line art. Generate postscript files by using ‘Print to file’. To do this, open the image in its native application, go into the ‘print’ menu and change the destination from ‘printer’ to ‘file’ (or click on ‘print to file’). This will write a Postscript (.ps or .prn) file."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["JPEG"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Minimum resolution of 300dpi (72dpi files are not useable) at the size the image is to appear in print. If the figure contains text minimum resolution is 400dpi and 600dpi where it contains small text or other fine detail. Compress only if file size large. Please supply the highest possible quality (between 10 and 12) to prevent reduction of quality."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Acrobat PDF"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Use ‘Print PDF’ or ‘Press PDF’ settings. Always use embed fonts option in the job options setting (fonts tab). For composite images – min. resolution of 300dpi at final printed size."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["PICT"]}]},{"tagName":"td","children":[{"tagName":"p","children":["Minimum resolution of 300dpi (72dpi files are not useable) at the size the image is to appear in print. If the figure contains text, minimum resolution is 400dpi, and 600dpi where it contains small text or other fine detail. Compress only if file size is large."]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Canvas version 9"]}]},{"tagName":"td","children":[{"tagName":"p","children":["-"]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["DeltaGraph version 5.6"]}]},{"tagName":"td","children":[{"tagName":"p","children":["-"]}]}]},{"tagName":"tr","children":[{"tagName":"td","children":[{"tagName":"p","children":["Sigma Plot 9"]}]},{"tagName":"td","children":[{"tagName":"p","children":["-"]}]}]}]}]},{"tagName":"p","children":["We ",{"tagName":"strong","children":["cannot"]}," accept: Canvas before version 3.5, DeltaGraph before version 5.6. Where manuscripts are submitted as TeΧ files, we accept graphics in EPS or TIF formats."]},{"tagName":"h3","styles":["headline"],"children":["Image types"]},{"tagName":"p","children":["Raster formats (bitmapped images) are best suited to photographs and scans (we prefer Photoshop or TIFF files). Line (or vector) formats are best for graphs and schematic diagrams."]},{"tagName":"h3","styles":["headline"],"children":["Colour artwork"]},{"tagName":"p","children":["Some, but not all, Palgrave Macmillan journals publish colour artwork. For these journals, remember that there is a charge for reproducing print figures in colour, so if colour is not a significant element in your figures, we recommend that you supply them in a greyscale format (Excel bar graphs, for example), or indicate clearly that greyscale reproduction is acceptable. Otherwise, we may send you a form detailing the applicable colour charges, and asking you to confirm whether you want to proceed with colour printing."]},{"tagName":"p","children":["The colour printing process requires files to be in CMYK format."]},{"tagName":"p","children":["We prefer authors to convert their artwork to CMYK format before submission – this means that the author can approve any change in colour that occurs during the conversion process."]},{"tagName":"p","children":["However, conversion from RGB to CMYK is very critical and depends upon profiles, so if you are not well versed with conversion, please supply the RGB files. We will convert these with standard profiles, so as to minimize the loss in colours."]},{"tagName":"h3","styles":["headline"],"children":["Presentation of figures"]},{"tagName":"p","children":[{"tagName":"strong","children":["Lettering should be:"]}]},{"tagName":"ul","children":[{"tagName":"li","children":["In a sans serif typeface (preferably Helvetica or Arial)"]},{"tagName":"li","children":["In the same typeface throughout"]},{"tagName":"li","children":["Not placed directly over images or shaded areas"]},{"tagName":"li","children":["Bold upright (not italic) and lowercase when labelling multipart figures"]},{"tagName":"li","children":["Between 6 and 8 point for labels"]}]},{"tagName":"p","children":[{"tagName":"strong","children":["Figure sizing should:"]}]},{"tagName":"ul","children":[{"tagName":"li","children":["Be as small as possible (for reasons of space in the journal)"]},{"tagName":"li","children":["Be supplied in a comparable size to similar figures in printed issues of the journal"]},{"tagName":"li","children":["Be able to fit into a single column of the printed journal wherever possible"]},{"tagName":"li","children":["Be able to be reduced significantly without loss of quality wherever possible"]},{"tagName":"li","children":["Ensure that lettering will remain readable after reduction (avoid large type or thick lines) – we recommend that lines are between 0.5 and 1 point"]}]},{"tagName":"h3","styles":["headline"],"events":{"click":[{"name":"toggle","data":{}}]},"children":["Terminology"],"attributes":{"class":"flapHead hideContent"}},{"tagName":"div","attributes":{"class":"collapsible-wrapper"},"children":[{"tagName":"p","children":[{"tagName":"strong","children":["BITMAP:"]}," Any image that’s made up of a grid of dots: typically photos from digital cameras, scanned images, and screenshots are bitmaps. Painting and imageediting applications such as Photoshop and Paint Shop Pro produce bitmap images. Bitmaps are resolution dependent, which means a particular level of detail was saved when they were first created, and if you then try to enlarge them, they will start to look blocky and jagged. Some bitmap file formats such as JPG use compression to reduce the file size; this can also result in blockiness and loss of detail: therefore, please avoid compression settings unless the file sizes are getting too big to transfer with ease. Some common bitmap file formats: TIFF, BMP, JPG, PNG."],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["COMPOSITE: "]},"A type of file format that can store both bitmap and vector image data. EPS files are the most common type of composite image. Photoshop PSD files are bitmap-based but can also store vector data such as editable text. Illustrator and CorelDraw files are vector-based but can also store bitmap data."],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["D.P.I.:"]}," Dots per inch: the usual measure of resolution for bitmap images."],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["RASTER:"]}," same as bitmap"],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["RESOLUTION:"]}," The level of detail stored in a bitmap image. When you first take a digital photo or scan a document, you should get a chance to choose the resolution. Higher resolution results in a larger file, but looks much better when printed. We ask that you create images with a resolution of at least 300 d.p.i. where possible. Images copied from web pages are only 72 d.p.i. and can look very blocky when printed; we therefore recommend that you only use these when absolutely unavoidable: when the figure is specifically depicting a web page, for example. In other instances, it’s always worth contacting the owner of the website in question to ask whether the image is also available in another format."],"attributes":{"class":"flapContent"}},{"tagName":"p","children":[{"tagName":"strong","children":["VECTOR:"]}," An image that is made up of separate elements such as lines, boxes and text, which are individually editable: line graphs, flow charts, schematic diagrams are best saved as vector files. Files created by drawing packages such as Illustrator, AutoCAD or Visio for example, or diagrams created using Word or PowerPoint’s native drawing tools. Vector images are resolution independent, which means you can scale them up or down without loss of detail. 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The author will need to obtain permission to reproduce any such items, and include these permissions with their final submission. Where use is so restricted, the Editor/editorial office and Publisher must be informed with the final submission of the material. Please see further guidance on the use of 3rd party materials below. Please add any necessary acknowledgments to the typescript, preferably in the form of an Acknowledgments section at the end of the paper. Credit the source and copyright of photographs, figures, illustrations etc. in the accompanying captions.\u003c/p>\u003cp>\u003ca href=\"/gp/palgrave/journal-authors/rights-permissions/10052490\" target=\"_blank\">Using 3rd party material in your article\u003c/a>\u003c/p>\u003ch3>Copyright of subscription content\u003c/h3>\u003cp>When publishing via the subscription route, it is our policy to ask all contributors to transfer the copyright in their contribution to the journal owner. There are two broad reasons for this:\u003c/p>\u003cul>\u003cli>ownership of copyright by the journal owner facilitates international protection against infringement of copyright, libel or plagiarism;\u003c/li>\u003cli>it also ensures that requests by third parties to reprint or reproduce a contribution, or part of it, in either print or electronic form, are handled efficiently in accordance with our general policy which encourages dissemination of knowledge within the framework of copyright.\u003c/li>\u003c/ul>\u003cp>As an author and contributor you retain many rights. These are detailed at the link below. The journal mandates the Copyright Clearance Center in the USA and the Copyright Licensing Agency in the UK to offer centralized licensing arrangements for photocopying in their respective territories.\u003c/p>\u003cp>\u003ca href=\"/gp/palgrave/journal-authors/rights-permissions/10052490\" target=\"_blank\">Retained rights\u003c/a>\u003c/p>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"h3","styles":["headline"],"children":["Reproducing copyrighted material in articles – clearing permissions"]},{"tagName":"p","children":["The author bears the responsibility for checking whether material submitted is subject to copyright or ownership rights, e.g. figures, tables, photographs, illustrations, trade literature and data. The author will need to obtain permission to reproduce any such items, and include these permissions with their final submission. Where use is so restricted, the Editor/editorial office and Publisher must be informed with the final submission of the material. Please see further guidance on the use of 3rd party materials below. Please add any necessary acknowledgments to the typescript, preferably in the form of an Acknowledgments section at the end of the paper. Credit the source and copyright of photographs, figures, illustrations etc. in the accompanying captions."]},{"tagName":"p","children":[{"tagName":"a","children":["Using 3rd party material in your article"],"attributes":{"href":"/gp/palgrave/journal-authors/rights-permissions/10052490","target":"_blank"}}]},{"tagName":"h3","styles":["headline"],"children":["Copyright of subscription content"]},{"tagName":"p","children":["When publishing via the subscription route, it is our policy to ask all contributors to transfer the copyright in their contribution to the journal owner. 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COPE’s mission is to promote integrity in scholarly research and its publication, and the journal strives to uphold ethical principles across all its processes.\u003c/p>\u003cp>The journal expects all prospective authors to read and understand the Ethics Policy of the journal and its Publisher, Palgrave Macmillan, before submitting any manuscript to this journal. This policy details the responsibilities of all authors, editors and reviewers working with and for Palgrave Macmillan Journals as well as the journal’s own ethical responsibilities. This includes, but is not limited to, plagiarism, falsification of data, misuse of third-party material, fabrication of results and fraudulent authorship.\u003c/p>\u003cblockquote>\u003cp>This journal does not charge for the submission of manuscripts to the journal.\u003c/p>\u003cp>The manuscript review process is handled via a manuscript management platform called Editorial Manager. All the steps taken in the review process, and all communications around the review of a manuscript, are typically logged on Editorial Manager, for ease of use and transparency. Not all journals follow this, please refer to the specific journal for instructions.\u003c/p>\u003cp>Manuscripts submitted to the journal are subject to checks using iThenticate to detect instances of overlapping and similar text. The iThenticate software checks submissions against millions of published research papers, documents on the web, and other relevant sources. If plagiarism or misconduct is found, consequences are detailed in Palgrave’s Ethics Policy.\u003c/p>\u003cp>Upon submission, authors are asked to state any conflicts of interest around their research. The order of authors for a manuscript needs to be clear and included in the cover page of the submitted manuscript. Any changes in author order, or in authorship, will be addressed formally and require the consent of all parties.\u003c/p>\u003cp>Journal reviewers are explicitly asked to decline any reviewership which may be subject to conflicts of interest.\u003c/p>\u003c/blockquote>\u003cp>\u003cstrong>Useful links\u003c/strong>\u003c/p>\u003cul>\u003cli>\u003ca href=\"https://publicationethics.org/\" target=\"_self\" class=\"is-external\">Committee on Publication Ethics (COPE)\u003c/a>\u003c/li>\u003cli>\u003ca href=\"https://www.palgrave.com/gp/palgrave/journal-authors/ethics-policy/10052358\" target=\"_self\" class=\"is-external\">Palgrave Macmillan’s Ethics Policy\u003c/a>\u003c/li>\u003cli>\u003ca href=\"https://www.crossref.org/services/similarity-check/\" target=\"_self\" class=\"is-external\">Similarity Check\u003c/a>\u003c/li>\u003c/ul>","shortHtml":null,"contentType":null,"source":null,"imageController":null,"viewType":null,"target":null,"picture":null,"overlayText":null,"nodes":[{"tagName":"p","children":["This journal, via its publisher Palgrave Macmillan, is a member of the Committee on Publication Ethics (COPE). COPE’s mission is to promote integrity in scholarly research and its publication, and the journal strives to uphold ethical principles across all its processes."]},{"tagName":"p","children":["The journal expects all prospective authors to read and understand the Ethics Policy of the journal and its Publisher, Palgrave Macmillan, before submitting any manuscript to this journal. This policy details the responsibilities of all authors, editors and reviewers working with and for Palgrave Macmillan Journals as well as the journal’s own ethical responsibilities. This includes, but is not limited to, plagiarism, falsification of data, misuse of third-party material, fabrication of results and fraudulent authorship."]},{"tagName":"blockquote","children":[{"tagName":"p","children":["This journal does not charge for the submission of manuscripts to the journal."]},{"tagName":"p","children":["The manuscript review process is handled via a manuscript management platform called Editorial Manager. 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<br/>
<em>postmedieval </em>publishes theoretically driven scholarship on premodernity and its ongoing reverberations. Contributions are characterized by conceptual adventure, stylistic experiment, political urgency, or surprising encounter. The editors are committed to expanding the fields of knowledge and geography represented in the journal, by showcasing scholarship that reaches across disciplines, language traditions, locales, modes of inquiry, and levels of access. Our aim is to facilitate collaborative, ethical, and experimental engagements with the medieval – with its archives and art, its thought and practices, its traces and its enduring possibilities. <br/>
<br/>
In general, <em>postmedieval </em>is published four times a year. Some of these are themed, guest-edited issues; others are open-topic. The journal’s editors will consider submissions of individual essays as well as proposals for themed issues. If accepted, individual essays will be published as Online First publications, appearing first as independent articles on the journal website and later in one of the print issues. We will also entertain small, themed clusters of essays to be included in open issues as well as commissioned book-review essays.<br/>
 </p>

<p><em>postmedieval</em> is a <strong>Transformative Journal</strong>; authors can publish using the traditional publishing route OR via immediate gold Open Access.<br/>
<br/>
More information on Transformative journals: <strong>https://www.springernature.com/gp/open-research/transformative-journals</strong><br/>
<br/>
More information on funder and institutional requirements: <strong>https://www.springernature.com/gp/open-research/funding</strong></p></div></div></div></section><aside class="column medium-4"><section class="cta-aside-section"><section class="springerlink-section"><h4 class="aside-headline-3350774344">Go to <strong>SpringerLink</strong> to see if you have access</h4><a href="https://link.springer.com/journal/volumesAndIssues/41280" target="_blank" data-track="click" class="button-base-47711979"><span class="button-label-2770091062">Browse Volumes &amp; Issues</span><svg width="16" height="16" viewBox="0 0 16 16" class="button-icon-1494494357"><path fill="inherit" fill-rule="evenodd" d="M13.161 12.387c.428 0 .774.347.774.774v1.033c0 .996-.81 1.806-1.806 1.806H1.677A1.68 1.68 0 0 1 0 14.323V3.87c0-.996.81-1.806 1.806-1.806H2.84a.774.774 0 0 1 0 1.548H1.806a.258.258 0 0 0-.258.258v10.452a.13.13 0 0 0 .13.129h10.451a.258.258 0 0 0 .258-.258V13.16c0-.427.347-.774.774-.774zM14.323 0A1.68 1.68 0 0 1 16 1.677V8a.774.774 0 0 1-1.548 0V2.644l-9.002 9a.768.768 0 0 1-.547.227.773.773 0 0 1-.547-1.321l9-9.002H8A.774.774 0 0 1 8 0h6.323z"></path></svg></a><a href="https://link.springer.com/search?search-within=Journal&amp;facet-journal-id=41280&amp;package=openaccessarticles" target="_blank" data-track="click" class="button-base-1830738698"><span class="button-label-3529295895">Read Open Access Articles</span><svg width="16" height="16" viewBox="0 0 16 16" class="button-icon-735289524"><path fill="inherit" fill-rule="evenodd" d="M13.161 12.387c.428 0 .774.347.774.774v1.033c0 .996-.81 1.806-1.806 1.806H1.677A1.68 1.68 0 0 1 0 14.323V3.87c0-.996.81-1.806 1.806-1.806H2.84a.774.774 0 0 1 0 1.548H1.806a.258.258 0 0 0-.258.258v10.452a.13.13 0 0 0 .13.129h10.451a.258.258 0 0 0 .258-.258V13.16c0-.427.347-.774.774-.774zM14.323 0A1.68 1.68 0 0 1 16 1.677V8a.774.774 0 0 1-1.548 0V2.644l-9.002 9a.768.768 0 0 1-.547.227.773.773 0 0 1-.547-1.321l9-9.002H8A.774.774 0 0 1 8 0h6.323z"></path></svg></a><a href="https://link.springer.com/journal/41280/online-first" target="_blank" data-track="click" class="button-base-663551917"><span class="button-label-899355120">View Online First Articles</span><svg width="16" height="16" viewBox="0 0 16 16" class="button-icon-878654419"><path fill="inherit" fill-rule="evenodd" d="M13.161 12.387c.428 0 .774.347.774.774v1.033c0 .996-.81 1.806-1.806 1.806H1.677A1.68 1.68 0 0 1 0 14.323V3.87c0-.996.81-1.806 1.806-1.806H2.84a.774.774 0 0 1 0 1.548H1.806a.258.258 0 0 0-.258.258v10.452a.13.13 0 0 0 .13.129h10.451a.258.258 0 0 0 .258-.258V13.16c0-.427.347-.774.774-.774zM14.323 0A1.68 1.68 0 0 1 16 1.677V8a.774.774 0 0 1-1.548 0V2.644l-9.002 9a.768.768 0 0 1-.547.227.773.773 0 0 1-.547-1.321l9-9.002H8A.774.774 0 0 1 8 0h6.323z"></path></svg></a></section><section class="sign-up-form box2-321956623"><div><div id="alert-widget_body">
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                    <div class="issue">
                        <p class="type"><small>Article</small></p>
                        <h3 class="link">
                            <a href="https://link.springer.com/article/10.1057/s41280-024-00326-1" title="About the Cover" target="_blank">About the Cover</a>
                        </h3>
                        <p class="editors"><small><span>Francesca Brooks</span></small></p>
                    </div>
                    
                    <div class="issue">
                        <p class="type"><small>Original Article</small></p>
                        <h3 class="link">
                            <a href="https://link.springer.com/article/10.1057/s41280-024-00324-3" title="The womb as a wild mother beast" target="_blank">The womb as a wild mother beast</a>
                        </h3>
                        <p class="editors"><small><span>Naama Cohen-Hanegbi</span>, <span>Guy Erez</span></small></p>
                    </div>
                    
                    <div class="issue">
                        <p class="type"><small>Original Article</small></p>
                        <h3 class="link">
                            <a href="https://link.springer.com/article/10.1057/s41280-024-00325-2" title="‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone" target="_blank">‘I’m on the dark side of the road’: Bob Dylan, William Langland, and being already gone</a>
                        </h3>
                        <p class="editors"><small><span>Eric Weiskott</span></small></p>
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